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Jasmine Whitfield, Lela Harrington, and Monica Van Adams are back in this sequel to A Summer of Passion, Love, Pain, and Happiness. Jasmine has finally found the man of her dreams, but will stop at nothing to fulfill her own selfish desires; Lela struggles to get her life back on track after a horrific shooting incident, only to have painful secrets from her past exposed; and Monica overcomes bed rest boredom by indulging in extravagant shopping ventures and a new special someone, even though Anthony is still very much in the picture. These divas always add a devious twist on everything that happens in their lives to come out on top no matter what. As their relationships progress, they seem to have it all, but will it ever be enough?
Taking My Life Back One Step at a Time: How I Walked My Way Back to Healthy Let’s just face it, honey, there is no quick fix for weight loss, period. No fad diet, prescription, or pricey weight loss shake or bar will lead you to your best you. Only the natural way—a complete change in your diet along with exercise—will safely facilitate weight loss and help keep the pounds off. I have lost over eighty-five pounds and have managed to keep them off for over two years. I am so delighted to share my journey with you. Throughout the course of this book, I will divulge my health struggles as a result of being overweight, the turning point in my life, and exactly what lifestyle changes that I have found work for me. So sit back, relax, and take notes!
In this indispensable volume, fourteen intellectually compelling essays consider Kate Chopin's life and art from a variety of critical perspectives—biographical, New Historicist, materialist, poststructuralist, feminist—with several of the pieces focusing on Chopin's classic novel, The Awakening.
Consciousness, declares Robin Fox, is "out of context." Useful as an adaptation in the Stone Age, it brought humanity to the top of the food chain but has now created a world it cannot control. The Passionate Mind explores this paradox not through academic demonstration but through satiric dialogues, blank-verse ruminations, lyric, narrative and comic verse, and Aesopian fables. This mix of genres and styles forces us out of our usual linear modes of thinking to confront a harsh thesis. Because of consciousness we cannot operate without ideas, but once in thrall to ideas--whether of love, power, religion, or ideology--we cannot operate without destructiveness lest we become imprisoned by them. The range of subjects and genres Fox covers includes a verse summary of the key points of human evolution, a conference of farm animals ruminating on their social problems, visions of a desperate future from a neolithic hunter and a shaman at Lascaux, Kafkaesque trial scenes, and a new version of "God is dead." George Washington, having lost at Yorktown is put on trial with Adams, Jefferson, and Benedict Arnold giving evidence. Through the persona of Humbert Humbert as decadent Europe, the new world of Lolita/America is faced with the consequences of its pursuit of happiness. Scandinavian utopianism and salvation through romantic eros get their turn, and the basic "design failure" of humanity is examined in a Platonic dialogue. A bullfight and the struggle for existence in New Jersey farming lead up to a monologue from a decidedly unlikely Jesus who turns out to be part of an alien plan to control an otherwise out of control human race. Through this kaleidoscopic mix, Fox mounts a case for a thorough revision of consciousness that breaks "realistic" boundaries between science, the humanities, religion, and myth.
In their twenties, PJ Addison and Wylie Parsons were hot young actors. Their iconic performances as the final girls in Dangerous Summer Nights launched a slasher franchise, and their real-life relationship only made their characters’ romance—and the film—more popular. But young love rarely lasts, and the Hollywood machine is brutal. A decade later they are called back to the most recent Dangerous Summer Nights installment. Their days of shifting cultural paradigms are long past. It’s hard enough just to maintain Hollywood careers and pseudo happy lives. PJ’s a director, finally making a name for herself that isn’t attached to having been a sexy starlet. Wylie is on marriage number three and most days doesn’t even mind that she’s a cliché. Their job is simple: pretend to be wildly in love on film again. Like professionals. But the more they fake it, the more they realize their feelings are anything but an act.
In the Spring of 1997, the promotion of the HIStory album seemed as if it would continue for quite a while, especially since Michael Jackson's eponymous European tour was imminent. And yet, contrary to fans' expectations, a new album entitled Blood On The Dance Floor was announced. More than two decades later, Brice Najar decided to explore the history of this unusual and very special collection of music in the King of Pop's discography. As in Najar's previous book, Let's Make HIStory, he reached out to Michael Jackson's collaborative partners. Through their stories, he was able to fully examine this era, and to understand the context of Jackson's creative process during this time. Ultimately, Book On The Dance Floor serves as a complement to Najar's previous work, and adds to fans' insights into Jackson's life and legacy.
Marion Mahony Griffin (1871–1961) was an American architect and artist, one of the first licensed female architects in the world, designer for Frank Lloyd Wright’s Chicago studio, and an original member of the Prairie School of architecture. Largely heralded for her exquisite presentation drawings for both Wright and her husband, Walter Burley Griffin, Mahony was an adventurous designer in her own right, whose independent and highly original work attracted attention at a moment when architectural drawing and graphic illustration were becoming integral to the design process. This book examines new research into Mahony’s life and paints a vivid portrait of a woman’s place among the lives and productions of some of our most noted American architects. The essays included take us on an ambitious journey from Mahony’s origins in the Chicago suburbs, through her years as Wright’s right-hand woman and her bohemian life with her husband in Australia—whose new capital city, Canberra, she helped to plan—up until her golden years in the middle of the twentieth century. Filled with richly detailed analyses of Mahony’s works and including and populated by an international cast of characters, Marion Mahony Reconsidered greatly expands our knowledge of this talented, complex, and enigmatic modern architect.
With the rise of mass tourism, Italy became increasingly accessible to Victorian women travellers not only as a locus of artistic culture but also as a site of political enquiry. Despite being outwardly denied a political voice in Britain, many female tourists were conspicuous in their commitment to the Italian campaign for national independence, or Risorgimento (1815–61). Revisiting Italy brings several previously unexamined travel accounts by women to light during a decisive period in this political campaign. Revealing the wider currency of the Risorgimento in British literature, Butler situates once-popular but now-marginalized writers: Clotilda Stisted, Janet Robertson, Mary Pasqualino, Selina Bunbury, Margaret Dunbar and Frances Minto Elliot alongside more prominent figures: the Shelley-Byron circle, the Brownings, Florence Nightingale and the Kemble sisters. Going beyond the travel book, she analyses a variety of forms of travel writing including unpublished letters, privately printed accounts and periodical serials. Revisiting Italy focuses on the convergence of political advocacy, gender ideologies, national identity and literary authority in women’s travel writing. Whether promoting nationalism through a maternal lens, politicizing the pilgrimage motif or reviving gothic representations of a revolutionary Italy, it identifies shared touristic discourses as temporally contingent, shaped by commercial pressures and the volatile political climate at home and abroad.