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Moore's work exhibits a profound recognition of the forces of heredity, gender, culture, and history while simultaneously declaring his belief in an autogenous self. In early novels like A Drama in Muslin and Esther Waters, there is a notable conflict between his postulation of the pure, instinctive individual and the emphasis upon the shaping power of heredity and economics inherent in the traditions of social realism that he adopts. In The Untilled Field, The Lake, and later works, Moore perfects a narrative technique that in highlighting the power of subjective memory, allows his characters to work out a new relation with the forces of history.
Confessions of a Young Man is a memoir by Irish novelist George Moore who spent about 15 years in his teens and 20s in Paris and later London as a struggling artist. The book is notable as being one of the first English writings which named important emerging French Impressionists; for its literary criticism; and depictions of bohemian life in Paris during the 1870s and 1880s.
Last Breathis a psychological thriller with multiple twists and turns, that takes place in rural Pennsylvania and Maryland (Waterdrum and Cumberland Gap, respectively), Sherry Moore, a blind woman who can see the last 18 seconds of someone's life if given the chance to hold their hand, is called upon by both the police and FBI when bodies of victims are found hanging in a meat freezer in Cumberland, MD (They were abducted from a tree-lined parking lot of an office in Hagerstown, MD). When Sherry describes their killer as sexually violent, and seen through a mask, the police realize they were wrong to assume it had been two juveniles who later died in a car explosion while trying to abduct a fourth victim: the killer is still on the loose...
Esther Waters is a novel by George Moore first published in 1894.Set in England from the early 1870s onward, the novel is about a young, pious woman from a poor working-class family who, while working as a kitchen maid, is seduced by another employee, becomes pregnant, is deserted by her lover, and against all odds decides to raise her child as a single mother. Esther Waters is one of a group of Victorian novels that depict the life of a "fallen woman". Written in a Zola-like naturalistic style, the novel stands out among Moore's publications as the book whose immediate success, including Gladstone's approval of the novel in the Westminster Gazette,[1] brought him financial security. Moore's fellow late nineteenth century novelist' George Gissing, wrote there was "some pathos and power in latter part, but miserable writing. The dialogue often grotesquely phrased".[2] Continuously revised by Moore (1899, 1917, 1920, 1931), it is often regarded as his best novel.
This book presents the first full-length study of the stylistically experimental and influential novelist George Moore’s (1852-1933) repeated acts of rewriting. Moore extensively and repeatedly revised and re-issued many of his major works, sometimes years or even decades after they were initially published. This monograph provides new insights into how this process shaped and determined his work, and by extension into the creative significance of literary rewriting more generally. It also offers the first sustained application of linguistic pragmatics, the study of meaning in interaction, to the work of a single author, opening up questions about how analytical paradigms developed in pragmatics can explain how rewriting can affect the interactive relationship between a literary text and its readers. The book will be of interest to students and researchers in the areas of pragmatics, stylistics, literary history, English literature and Irish literature.
Long out of print, George Moore's classic novella returns just in time for the major motion picture starring Glenn Close as a woman disguised as a man in nineteenth-century Ireland. Set in a posh hotel in nineteenth-century Dublin, Albert Nobbs is the story of an unassuming waiter hiding a shocking secret. Forced one night to share his bed with an out-of-town laborer, Albert Nobbs' carefully constructed facade nearly implodes when the stranger disovers his true identity-that he's actually a woman. Forced by this revelation to look himself in the mirror, Albert sets off in a desperate pursuit of companionship and love, a search he's unwilling to abandon so long as he's able to preserve his fragile persona at the same time. A tale of longing and romance, Albert Nobbs is a moving and startlingly frank gender-bending tale about the risks of being true to oneself. With a foreword by Glenn Close.