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Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
A spirited survey of humanity's historical and modern efforts to harness sun-based energy reveals how the human race's successes have hinged directly on effective uses of sun energy, cites rates in pollution and global warming as warning signs of fossil fuel limits, and makes optimistic predictions about future innovations. 13,000 first printing.
During the early Middle Ages, King Alfred (reigned 871-99) gained fame as the ruler who brought learning back to England after decades of Viking invasion. Although analysis of Alfred's canon typically focuses on his religious and philosophical texts, his relatively overlooked law code, or Domboc, reveals much about his rule, and how he was perceived in subsequent centuries. Joining major voices in the fields of early English law and literature, this exploration of King Alfred's influential text traces its evolution from its 9th century origins to reappearances in the 11th, 12th, and 16th centuries. Alfred's use of the vernacular and representation of secular practices, this work contends, made the Domboc an ideal text for establishing a particularly "English" national identity.
This authoritative edition brings together a unique combination of Tennyson's poetry and prose, spanning his entire career, from his striking juvenilia, through his career as Poet Laureate, to the powerful poetry he wrote in his ninth decade. It contains such classics as "The Lady of Shalott," "Morte d'Arthur," "Locksley Hall," "The Charge of the Light Brigade," and "Tears, Idle Tears." It also includes the whole of The Princess, In Memoriam, Maud, and Enoch Arden, and several sections of Idylls of the King.
Tennyson s central poem is presented with an extensive introduction that provides background information on the poet and poem as well as an overview of In Memoriam s formal and thematic peculiarities, including Tennyson s use of the stanza and the poem s rhyme scheme."
The French Catholic priest and biblical scholar Alfred Loisy (1857-1940) was at the heart of the Roman Catholic Modernist crisis in the early part of the twentieth century. He saw much of his work as an attempt to bring John Henry Newman’s notion of development of doctrine into the realm of Catholic biblical studies, and thereby transform Catholic theology. This volume situates Loisy’s better known works on the New Testament and theology in the context of his lesser known work in Assyriology and Old Testament studies. His early training in Assyriology taught Loisy a comparative historical approach to studying ancient texts, in addition to providing him the requisite training in ancient Near Eastern languages and literature. Loisy built upon this Assyriological foundation with his historical critical work in biblical studies, first in the Old Testament. In his biblical scholarship, Loisy combined the then current trends of historical biblical criticism with his more comparative approach. Prior to his excommunication in 1908, Loisy attempted in his more popular writings to defend the inclusion of historical biblical criticism in the repertoire of Catholic biblical interpretation. He saw this as an important step in reforming Catholic theology. The Modernist crisis set the stage for the major debates that would occur in the Catholic theological world for more than a century. The controversy over Modernism became one important conflict that helped pave the way for the Second Vatican Council. The issues raised during Loisy’s time, remain contested today. Examining how Loisy approached biblical studies helps readers better understand his overall work, and the place it played in the pivotal intellectual turmoil of his day.