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Excerpt from A Strange World, Vol. 2 of 3: A Novel Sweet child, ' he said to himself. 'what a charm ing helpmeet you will make for some honest peasant in days to come, with your amiable disposition! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Don’t Miss Poorly Drawn Lines on Cake, airing on FX and streaming on FX on Hulu! Absurd comics for our absurd times, from the artist behind the wildly popular webcomic Poorly Drawn Lines—the perfect gift for comic book fans! In his follow up to the New York Times bestselling Poorly Drawn Lines, beloved webcomic artist Reza Farazmand returns with a collection of comics that hilariously skewers our modern age. Comics for a Strange World takes readers through time, space, and alternate realities, reuniting fans with favorite characters and presenting them with even more bizarre scenarios. A child is arrested for plagiarism. A squirrel adapts to human society by purchasing a cell phone—and a gun. And an old man shares memories of the Internet with his granddaughter (“A vast network of millions of idiots. Together, the idiots created endless shitty ideas. It was a true renaissance of shit.”). In the world of Poorly Drawn Lines, nothing is too weird or too outlandish for parody.
Reproduction of the original: The Life of William Ewart Gladstone (Vol 2 of 3) by John Morley
Reprint of the original, first published in 1875.
In 1948 a young Al Williamson accepted his first commercial assignment--for an issue of Famous Funnies comics, which launched his career as a professional in the field. Developing an elegant and illustrative style, he soon gained prominence in the highly influential EC Comics line of the 1950s. Over the next few decades, his exquisite art also illuminated many Atlas comics, various incarnations of Flash Gordon and the comic strips Secret Agent Corrigan and Star Wars, as well as a host of other titles and properties. This extraordinary body of superior work cemented Williamson's longstanding popularity. By the end of his career in the early 2000s, he had become one of the most highly regarded comic and strip artists in the industry, especially noted for the graceful ink line that he spent a lifetime pursuing. This first compendium in a new series is the perfect introduction to Al Williamson's work. You will find samples that span his fifty-year career along with anecdotes and historical details salted throughout. Cover art, interior pages, drawings and sketches--plus photographs of Al and his friends posing as reference for his sequential art--are included. This volume contains a mixture of both his most-obscure and best-known works, all meticulously reproduced from the original art. Until now, this captivating original artwork has only been seen by those fortunate enough to visit the Williamson studio in person. For the first time, readers will be able to view the artist's most-cherished works. Williamson's love of 1920s and 1930s adventure, fantasy and science-fiction pop culture--and his admiration of artists such as Flash Gordon creator Alex Raymond--grounded his drawing technique and storytelling, which evolved throughout his life. He was able to take these inspirations and carry on the legacy of the past masters while becoming a unique icon in the industry. In this collection, readers will be able to witness Williamson's development as an artist.
With an unmatched roll call of amazing Marvel creators, our second Doctor Strange Omnibus is guaranteed to cast a spell on you! The adventures of the Master of the Mystic Arts continue with as Doctor Strange faces Kaluu, the mystic threat from the Nameless Nowhere! Other legendary tales include the origin of the Ancient One, the return of Baron Mordo, an otherworldly odyssey to save Victoria Bentley, and the arrival of the Living Tribunal! And in 1968, Doctor Strange received his own solo title, allowing the Sorcerer Supreme to soar to new horizons -- including showdowns with Eternity and Dormammu, a new costume, and the beginnings of the Defenders! COLLECTING: Doctor Strange (1968) 169-183, Avengers (1963) 61, Sub-Mariner (1968) 22, Incredible Hulk (1968) 126; material from Strange Tales (1951) 147-168, Marvel Feature (1971) 1, Not Brand Echh (1967) 13
Excerpt from A Strange World, Vol. 3 of 3: A Novel Having come to Borcel End to perform a certain duty, Maurice. Clissold gave himself up heart and soul to the task in hand. Pleasant as it might have been to him to spend the greater part of his time in the agreeable society of Mrs. Penwyn and her guests - playing croquet on sunny afternoons, or joining in a match of billiards in the old hall, meeting the best people to be met in that part of the world, and living that smooth, smiling life, in which care seems to have no part - pleasant as this might have been, he gave it up without a sigh, and spent his days and nights strolling about the farm, or sitting by the hearth where the sick woman's presence maintained an unchanging gloom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.