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A Strange Manuscript Found in a Copper Cylinder is the most popular book by James De Mille. It was serialized posthumously and anonymously in Harper's Weekly, and published in book form by Harper and Brothers of New York City during 1888.
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A Strange Manuscript Found in a Copper Cylinder is the most popular book by James De Mille. It was serialized posthumously and anonymously[1] in Harper's Weekly,[2] and published in book form by Harper and Brothers of New York City during 1888. It was serialized subsequently in the United Kingdom and Australia, and published in book form in the United Kingdom and Canada. Later editions were published from the plates of the Harper and Brothers first edition, during the late 19th and early 20th centuries
The Problematic Press edition of James De Mille's A Strange Manuscript Found in a Copper Cylinder features the following unique additions: * A Foreword by David Reynolds introduces the author and the novel. * Annotated end notes by David Reynolds reflect on interesting elements of the text and reference scholarly works. DESCRIPTION While playing a silly game, four bored yachtsmen find a mysterious copper cylinder bobbing along the sea. They soon discover the briny cylinder contains a massive script, a journal of sorts, detailing the adventures of Adam More, a sailor lost at sea. Examining the script reveals More's incredible story of drifting across the ocean, sailing to lost lands, encountering giant beasts, and meeting truly peculiar people. This is a satirical tale that is sure to entertain!
Four yachtsmen find a manuscript sealed in a copper cylinder. It is the manuscript of Adam More, a British sailor shipwrecked on the homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A Strange Manuscript Found in a Copper Cylinder is the most popular book by James De Mille. It was serialized posthumously and anonymously[1] in Harper's Weekly,[2] and published in book form by Harper and Brothers of New York City during 1888. It was serialized subsequently in the United Kingdom and Australia, and published in book form in the United Kingdom and Canada. Later editions were published from the plates of the Harper and Brothers first edition, during the late 19th and early 20th centuries.The satiric and fantastic romance is set in an imaginary semi-tropical land in Antarctica inhabited by prehistoric monsters and a cult of death-worshipers called the Kosekin. Begun many years before it was published, it is reminiscent of Edgar Allan Poe's The Narrative of Arthur Gordon Pym of Nantucket and anticipates the exotic locale and fantasy-adventure elements of works of the "Lost World genre" such as Arthur Conan Doyle's The Lost World and Edgar Rice Burroughs' The Land That Time Forgot, as well as innumerable prehistoric world movies based loosely on these and other works. The title and locale were inspired by Edgar Allan Poe's Ms. Found in a Bottle.
A Strange Manuscript Found in a Copper Cylinder was originally serialized in Harper's Weekly over nineteen installments, from 7 January 1888 (No. 1620) to 12 May 1888 (No. 1638). The story was quickly reprinted in a variety of editions, and in 1969 it was reprinted as a part of the popular New Canadian Library series from McClelland and Stewart. This case study draws on the 2011 edition published by Broadview Press and edited by Daniel Burgoyne.The satirical utopia depicted in the story upends generic conventions and tropes surrounding heroic explorers, genteel society, cultural encounters, and scientific inquiry. De Mille's narrative follows the adventure of Adam More as he encounters the Kosekin people living in a tropical Antarctica. The Kosekins revere death and seek poverty. More's adventure is, in turn, framed by the recovery of his story found in a copper cylinder by a group of upper-class British men, becalmed on the sea in their yacht.
A Strange Manuscript Found in a Copper Cylinder is the most popular book by James De Mille. It was serialized posthumously and anonymously in Harper's Weekly, and published in book form by Harper and Brothers of New York City during 1888. It was serialized subsequently in the United Kingdom and Australia, and published in book form in the United Kingdom and Canada. Later editions were published from the plates of the Harper and Brothers first edition, during the late 19th and early 20th centuries.
A Strange Manuscript Found in a Copper Cylinder was originally serialized in Harper's Weekly over nineteen installments, from 7 January 1888 (No. 1620) to 12 May 1888 (No. 1638). The story was quickly reprinted in a variety of editions, and in 1969 it was reprinted as a part of the popular New Canadian Library series from McClelland and Stewart. This case study draws on the 2011 edition published by Broadview Press and edited by Daniel Burgoyne.The satirical utopia depicted in the story upends generic conventions and tropes surrounding heroic explorers, genteel society, cultural encounters, and scientific inquiry. De Mille's narrative follows the adventure of Adam More as he encounters the Kosekin people living in a tropical Antarctica. The Kosekins revere death and seek poverty. More's adventure is, in turn, framed by the recovery of his story found in a copper cylinder by a group of upper-class British men, becalmed on the sea in their yacht.
Excerpt from A Strange Manuscript Found in a Copper Cylinder About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.