Download Free A Study Of Rusalki Slavic Mermaids Of Eastern Europe Book in PDF and EPUB Free Download. You can read online A Study Of Rusalki Slavic Mermaids Of Eastern Europe and write the review.

Seductive. Beautiful. Dangerous! Or are they innocent and looking for love? Discover the allure of Slavic mermaids - Rusalki. If Henry Wadsworth Longfellow had grown up in Eastern Europe, his soul would have longed for the secrets of the rivers, lakes, and marshes, rather than the sea. And the pale, beautiful maidens residing there would have been the ones who sent “a thrilling pulse” through him, instead of the heart of the great ocean. And who are these lovely maidens? … Rusalki, a Slavic version of mermaids. If only the modern-day Ariel from “The Little Mermaid” had been born one of them. She would already have had legs, and not a fish tail, and wouldn’t have had to give up her voice! Well, maybe. It’s more than legs that makes the Rusalki different from what you know about mermaids. · Discover their origins. · Learn how to protect yourself from their enchantments. · Read about terrifying encounters. Through folklore, literature, music, videos, and illustrations, you’ll uncover the secrets of these spirits who have haunted Eastern Europe for centuries. The “Spirits and Creatures” series has been called “brilliant,” “fascinating,” “well researched,” “humorous,” “intriguing,” “engaging,” “lyrically written,” “beautifully organized,” and “informative.” It’s the perfect book for those who want to learn about Eastern European folklore, but don’t want to read a dry, academic book.
Have you ever wondered if dragons were real? Author Ronesa Aveela grew up in Bulgaria, terrified by tales of dragons capturing beautiful girls for their brides. Her grandmother armed her with protective herbs and performed rituals passed down from generation to generation. Dragons, the third book in the series, takes you across Eastern Europe to discover folkloric beliefs, fairy tales, customs, and rituals about the dragons who once lived in the land, and still do within the hearts of many. You’ll learn historical facts, discover intriguing and horrifying stories, and enjoy beautiful illustrations to gain a complete experience of these magnificent creatures. Here are a few topics you can expect to find within the book’s pages: *Learn about how dragons or the idea of dragons developed. Did they ever exist in some form in the past? *Explore the lives of dragons: their purpose, how they live, how to defeat or appease them. *Discover the stories, facts, and fiction behind several popular dragon slayers. Dragons is an enlightening nonfiction cultural study in the Spirits and Creatures series. If you like impeccable research, chilling stories, and clever humor, then you’ll love Ronesa Aveela’s educational folklore series. Explore the pages of Dragons today to discover a world of wonders.
The Spirits and Creatures series takes an in-depth look at spirits and creatures across Eastern Europe. Author Ronesa Aveela grew up in Bulgaria where many of these entities were part of the tales and beliefs her grandmother told to her. This series will look at the origins of these beings, and popular ways people believed you could appease or defeat them. Illustrations, stories, music, and videos add to the details of these fascinating beings. This collection contains the first three books of the series, plus a book of additional dragon tales: *A Study of Household Spirits of Eastern Europe *A Study of Rusalki – Slavic Mermaids of Eastern Europe *A Study of Dragons of Eastern Europe *Dragon Tales from Eastern Europe Although the books have extensive research, they are meant for a non-academic audience.
A desperate plea from a conch begs Theo for help. Can he prevent a catastrophe without losing his own life? It’s been a year since he returned from the mystical land of Dragon Village, and he’s had no word from his dragon father, Zmey. Was the promise to teach Theo about his powers a lie? Has his father abandoned him? Then, Theo discovers that a new menace terrorizes Dragon Village. This time, Theo’s home in the human world is threatened, too. He must learn about his powers on his own and find a way back to defeat his new foe. If Theo fails, the entire world is doomed.
Each person is a constant project: changing and adapting—sometimes for the better, sometimes for the worse. All our lives we wander to find a better place to live or a better job, to learn new skills, to make a discovery, or to invent something of value. Today, technology has removed boundaries. We can easily physically travel to different places in the world, but we can also “bounce” around the virtual space of the web, where we make acquaintances worldwide. In our travels, we build our homes, make new friends, raise our children, attend weddings, and say goodbye to friends and family, sending them to the world beyond. Even thousands of miles from where we were born and raised, we keep our customs and practice the traditions that we have been nourished with. We share them with friends who have a different cultural heritage, upbringing, and faith; and we in turn accept new ones. We must learn to respect other cultures as much as we support people in our own community. Traditions are a great way to teach children the cultural and religious history of mankind by giving them their own identity and roots. Culture is a temple for the human soul. This is what we carry with us as we wander, what we develop as we adapt to the place we choose to call our home.
The Silver Bough is a journey into a forgotten Otherworld of hollow hills, glass mountains and fabled islands. With over twenty myths and folktales arising from the rich traditions of the world, from ancient Egypt and Iceland, to New Zealand, Siberia and the Celtic lands, among the stories are Gwyn and the Lady of the Lake, The Shipwrecked Sailor, Galahad's Quest for the Grail and Apples of Immortality. Each of the five accompanying sections is woven from the threads of each tale. Rich in symbolism, shamanic traditions and esoteric wisdom, The Silver Bough traverses ancient cosmologies, from the kingdom of the dead and the starlit realm, to the domain of the flood and the land of the hidden folk.
..."For all readers interested in the fabric of women's literature and women in a literary society, this book represents the highest achievement to date in Russian studies." Choice
A provocative new theory about fairy tales from one of the world's leading authorities If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread—or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold—and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved—and why we still use them to make meaning of our lives.
A fascinating exploration of an ancient system of beliefs and its links to the evolution of dance. From Southern Greece to northern Russia, people living in agrarian communities have long believed in “dancing goddesses,” mystical female spirits who spend their nights and days dancing in the fields and forests. In The Dancing Goddesses, archaeologist, linguist, and lifelong folkdancer Elizabeth Wayland Barber follows the trail of these spirit maidens—long associated with fertility, marriage customs, and domestic pursuits—from their early appearance in traditional folktales and harvest rituals to their more recent incarnations in fairytales and present-day dance. Illustrated with photographs, maps, and line drawings, the result is a brilliantly original work that stands at the intersection of archaeology and folk traditions—at once a rich portrait of our rich agrarian ancestry and an enchanting reminder of the human need to dance.