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Love and laugh with the girls of Benson Creek, as these Mail Order Brides overcome personal challenges to find new lives-and good men to share them with-on the Western frontier.Bound for the West as a Mail Order Bride, Nantucket Murray is carrying a secret that could end her chance for a new life in Benson Creek. Gilbert Snyder had sounded kind enough in his letter, but how kind will he feel when he discovers his new bride can barely speak without stammering?All too familiar with the sting of angry words, Nan has hoped for a gentle man with which to start her new life. One who will not mind her stammer. So when her first sight of her husband-to-be is him in a fight in the dusty street, she's ready to turn around and run straight back East. But this volatile man also shows moments of great kindness, and she wonders if perhaps he can be trusted after all.Gilbert Snyder has finally gotten the ranch he's always dreamed of, but his Mail Order Bride has left him confused and dismayed. He may be loud, but he's not dangerous, yet she seems to shy away from his very words. If he's not the man for her, then maybe he needs to let her go to find someone who is. Can Gil find a way to calm his temper, and can Nan summon the strength to help him? Find out in this fourth book in the Benson Creek Mail Order Bride series!
Every family has things they can’t talk about. Or won’t. For Clara Martin, the prospect of moving to New York from snowy Chicago is her only option after losing her bakery job. Resigned to her fate, she prepares to go…until a chance encounter with endangered horses reminds her of a letter she received from her friend, Sadie, asking her to come to Tombstone, Arizona Territory, to marry a horse wrangler, sight unseen. For Hank Archer, the only son of gentleman rancher Beau Archer, riding the trail has taken its toll. He wants more than anything to stay put on the ranch and when his grandfather leaves him property nearby, he hopes it will be a way to start a new life. The only problem is that to inherit the property, he has to be married. When Hank’s plans begin to crumble, he finds out that his new bride knows more about horses than he realized. And about people. Can she bring them all together and help Hank realize his dream?
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Expecting to be inducted into the army, Joseph has given up his job and carefully prepared for his departure to the battlefront. When a series of mix-ups delays his induction, he finds himself facing a year of idleness. Dangling Man is his journal, a wonderful account of his restless wanderings through Chicago's streets, his musings on the past, his psychological reaction to his inactivity while war rages around him, and his uneasy insights into the nature of freedom and choice.
In The Tools of screenwriting, the authors illuminate the essential elements of cinematic storytelling. These elements are guideposts for the aspiring screenwriter, and they can be used in different ways to accomplish a variety of ends. Questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics are discussed as they apply to the special art of filmmaking.
This book applies Heidegger’s writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another.
Kord and Krimmer investigate the most common male types - cops, killers, fathers, cowboys, superheroes, spies, soldiers, rogues, lovers, and losers - by tracing changing concepts of masculinity in popular Hollywood blockbusters from 1992 to 2008 - the Clinton and Bush eras - against a backdrop of contemporary political events, social developments, and popular American myths. Their in-depth analysis of over sixty films, from The Matrix and Iron Man to Pirates of the Caribbean and The Lord of the Rings, shows that movies, far from being mere entertainment, respond directly to today's social and political realities, from consumerism to "family values" to the War on Terror.
In 1952 and 1953 as he wandered around America, Jack Kerouac jotted down spontaneous prose poems, or "sketches" as he called them, on small notebooks that he kept in his shirt pockets. The poems recount his travels—New York, North Carolina, Lowell (Massachusetts, Kerouac’s birthplace), San Francisco, Denver, Kansas, Mexico—observations, and meditations on art and life. The poems are often strung together so that over the course of several of them, a little story—or travelogue—appears, complete in itself. Published for the first time, Book of Sketches offers a luminous, intimate, and transcendental glimpse of one of the most original voices of the twentieth century at a key time in his literary and spiritual development.