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Expressions of passion and heartbreak, written by Murasaki Shikibu 1,000 years ago, transcend time and culture in this new translation of the poetry in the first 33 chapters of The Tale of Genji. It is the relationship between the novel's characters and the poetry that creates the beauty and sustained erotic tone of Lady Murasaki's story. For the first time, these 400+ poems are presented in the increasingly popular format of tanka (5-7-5-7-7), along with extended notes that reveal the hidden details and depth of meaning in Murasaki's real and fictional worlds.
Encyclopedic in scope and heroically audacious, The Novel: An Alternative History is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the pre-modern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these pre-modern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining-The Novel: An Alternative History is a landmark in literary criticism that will encourage readers to rethink the novel.
In the shadow of COVID-19, a new threat emerged. Scientists are tantalizingly close to creating Super-Plants for the benefit of mankind. But bad decisions and an unforeseen act of nature turns celebration into despair. Somehow the impossible occurred. Grounded in accepted and speculative science, INSECTi(cide) takes you on a fascinating journey with as many twists, turns, and terrifying moments as the Coney Island Cyclone. It’s about a rogue plant whose characteristics are derived from tinkering with the common dandelion. Events are told through the voices of two teenage boys—one a Kiwi from Christchurch, the other an indigenous Nenet from Siberia—and a twenty-something New Jersey molecular biologist with streaked blond hair and a killer recipe for cranberry chutney. The intrigue stays true right up until the end.
An existential murder mystery about two rival writers willing to do anything—lie, steal, kill—to get the perfect story.
"The History of the Fleet Street House": 20 p. at the end of v. 18.