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One of the greatest classics of modern theater concerns a willful young aristocrat's seduction of her father's valet during a Midsummer's Eve celebration. Complete with Strindberg's highly-regarded critical preface.
This eBook features the unabridged text of ‘Miss Julie by August Strindberg - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of August Strindberg’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Strindberg includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Miss Julie by August Strindberg - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Strindberg’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
- This edition brings together three of Strindberg's classic plays Miss Julie, Master Olaf and There Are Crimes and Crimes. Miss Julie - In one of the Swedish playwright's best-known works, Miss Julie exerts power over Jean because of her upper class background. But Jean is not impressed by her social status. On the evening in question, their flirtation escalates into something more serious - but is it love or lust? Each of the characters battle for control throughout the play. Master Olaf - This five-act drama concerns the reformer Olaus Petri and his battle against the Catholic Church in the 16th century. It was written by Strindberg in 1872 and staged in 1881 over five hours to warm reviews. There Are Crimes and Crimes - Maurice is a Parisian playwright on the brink of success in this 1899 play. On the day Maurice's drama is to debut, he proposes marriage to Jeanne but then encounters the beautiful Henriette, his friend's mistress. Tragedy strikes.
THE STORY: AFTER MISS JULIE transposes August Strindberg's 1888 play about sex and class to an English country house on the eve of Labour's historic landslide in 1945.
History of the settlers from Iceland in Manitoba who came in the last decades of the nineteenth century.
The biography of the artist who created the most haunting icon of the twentieth century
Strindberg on International Stages and Strindberg in Translation is a collection of scholarly and critical articles looking upon Strindberg from different perspectives. Three articles are case studies about Strindberg performances in different countries: namely, the United States, Italy and Portugal. Three further articles approach the problems of the transformation of the text on the stage. One of these essays is based on Strindberg’s texts about drama from an aesthetical point of view; another from the perspective of a Strindberg director; and the third provides an analysis of the postdramatic performances of a Swedish suburban theatre group. This postdramatic aspect is also important in one of the contributions providing an analysis of Strindberg’s Chamber Plays, which is followed by an article where the function of music in particular is reflected upon. Translation problems are important in all the countries discussed in this volume, especially Portugal, and the fact that Strindberg wrote his plays in different languages during different periods of his life raises important questions such as: if there is no indisputable first text, what is a translation? Where do we draw the line between a translation and an adaptation? How does the idea of translation change over time? One article in this collection revolves around such questions. In the final section of this volume, readers are introduced to the digital Stockholm University Strindberg Corpus, consisting of seven of Strindberg’s autobiographical works with linguistic annotation. The authors in this section describe the novels included in the corpus by keywords, and compare Strindberg’s use of emotionally charged words with selected prose of both his contemporaries and present-day authors. These ten articles read together pose the most relevant questions with regard to Strindberg performances and Strindberg translations, and will be of interest to modern Strindberg scholars, Strindberg enthusiasts and Strindberg directors.
The author looks at the life of the playwright best known for the work Miss Julie, paying special attention to how real life inspired the ideas, premises and characters of his plays and other literary works.
This book has an important starting point in the conference held in Stockholm in May-June 1988 on Culture, Language and Artifidal Intelligence. It assembled more than 300 researchers and practitioners in the fields of technology, philosophy, history of ideas, literature, linguistics, sodal science etc. The conference was an initiative from the Swedish Center for Working Life, based on the project AI-Based Systems and the Future of Language, Knowledge and Responsibility in Professions within the COST 13 programme of the European Commission. Partidpants in the conference and researchers related to its aims were chosen to contribute to this book. It is preceded by Knowledge, Skill and Artificial Intelligence (ed. B. Göranzon and I. Josefson, Springer-Verlag, 1988), Artifidal Intelligence, Culture and Language (ed. B. Göranzon and M. Florin, Springer-Verlag, 1990) and Dialogue and Technology: Art and Knowledge (ed. B. Göranzon and M. Florin, Springer-Verlag, 1991). The two latter books have the same conference connection as this one, and their aim is to present the contours of a research field with a multitude of issues that demands thorough investigation. The contributors' thinking in this field varies greatly; so do their styles of writing. For example: contributors have varied in their choice of "he" or "helshe" for the third person. No distinc tion is intended, but chapters have been left with the original usage to avoid extensive changes. Similarly, individual contribu tor's preference as to notes or reference lists have been followed.