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The Haida world is a misty archipelago a hundred stormy miles off the coasts of British Columbia and Alaska. For more than a thousand years before the Europeans came, a great culture flourished on these islands. In 1900 and 1901 the linguist and ethnographer John Swanton took dictation from the last traditional Haida-speaking storytellers, poets, and historians. Robert Bringhurst worked for many years with these manuscripts, and here he brings them to life in the English language. A Story as Sharp as a Knife brings a lifetime of passion and a broad array of skills-humanistic, scientific, and poetic-to focus on a rich and powerful tradition that the world has long ignored.
A seminal collection of Haida myths and legends; now in a gorgeous new package. The linguist and ethnographer John Swanton took dictation from the last great Haida-speaking storytellers, poets and historians from the fall of 1900 through the summer of 1901. Together they created a great treasury of Haida oral literature in written form. Having worked for many years with these century-old manuscripts, linguist and poet Robert Bringhurst brings both rigorous scholarship and a literary voice to the English translation of John Swanton's careful work. He sets the stories in a rich context that reaches out to dozens of native oral literatures and to myth-telling traditions around the globe. Attractively redesigned, this collection of First Nations oral literature is an important cultural record for future generations of Haida, scholars and other interested readers. It won the Edward Sapir Prize, awarded by the Society for Linguistic Anthropology, and it was chosen as the Literary Editor's Book of the Year by the Times of London. Bringhurst brings these works to life in the English language and sets them in a context just as rich as the stories themselves one that reaches out to dozens of Native American oral literatures, and to mythtelling traditions around the world.
Poet and linguist Robert Bringhurst has worked for many years with these century-old manuscripts, which have waited until now for the broad recognition they deserve."--BOOK JACKET.
"...engaging, intelligent, and surprisingly suspenseful." —Elizabeth Gilbert, author of Eat, Pray, Love The unforgettable New York Times best-selling journey of self-discovery and finding one's true calling in life Kathleen Flinn was a thirty-six-year-old middle manager trapped on the corporate ladder - until her boss eliminated her job. Instead of sulking, she took the opportunity to check out of the rat race for good - cashing in her savings, moving to Paris, and landing a spot at the venerable Le Cordon Blue cooking school. The Sharper Your Knife, the Less You Cry is the funny and inspiring account of her struggle in a stew of hot-tempered, chefs, competitive classmates, her own "wretchedly inadequate" French - and how she mastered the basics of French cuisine. Filled with rich, sensual details of her time in the kitchen - the ingredients, cooking techniques, wine, and more than two dozen recipes - and the vibrant sights and sounds of the markets, shops, and avenues of Paris, it is also a journey of self-discovery, transformation, and, ultimately, love.
Being in Being contains three masterpieces by legendary Haida mythteller Skaay of the Qquuna Qiighawaay. The shortest recounts the high points of the legend of his family. The longest, Raven Travelling, is the most complex version of the story of the Raven ever recorded on the Northwest Coast. The third is The Qquuna Cycle, the largest and most complex literary work in any Native Canadian language. It is a poem of epic length and one of the true masterpieces of North American literature.
