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#1 NEW YORK TIMES BESTSELLER • Meghan, The Duchess of Sussex’s first children’s book, The Bench, beautifully captures the special relationship between father and son, as seen through a mother’s eyes. The book’s storytelling and illustration give us snapshots of shared moments that evoke a deep sense of warmth, connection, and compassion. This is your bench Where you’ll witness great joy. From here you will rest See the growth of our boy. In The Bench, Meghan, The Duchess of Sussex, touchingly captures the evolving and expanding relationship between father and son and reminds us of the many ways that love can take shape and be expressed in a modern family. Evoking a deep sense of warmth, connection, and compassion, The Bench gives readers a window into shared and enduring moments between a diverse group of fathers and sons—moments of peace and reflection, trust and belief, discovery and learning, and lasting comfort. Working in watercolor for the first time, Caldecott-winning, bestselling illustrator Christian Robinson expands on his signature style to bring joy and softness to the pages, reflecting the beauty of a father’s love through a mother’s eyes. With a universal message, this thoughtful and heartwarming read-aloud is destined to be treasured by families for generations to come.
The rainbow-filled, JOYOUS debut from a hugely exciting new talent. Perfect for 9+ readers and fans of Elle McNicoll, Lisa Thompson and Onjali Rauf's bestselling THE BOY AT THE BACK OF THE CLASS. My name’s Archie Albright, and I know two things for certain: 1. My mum and dad kind of hate each other, and they’re not doing a great job of pretending that they don’t anymore. 2. They’re both keeping a secret from me, but I can’t figure out what. Things aren't going great for Archie Albright. His dad's acting weird, his mum too, and all he wants is for everything to go back to normal, to three months before when his parents were happy and still lived together. When Archie sees a colourful, crumpled flyer fall out of Dad's pocket, he thinks he may have found the answer. Only problem? The answer might just lie at the end of the rainbow, an adventure away. Together with his best friends, Bell and Seb, Archie sets off on a heartwarming and unforgettable journey to try and fix his family, even if he has to break a few rules to do it... Praise for ME, MY DAD AND THE END OF THE RAINBOW: 'A life-affirming, must-read' – The Independent ‘One of the most joyful books you’ll read this year’ – The Bookseller 'The novel wears its heart on its sleeve, and it is a very big heart' – Financial Times ‘Joyful, funny and heartfelt’ – Katie Tsang, co-author of SAM WU IS NOT AFRAID and DRAGON MOUNTAIN 'This joyful book has such heart, expertly navigating serious subjects around family, gender, and sexuality. Celebratory and advocating kindness, I’d recommend this book to all middle-grade readers. A real tear-jerker!' – Steven Butler, author of THE NOTHING TO SEE HERE HOTEL ‘So adorable, funny, and heartwarming. I loved it!’ – Alice Oseman, author of the HEARTSTOPPER series 'A joyful and thoughtful celebration of family, identity and inclusivity' – Anna James, author of the PAGES & CO. series ‘A brilliant, smart book with a good heart. It’s like a warm hug and I can’t wait for the next one’ – Danny Wallace, author of HAMISH AND THE WORLDSTOPPERS and THE DAY THE SCREENS WENT BLANK ‘A powerful new voice in children's fiction’ – Aisha Bushby, author of A POCKETFUL OF STARS 'I will recommend this book to everyone for years and years to come' – Gavin Hetherington, BookTuber - How to Train Your Gavin
ARCHIE'S BIG BOOK VOL. 7 is the latest of a series of deluxe softcovers featuring the classic Archie stories in-and-out of Riverdale. A value at $19.99, this comic-trim-sized collection is the best place to discover the origins of these characters right in time for their appearances on CW's Riverdale. With additional content and newly remastered comic art and coloring on selected stories, we expect this new value softcover should do very well on holiday displays and wherever books are sold. Join The Archies and Josie and the Pussycats as they showcase their musical abilities to the world! It's a match made in rock 'n' roll heaven when two of the greatest bands get together to make sweet music!
Now a Netflix film starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Farrah Mackenzie, Charlie Evans and Kevin Bacon. Written for the Screen and Directed by Sam Esmail. Executive Producers Barack and Michelle Obama, Tonia Davis, Daniel M. Stillman, Nick Krishnamurthy, Rumaan Alam A Read with Jenna Today Show Book Club Pick! Finalist for the 2020 National Book Award in Fiction One of Barack Obama's Summer Reads A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong. From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis. Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe. Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?
