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Journal of a Superfluous Woman: A Collection of Essays documents a woman's struggle to understand life and her place in it. Her experience with breast cancer forms the catalyst for an examination of conscience--a looking back in order that she might move forward. These essays attempt to put into perspective childhood memories, race, religion, relationships, career choices, training versus education, illness, death, and a perception that the world still undervalues the role of the unwed and childless. It is said that she who writes about herself and her time writes about all people for all time. Here, I. R. King offers herself as a metaphor through which some of life's foibles and paradoxes can be examined in the quest for improvement. Journal of A Superfluous Woman: A Collection of Essays is a journey of reflection and introspection. It is a quest for the unknown and the unknowable, an attempt to reconcile the irreconcilable, and a search for meaning, purpose, and wholeness. The recognition that duality is imbedded in the depths of reality forms the basis for creating peace, within and without, and for moving toward balance, equipoise, and love.
Superfluous Women tells the unique story of a generation of artists, feminists, and queer activists who emerged in Ukraine after the collapse of the Soviet Union. With a focus on new media, Zychowicz demonstrates how contemporary artist collectives in Ukraine have contested Soviet and Western connotations of feminism to draw attention to a range of human rights issues with global impact. In the book, Zychowicz summarizes and engages with more recent critical scholarship on the role of digital media and virtual environments in concepts of the public sphere. Mapping out several key changes in newly independent Ukraine, she traces the discursive links between distinct eras, marked by mass gatherings on Kyiv’s main square, in order to investigate the deeper shifts driving feminist protest and politics today.
An alphabetized volume on women writers, major titles, movements, genres from medieval times to the present.
Jane Austen’s minor female characters expose the economic and social realties of British women in the long eighteenth century and reflect the conflict between intrinsic and expressed value within the evolving marketplace, where fluctuations and fictions inherent in the economic and moral value structures are exposed. Just as the newly-minted paper money was struggling to express its value, so do Austen’s minor female characters struggle to assert their intrinsic value within a marketplace that expresses their worth as bearers of dowries. Austen’s minor female characters expose the plight of women who settle for transactional marriages, become speculators and predators, or become superfluous women who have left the marriage market and battle for personal significance and existence. These characters illustrate the ambiguity of value within the marriage market economy, exposing women’s limited choices. This book employs a socio-historical framework, considering the rise of a competitive consumer economy juxtaposed with affective individualism.
An examination of two influential women writers in the mid-nineteenth century which challenges many common assumptions about the development of the Russian literary tradition
Drawing from and reworking Gothic conventions, the New Woman version is marshaled during a tumultuous cultural moment of gender anxiety either to defend or revile the complex character. The controversial and compelling figure of the New Woman in fin de siècle British fiction has garnered extensive scholarly attention, but rarely has she been investigated through the lens of the Gothic. Part I, “The Blurred Boundary,” examines an obfuscated distinction between the New Woman and the prostitute, presented in a stunning breadth and array of writings. Part II, “Reconfigured Conventions,” probes four key aspects of the Gothic, each of which is reshaped to reflect the exigencies of the fin de siècle. In Part III, “Villainous Characters,” the bad father of Romantic fiction is bifurcated into the husband and the mother, both of whom cause great suffering to the protagonist.