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Excerpt from A Summer in Brittany, Vol. 1 of 2 When, therefore, I determined to attempt a description of the country which had so much interested me, I allowed myself what then appeared to me the ample space of two octavo volumes, in the hope of being able to present to my reader a full-length portrait of the Breton peasant, in all his different varie ties, and marked by all those peculiarities of habits, manners, modes of thinking, dress, &c., which distinguish him from the peasants of any other race. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Finette: A Legend of Brittany The last one, who had no place, was a handsome boy of sixteen, called Yvon. As usual, he was the favorite. When the baron went off in the morning, and when he returned. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Cruleans, Vol. 1 of 2: A Vacation Idyll English travellers, and still more English exiles in the east, love the C rulean Mountains for their suggestive resemblance to the Surrey Hills. They love them, too, for their blue, transparent atmosphere; their sweet sylvan vistas; their woodlands thick with wild roses; their undulating stretches of sward, where the horseman may gallop as freely as on the Brighton downs. Unlike the gorgeous outlines of the great ranges of the north, - Simla with its wide perspective and snow-clad horizon, Naini-Tal clinging to its precipitous mountain side, or the far-off, awful, chilling majesty of Everest and Kinchinjunga, - the C ruleans win you by a loveliness which owes much of its fascination to being essentially homely. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Excerpt from The Jacquerie, Vol. 1 of 2: A Novel Though no one saw his features, it may be necessary that the reader should see them with the eye of imagina tion, and also requisite that he should mark the peculiar expression which those features were. The lines were all good, except perba about the mouth, where a cer tain heavy fulness of t e li 8 took away all beauty from that part of the face.. T e forehead was broad and capacious, though not remarkably high; the brow strong. Ly marked, but finely shaped; the eyes large, sparkling, and full of thoughtful meanin the nose small, but beautifully cut; and the chin per aps a little more promi nent than is exactly symmetrical, but still rounded into that form which the Grecian chisel was delighted to dis play. The hair and beard, which were all short, were of a rich brown colour, and curled about the face in many a graceful sweep; but the form of the head was in itself remarkable, being nearly spherical, though there certainly did appear a degree of fulness behind the ears and at the back of the scull which diminished the beauty of the whole. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.