A finalist for the National Book Critics Circle Award and the PEN Open Book Award, and winner of the 2020 Giller Prize, this revelatory story collection honors characters struggling to find their bearings far from home, even as they do the necessary "grunt work of the world." A failed boxer painting nails at the local salon. A woman plucking feathers at a chicken processing plant. A housewife learning English from daytime soap operas. A mother teaching her daughter the art of worm harvesting. In her stunning debut story collection, O. Henry Award winner Souvankham Thammavongsa focuses on characters struggling to make a living, illuminating their hopes, disappointments, love affairs, acts of defiance, and above all their pursuit of a place to belong. In spare, intimate prose charged with emotional power and a sly wit, she paints an indelible portrait of watchful children, wounded men, and restless women caught between cultures, languages, and values. As one of Thammavongsa's characters says, "All we wanted was to live." And in these stories, they do—brightly, ferociously, unforgettably. Unsentimental yet tender, taut and visceral, How to Pronounce Knife announces Souvankham Thammavongsa as one of the most striking voices of her generation. “As the daughter of refugees, I’m able to finally see myself in stories.” —Angela So, Electric Literature
Drawing on a wide range of sources, this book exposes Andrew Jackson's failure to honor and enforce federal laws and treaties protecting Indian rights, describing how the Indian policies of "Old Hickory" were those of a racist imperialist, in stark contrast to how his followers characterized him, believing him to be a champion of democracy. Early in his career as an Indian fighter, American Indians gave Andrew Jackson a name-Sharp Knife-that evoked their sense of his ruthlessness and cruelty. Contrary to popular belief-and to many textbook accounts-in 1830, Congress did not authorize the forcible seizure of Indian land and the deportation of the legal owners of that land. In actuality, U.S. President Andrew Jackson violated the terms of the Indian Removal Act of 1830, choosing to believe that he was not bound to protect Native Indian individuals' rights. Sharp Knife: Andrew Jackson and the American Indians draws heavily on Jackson's own writings to document his life and give readers sharp insight into the nature of racism in ante-bellum America. Noted historian Alfred Cave's latest book takes readers into the life of Andrew Jackson, paying particular attention to his interactions with Native American peoples as a militia general, treaty negotiator, and finally as president of the United States. Cave clearly depicts the many ways in which Jackson's various dishonorable actions and often illegal means undermined the political and economic rights that were supposed to be guaranteed under numerous treaties. Jackson's own economic interests as a land speculator and slave holder are carefully documented, exposing the hollowness of claims that "Old Hickory" was the champion of "the common man."
The nine stories contained in this volume are the finest offerings from one of the last of the traditional Haida storytellers, Ghandl of the Qayahl Llaanas. Ghandl was born in 1851 in a small Haida island community off the coast of British Columbia. His world was devastated by waves of European diseases, which wiped out over ninety percent of the Haidas and robbed him of his sight. He became a skilled listener, taking in the myths, legends, and everyday stories of his people. Creatively adapting them, the blind storyteller became a master of his craft. In 1900 John Swanton, with the help of a translator, transcribed a number of Ghandl's narrative poems. Nearly all of the poems in this volume are qqaygaang, narrative poems set in the Haida mythtime of long ago. One story, ?The Names of Their Gambling Sticks,? is a qqayaagaang, a story that juxtaposes mythtime and historical time and is the property of a Haida family. Each poem creatively enacts a myth in a way that illuminates and celebrates the traditional world of the Haidas and reveals Ghandl's own acute sense of the foibles and great potential of all human beings. Meticulously and sensitively translated and annotated by Robert Bringhurst, these stories have finally been given the attention they deserve.
It's the cruellest story ever told.One day you are 17 years old and told that you have your whole life ahead of you, "Don't rush!" they say, "You've got plenty of time," and in blissful ignorance you believe them, carrying on the illusion of unlimited time.And as the words, 'future', and 'plans' fall loosely from your lips, you become winded by the news that goes against everything you have ever been told.Suddenly, the meaning of life begins to fade and the promise of time shows itself to be nothing but an ugly, merciless lie.This is my story.The story I share with Death.17 year old Darcey Dawson was promised time. Time to grow, time to learn and most importantly, time to live. Even after she is diagnosed with AML, Darcey believed in the future she had spent the majority of her life planning. But that all comes to a crashing halt when Death appears in the form of Noah White with the unwelcome news of her limited time.
"Mary Beck’s collection of legends from Tlingit and Haida folklore provides an excellent look at not only the mythology but the value and culture of these Southeast Alaska Natives." - Jan O’Meara Homer News Over uncounted generations the Tlingits and Haidas of Southeast Alaska developed a spoken literature as robust and distinctive as their unique graphic art style, and passed it from the old to the young to ensure the continuity of their culture. Even today when the people gather, now under lamplight rather than the flickering glow from the central fire pit, the ancient myths and legends are told and retold, and they still reinforce the unity of the lineage, and clan and the culture. "Mary Beck opens this collection of legends by setting the tradition scene: ‘…It will be a time of feasting, singing, and dancing, of honoring lineages and of telling ancestral stories.’ In this small, beautifully produced volume, enhanced by the wonderful illustrations by Nancy DeWitt, Becks tells nine traditional ancient myths and legends from the oral literature that are authentic for one group or another from this region, including Fog Woman, Volcano Woman, Bear Mother and The Boy Who Fed Eagles." - Bill Hunt Anchorage Daily News