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By Erica E. Hirshler.
Beloved children's entertainer Emily Arrow's first picture book, perfect for (little) makers everywhere: a story about finding a space to create! A young bunny makes the rounds of a studio building, taking in all the different artists in their habitats. Making, thinking, sharing, performing . . . but can our bunny find the perfect space to let imagination shine? In this charming ode to creativity, noted children's singer and entertainer Emily Arrow introduces readers to the concept of the studio: a place for painters, dancers, singers, actors, sculptors, printmakers . . . and you! Whether it's a purpose-made space with big windows, a room filled with equipment, or the corner of a bedroom, your studio can be anywhere--you just have to find it!
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
The Where Women Create brand--including the first book and a national magazine--has proven hugely popular, and this inspiring volume builds on that success. It's a backstage pass to the insights, muses, and artistic practices of some of today's most notable creative women.
"Until quite recently, the work of great women artists was ignored, forgotten, or denied; they were largely left out of museums and histories of art. Along came Wilhelmina Cole Holladay, who boldly rectified this oversight in 1981, by founding a museum that was initially housed in her residence, where docent-led tours of the collection were offered." "This thrilling account of the birth and early years of NMWA provides a lively, anecdotal, behind-the-scenes glimpse of the efforts of the countless dedicated individuals who have shared Mrs. Holladay's vision and, under her leadership, helped to expand the permanent collection, renovate the Museum, and fund a robust endowment. Today, NMWA boasts a sizable membership - among the ten largest museum memberships in the world - including twenty-nine active committees in states across the nation and in eight countries. Among the major exhibitions presented at the Museum have been retrospectives of important women artists - Lavinia Fontana, Berthe Morisot, Camille Claudel, Lilla Cabot Perry, and Carrie Mae Weems." "Illustrating this captivating memoir are nearly 200 pictures, most in full color, including artworks, archival photographs, and candid images of the landmark events that led to the Museum's impressive growth. An additional feature is a color portfolio of "Selected Gifts and Promised Gifts of Wallace and Wilhelmina Holladay to the Museum." The remarkable story of NMWA, told through the eyes of its founder, is a priceless legacy for women today and for future generations." "Wilhelmina Cole Holladay, the founder and chair of the board of the National Museum of Women in the Arts."--BOOK JACKET.
DIVHow to Make Books, Albums, Slipcases, and More /divDIVThere’s nothing like making your own sketchbook, or wrapping a favorite book in the perfect homemade slipcase. And you can create it all yourself! Select the tools and materials you’ll need, master basic book-binding techniques, and practice your new skills on 12 eye-catching projects. Then explore the gallery of variations for more inspiration to make each book form your own. Whether you’re an experienced book binder or new to the art,Book Art Studio Handbookwill help you take your books to the next level./divDIV/divDIVWithBook Art Studio Handbook, you’ll learn how to:/divDIV/divDIV-Set up your workspace or studio/divDIV-Choose the right board, paper, book cloth, and other supplies for your project/divDIV-Fold a textblock, make a sewing template, glue a cover, and practice other essential techniques/divDIV-Create albums: Imagine your photos in an Accordion Album with Frames, for example/divDIV- Create books: How about a flexible Tacketed Book to customize?/divDIV-Create enclosures: From Slipcase to French Box/divDIV-Challenge yourself: Try your hand at an advanced project, such as a Travel Journal/div
Inside an art gallery, it is easy to forget that the paintings there are the end products of a process involving not only creative inspiration, but also plenty of physical and logistical details. It is these "cruder," more mundane aspects of a painter's daily routine that motivated Brooklyn artist Joe Fig to embark almost ten years ago on a highly unorthodox, multilayered exploration of the working life of the professional artist. Determined to ground his research in the physical world, Fig began constructing a series of diorama-like miniature reproductions of the studios of modern art's most legendary painters, such as Jackson Pollock and Willem de Kooning. A desire for firsthand references led Fig to approach contemporary artists for access to their studios. Armed with a camera and a self-made "Artist's Questionnaire," Fig began a journey through the workspaces of some of today's most exciting contemporary artists.
Dennis Miller Bunker (1861-1890) was one of the most talented painters of late nineteenth-century America. He was among the first Americans to use the bright colors and broken brushstrokes of the new Impressionist style; his beautiful landscapes and portraits are sought after by the most distinguished collectors of American art." "Dennis Miller Bunker: American Impressionist is the first comprehensive study of this important American artist. Trained in the academies of his native New York, Bunker continued his education in Paris, where he flourished in the sophisticated atmosphere of the world's art capital. In 1885, he accepted a teaching position in Boston. He joined the city's vibrant artistic community and developed close friendships with the writer William Dean Howells, the composer Charles Martin Loeffler, and the legendary collector Isabella Stewart Gardner, who became his champion. In Boston, Bunker also met John Singer Sargent, America's most renowned painter. The summer they spent working together in England proved to be a turning point in Bunker's career." "Bunker moved to New York in 1889. His heart remained in Boston, however, for he had fallen in love with Eleanor Hardy, the daughter of a prominent businessman. The couple married in October 1890. Barely three months later, Bunker died at age twenty-nine of a sudden illness. His beautifully crafted paintings were his only legacy.