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'A hugely entertaining Victorian mystery' New York Times 'I enjoyed this - properly creepy and Gothic' Ian Rankin A spellbinding concoction of crime, history and horror - perfect for fans of Sherlock Holmes and Jonathan Creek _______ Edinburgh, 1888. A violinist is murdered in his home. The dead virtuoso's maid swears she heard three musicians playing in the night. But with only one body in the locked practice room - and no way in or out - the case makes no sense. Fearing a national panic over another Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss, Detective 'Nine-Nails' McGray, actually believes in such supernatural nonsense. McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next . . . _______ 'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it' Manda Scott 'A great cop double-act . . . It's the pairing of the upright Frey and the unorthodox McGray that notches up the stars for this book' Sunday Sport 'A brilliant mix of horror, history, and humour. Genuinely riveting . . . with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written - The Strings Of Murder is everything you need in a mystery thriller' Crime Review
“Burlesque is the background . . . [and] the background is perfect. Recommended for the readers who feel better when their eyebrows are raised.” —The New Yorker A mystery set in the underworld of burlesque theater, The G-String Murders was penned in 1941 by the legendary queen of the stripteasers—the witty and wisecracking Gypsy Rose Lee. Narrating a twisted tale of a backstage double murder, Lee provides a fascinating look behind the scenes of burlesque, richly populated by the likes of strippers Lolita LaVerne and Gee Gee Graham, comic Biff Brannigan and Siggy the g-string salesman. This is a world where women struggle to earn a living performing bumps and grinds, have gangster boyfriends, sip beer between acts and pay their own way at dinner. Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series: Bedelia; Bunny Lake Is Missing; By Cecile; The G-String Murders; The Girls in 3-B; Laura; The Man Who Loved His Wife; Mother Finds a Body; Now, Voyager; Return to Lesbos; Skyscraper; Stranger on Lesbos; Stella Dallas; Women’s Barracks. “[Lee’s] novel is a rich and lusty job, brimming over with infectious vitality and a hilarious jargon of her own.” —Life “A lurid, witty and highly competent detective story . . . Rich show business vocabulary and stage door gags make her book almost a social document . . . The G-String Murders builds up to a hair-raising climax.” —Time
Laura sees strings. Strings are memories people create during heightened emotional episodes. These strings are left behind on inanimate objects, creating a history that Laura can read. Not a bad skill to have for an antique appraiser. However, not all strings are good. When she bumps into a serial killer with twenty-three bloody strings attached to his knife, things become personal. Her best friend, Carol, is dating him. Laura suspects Carol is his next victim. She tries going to the police, but they think she’s a kook. Travis Dyner is a respected member of the community. He broadcasts the college football games. The police say this isn’t the first time someone has tried to stop him from calling the game. But what can Laura do? All she has are his strings. How can she use her talents to catch him in time to save her friend? …and possibly herself.
Early on the morning of May 6, 1840, the elderly Lord William Russell was found in his London house with his throat so deeply cut that his head was nearly severed. The crime soon had everyone, including Queen Victoria, feverishly speculating about motives and methods. But when the prime suspect claimed to have been inspired by a sensational crime novel, it sent shock waves through literary London and drew both Dickens and Thackeray into the fray. Could a novel really lead someone to kill? In Murder by the Book, Claire Harman blends a riveting true-crime whodunit with a fascinating account of the rise of the popular novel and the early battle for its soul among the most famous writers of the day.
Wollie Shelley, the plucky amateur sleuth Kirkus Reviews called “funny, brave, smart, and altogether the fetchingest crime heroine since the early Stephanie Plum,” returns to face suspect lovers and unlovable suspects in this hilarious sequel to Dating Dead Men. Wollie Shelley is a greeting card artist struggling to keep afloat financially and to pursue—despite a series of recent disasters—the search for the love of her life. She reluctantly agrees to be a contestant on the reality television show Biological Clock. The show’s premise: Six eligible singles date each other, and the audience votes on which couple would make the best parents. Alas, Wollie isn’t having much luck finding a man she’d like to date “off the air,” much less father her child. As her own biological clock ticks away, Wollie gets caught up in a much more pressing demand on her time. Her friend Annika has vanished into thin air, and Wollie is convinced that she’s in grave danger. When Wollie reports the disappearance to the Los Angeles Police Department, however, the detective assigned to the case seems more interested in dating Wollie than in finding her friend. So Wollie springs into action—and lands right in the middle of an FBI investigation into an international drug cartel. She soon finds herself being stalked by an assortment of threatening characters, including her fellow television contestants, who will stop at nothing to beat the clock. With Dating Is Murder, Kozak delivers another sparkling treasure, a laugh-out-loud-funny, literate mystery for readers of Janet Evanovich and Sue Grafton and for Kozak’s own growing legion of fans.
As an FBI profiler, it’s Lilah Love’s job to think like a killer. And she is very good at her job. When a series of murders surface—the victims all stripped naked and shot in the head—Lilah’s instincts tell her it’s the work of an assassin, not a serial killer. But when the case takes her back to her hometown in the Hamptons and a mysterious but unmistakable connection to her own life, all her assumptions are shaken to the core. ​Thrust into a troubled past she’s tried to shut the door on, Lilah’s back in the town where her father is mayor, her brother is police chief, and she has an intimate history with the local crime lord’s son, Kane Mendez. The two share a devastating secret, and only Kane understands Lilah’s own darkest impulses. As more corpses surface, so does a series of anonymous notes to Lilah, threatening to expose her. Is the killer someone in her own circle? And is she the next target? The Lilah Love Series: Murder Notes Murder Girl Love Me Dead Love Kills Bloody Vows Bloody Love Happy Death Day
This first book in an irresistible new series introduces librarian and reluctant sleuth Raymond Ambler, a doggedly curious fellow who uncovers murderous secrets hidden behind the majestic marble façade of New York City’s landmark 42nd Street Library. Murder at the 42nd Street Library follows Ambler and his partners in crime-solving as they track down a killer, shining a light on the dark deeds and secret relationships that are hidden deep inside the famous flagship building at the corner of 42nd Street and Fifth Avenue. In their search for the reasons behind the murder, Ambler and his crew uncover sinister, and profoundly disturbing, relationships among the scholars studying in the iconic library. Included among the players are a celebrated mystery writer who has donated his papers to the library’s crime fiction collection; that writer’s long-missing daughter, a prominent New York society woman with a hidden past, and more than one of Ambler’s colleagues at the library. Shocking revelations lead inexorably to the traumatic events that follow—the reading room will never be the same.
The world's bestselling detective series has never been more suspenseful. Trapped in deadly showdowns, courtroom trials, and dangerous secrets, the Women's Murder Club must fight for their lives. In a deadly late-night showdown, San Francisco police lieutenant Lindsay Boxer fires her weapon and sets off a dramatic chain of events that leaves a police force disgraced, a family destroyed, and Lindsay herself at the mercy of twelve jurors. During a break in the trial, she retreats to a picturesque town that is reeling from a string of grisly murders-crimes that bear a link to a haunting, unsolved case from her rookie years. Now, with her friends in the Women's Murder Club, Lindsay must battle for her life on two fronts: in a trial rushing to a climax, and against an unknown adversary willing to do anything to hide the truth about the homicides-including kill again?
The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.
When brilliant FBI agent Kendra Donovan stumbles back in time and finds herself in a 19th century English castle under threat from a vicious serial killer, she scrambles to solve the case before it takes her life—200 years before she was even born. Beautiful and brilliant, Kendra Donovan is a rising star at the FBI. Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates. While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact. Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a young girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.