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In the tradition of the works of Raymond Carver and Richard Ford, this fiction debut shines with verbal brilliance. Disturbing yet compellingly readable, the stories in this collection explore the gap between disappointment and hope, between life as it could be and life as it is.
Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner’s concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.
Strange and Stranger: The World of Steve Ditko is an art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.
The original uncut edition of STRANGER IN A STRANGE LAND by Hugo Award winner Robert A Heinlein - one of the most beloved, celebrated science-fiction novels of all time. Epic, ambitious and entertaining, STRANGER IN A STRANGE LAND caused controversy and uproar when it was first published and is still topical and challenging today. Twenty-five years ago, the first manned mission to Mars was lost, and all hands presumed dead. But someone survived... Born on the doomed spaceship and raised by the Martians who saved his life, Valentine Michael Smith has never seen a human being until the day a second expedition to Mars discovers him. Upon his return to Earth, a young nurse named Jill Boardman sneaks into Smith's hospital room and shares a glass of water with him, a simple act for her but a sacred ritual on Mars. Now, connected by an incredible bond, Smith, Jill and a writer named Jubal must fight to protect a right we all take for granted: the right to love.
A New York Times bestseller and National Book Award longlist selection The first book in a new trilogy from acclaimed New York Times–bestselling author Rae Carson. A young woman with the magical ability to sense the presence of gold must flee her home, taking her on a sweeping and dangerous journey across Gold Rush–era America. Walk on Earth a Stranger begins an epic saga from one of the finest writers of young adult literature. Lee Westfall has a secret. She can sense the presence of gold in the world around her. Veins deep beneath the earth, pebbles in the river, nuggets dug up from the forest floor. The buzz of gold means warmth and life and home—until everything is ripped away by a man who wants to control her. Left with nothing, Lee disguises herself as a boy and takes to the trail across the country. Gold was discovered in California, and where else could such a magical girl find herself, find safety? Rae Carson, author of the acclaimed Girl of Fire and Thorns series, dazzles with the first book in the Gold Seer Trilogy, introducing a strong heroine, a perilous road, a fantastical twist, and a slow-burning romance, as only she can.
In the summer of 1969, Seth Shapiro is 12 years old and the personal tumult of his life plays out against the backdrop of the first moon landing and Woodstock. Seth lives with his unstable mother, Ruth, his twin sister, Sarah, and his younger brother, Seamus, in a two-bedroom apartment in New Jersey. His father, a wealthy doctor, lives with his young French wife in a 10-room house and has no interest in Seth and his siblings. Seth is desperate to escape and over four decades, his quest sees him become the keeper of family secrets in his search for freedom.
The Soul Is a Stranger in This World is a timely examination of some of the best modern and contemporary poets and a trenchant defense of poetry as a narrative, musical, and theological art. While it is common today to view the poet as a revolutionary, who breaks old forms in the name of aesthetic and political freedom, this volume begins with the classical view of the poet “as a man speaking to men,” as Wordsworth put it. Poetry may challenge and shock, but it also consoles, probing the contours of the human soul in a broken world. Collected from essays and reviews first published in The Wall Street Journal, The New Criterion, Books and Culture, First Things, and other outlets, the volume traces these concerns in the work of modern masters such as Rilke and Eliot, avant-garde exemplars like André du Bouchet and Basil Bunting, and contemporary writers such as Dana Gioia and Franz Wright.
Arthur Sutherland places before us our fear of meeting the “other” and the “stranger” in an increasingly global, and frequently dangerous, village. Various social, political, and historical factors have conspired to leave us in a veritable crisis: the decline of hospitality. Why is this a crisis? Why should we practice hospitality? What is it about Christian theology that compels us to think about hospitality in the first place? Sutherland offers a passionate plea to recover and rediscover hospitality, and to respond to the divine appeal to welcome the stranger. Therein lies the central concern of the book: that hospitality is not simply the practice of a virtue but is integral to the very nature of Christianity’s position toward God, self, and the world—it is at the very center of what it means to be a Christian and to think theologically. He offers a challenging definition of hospitality and calls us to a practice that is the virtue by which the church stands or falls. Drawing on modern theologians (including Howard Thurman, Dietrich Bonhoeffer, Karl Barth, Martin Luther King Jr., and Letty Russell) and considering American slavery, the Holocaust, feminism, and prisons, Sutherland eloquently presents a Christian theology of hospitality.