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A Study Guide for Lorna Goodison's "The River Mumma Wants Out," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Lorna Goodison's first poetry collection to be published in Canada in over nine years, Mother Muse heralds the return of a major voice. The poems in Goodison's new book move boldly and range widely; here are praise songs alongside laments; autobiography shares pages with the collective past. In her exquisitely lyrical evocations of Jamaican lore and tradition, Goodison has always shown another side of history. While celebrating a wide cross-section of women--from Mahalia Jackson to Sandra Bland--Mother Muse focuses on two under-regarded "mothers" in Jamaican music: Sister Mary Ignatius, who nurtured many of Jamaica's most gifted musicians, and celebrated dancer Anita "Margarita" Mahfood. These important figures lead a collection of formidable scope and intelligence, one that seamlessly blends the personal and the political.
Renowned poet Lorna Goodison has written a new collection of elegies and praise songs which explore the close link between history and genealogy in the Caribbean experience. Her subjects range from the economic genius of market women to the complex beauty of the natural world.
Vere's irrepressible spirit is an asset as he comes of age in Antigua. His is a hard-knocks existence marked by poverty and loss - but he is equally shaped by his family, his first love and island life. Beautifully told, his is the story of a Caribbean boy, trying to hold on to what's real and precious to him while learning to be a man.
Gabriel Okara, a prize-winning author whose literary career spans six decades, is rightly hailed as the elder statesman of Nigerian literature. The first Modernist poet of anglophone Africa, he is best known for The Fisherman's Invocation (1978), The Dreamer, His Vision (2005), and for his early experimental novel, The Voice (1964). Arranged in six sections, Gabriel Okara: Collected Poems includes the poet's earliest lyric verse along with poems written in response to Nigeria's war years; literary tributes and elegies to fellow poets, activists, and loved ones long dead; and recent dramatic and narrative poems. The introduction by Brenda Marie Osbey contextualizes Okara's work in the history of Nigerian, African, and English language literatures. Gabriel Okara: Collected Poems is at once a treasure for those long in search of a single authoritative edition and a revelation and timely introduction for readers new to the work of one of Africa's most revered poets.
This study consists of two parts. The first part offers an overview of feminism's theory of differences. The second part deals with the textual analysis of poems about 'mothering' by women from India, the Caribbean and Africa. Literary criticism has dealt with the representation of 'mothering' in prose texts. The exploration of lyrical texts has not yet come. Since the late 1970s, the acknowledgement of and the commitment to difference has been foundational for feminist theory and activism. This investigation promotes a differentiated, 'locational' feminism (Friedman). The comprehensive theoretical discussion of feminism's different concepts of 'gender', 'race', 'ethnicity' and 'mothering' builds the foundation for the main part: the presentation and analysis of the poems. The issue of 'mothering' foregrounds the communicative aspect of women's experience and wants to bridge the gap between theory and practice. This study, however, does not intend to specify 'mothering' as a universal and unique feminine characteristic. It underlines a metaphorical use and discusses the concepts of 'nurturing', 'maternal practice' and 'social parenthood'. Regarding the extensive material, this study understands itself as an explorative not concluding investigation placed at the intersections of gender studies, postcolonial and classical literary studies. Most of all, it aims at initiating a dialogue and interchange between scholars and students in the Western and the 'Third World'.
This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics.
The West Wing meets Entourage when “one of the most provocative political bloggers in the country” (The Philadelphia Tribune) exposes the stunning implications a historical bid for the presidency has on the candidate’s inner circle. Michigan governor Luke Cooper, one of the few black and—by virtue of adoption—Jewish elected officials, stuns his tight-knit friends with his decision to run for president. But could their efforts to help ultimately be his political downfall? Scandal and gossip surrounding his supporters rock his campaign, and even Luke’s wife grows wary of the spotlight when a surprise from their past inconveniently resurfaces. . . . Selected for the Los Angeles Times’s summer reading list and as one of More magazine’s “Beach Reads You’ll Love,” Keli Goff ’s clever and entertaining debut novel is a spot-on golden ticket into the secret heart of the political circus.
This stunning new book of poems from internationally renowned poet Lorna Goodison opens in Spain and Portugal, conjuring up a new history of the Caribbean and a new way of setting up its heritage. The title sets the tone for poems about backgrounds and outlines and shadows and sources of light. This extraordinary book—"a wide lotus on the dark waters of song"—is filled with surprises at every turn, as a Moorish mosque becomes a cathedral in Seville, a country girl dresses in Sunday clothes to visit a Jamaican bookmobile, and a bear appears suddenly, only to slip away silently into the trees on a road in British Columbia. The heartache of Billy Holliday singing the blues, the burden of Charlie Chaplin tramping the banana walks of Jamaica's Golden Cloud, and the paintings of El Greco, the quintessential stranger, come together on the poet's pilgrimage to Heartease, guided by a limping angel and inspired by the passage-making of Dante; the book ends with a superb version of the first of his cantos, translated into the poet's Jamaican language and landscape with the gift of love.