A “scrupulously honest” (O, The Oprah Magazine) debut memoir that explores one man’s gender transition amid a pivotal political moment in America. Becoming a Man is a “moving narrative [that] illuminates the joy, courage, necessity, and risk-taking of gender transition” (Kirkus Reviews). For fifty years P. Carl lived as a girl and then as a queer woman, building a career, a life, and a loving marriage, yet still waiting to realize himself in full. As Carl embarks on his gender transition, he takes us inside the complex shifts and questions that arise throughout—the alternating moments of arrival and estrangement. He writes intimately about how transitioning reconfigures both his own inner experience and his closest bonds—his twenty-year relationship with his wife, Lynette; his already tumultuous relationships with his parents; and seemingly solid friendships that are subtly altered, often painfully and wordlessly. Carl “has written a poignant and candid self-appraisal of life as a ‘work-of-progress’” (Booklist) and blends the remarkable story of his own personal journey with incisive cultural commentary, writing beautifully about gender, power, and inequality in America. His transition occurs amid the rise of the Trump administration and the #MeToo movement—a transition point in America’s own story, when transphobia and toxic masculinity are under fire even as they thrive in the highest halls of power. Carl’s quest to become himself and to reckon with his masculinity mirrors, in many ways, the challenge before the country as a whole, to imagine a society where every member can have a vibrant, livable life. Here, through this brave and deeply personal work, Carl brings an unparalleled new voice to this conversation.
The daughter of a renowned inventor, Lily Leanchops' obsession with building a functional aircraft is put to the test when the Warthogs, piloting flying machines protected by dark magic, set out to claim Pigdom Plains for their own.
[Includes 8 photograph illustrations] On the northern half of Times Square in the heart of New York is a square named after Father Francis Patrick Duffy, a priest whose faith in God was only matched by the attachment to his flock. He is mainly known for his legendary exploits as chaplain of the Fighting Sixty-Ninth regiment (renumbered the 165th in Federal Army List) in the First World War. The regiment, composed of mainly troops of Irish heritage, had historically been at the forefront of the Civil War fighting at Antietam, Fredericksburg, Chancellorsville and Gettysburg. When the regiment marched to battle in the First World War, the troops were also mainly of an Irish Catholic background, headed by Father Duffy, who was never content to see the men of his charge go off to the front alone and frequently went into the maelstrom of battle as a stretcher bearer. Duffy and his regiment fought at Lunéville enduring a gas attack, before engaging at the Battle of the Ourcq and taking part in the two major American offensives at St. Mihiel and in the Argonne. Perhaps no finer compliment to him was paid by the regimental commander who stated that he and his actions were the key to the keeping unit’s morale high. A fine memoir by a towering figure in American First World War history. “Diary/memoir, June 1917—April 1919. Duffy was chaplain of the 165th Infantry, 42nd Division. An exciting account by the legendary chaplain, recounting his exploits in St. Mihiel, the Argonne, and elsewhere.”- p. 120, Edward Lengel, World War I Memories, 2004, The Scarecrow Press, Lanham Maryland, Toronto, Oxford.
From the New York Times bestselling author of Fifth Avenue, Five A.M. and Fosse comes the revelatory account of the making of a modern American masterpiece Chinatown is the Holy Grail of 1970s cinema. Its twist ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage death of his wife, returning to Los Angeles, the scene of the crime, where the seeds of his own self-destruction are quickly planted. Here is the fevered dealmaking of "The Kid" Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today. In telling that larger story, The Big Goodbye will take its place alongside classics like Easy Riders, Raging Bulls and The Devil's Candy as one of the great movie-world books ever written. Praise for Sam Wasson: "Wasson is a canny chronicler of old Hollywood and its outsize personalities...More than that, he understands that style matters, and, like his subjects, he has a flair for it." - The New Yorker "Sam Wasson is a fabulous social historian because he finds meaning in situations and stories that would otherwise be forgotten if he didn't sleuth them out, lovingly." - Hilton Als
When Archie's beloved grandpa is diagnosed with Alzheimer's disease, Archie desperately wants to slow the progression of his grandpa's memory loss. Using Grandpa's old journal entries as inspiration, he creates shared role-playing fantasies with epic quests for them to tackle together—allowing Grandpa to live in the present and stay in touch with his fading memories. But as Grandpa's condition gradually worsens, Archie must come to terms with what's happening to his hero. The limits of the fantasies, revelations about Grandpa's past, and a school project about the future force Archie to grapple with what it truly means to live a life worth remembering.
Filled with glamour, mystery, and madness, Archie and Amélie is the true story chronicling a tumultuous love affair in the Gilded Age. John Armstrong "Archie" Chanler was an heir to the Astor fortune, an eccentric, dashing, and handsome millionaire. Amélie Rives, Southern belle and the goddaughter of Robert E. Lee, was a daring author, a stunning temptress, and a woman ahead of her time. Archie and Amélie seemed made for each other—both were passionate, intense, and driven by emotion—but the very things that brought them together would soon tear them apart. Their marriage began with a “secret” wedding that found its way onto the front page of the New York Times, to the dismay of Archie’s relatives and Amélie’s many gentleman friends. To the world, the couple appeared charmed, rich, and famous; they moved in social circles that included Oscar Wilde, Teddy Roosevelt, and Stanford White. But although their love was undeniable, they tormented each other, and their private life was troubled from the start. They were the F. Scott and Zelda Fitzgerald of their day—a celebrated couple too dramatic and unconventional to last—but their tumultuous story has largely been forgotten. Now, Donna M. Lucey vividly brings to life these extraordinary lovers and their sweeping, tragic romance. “In the Virginia hunt country just outside of Charlottesville, where I live, the older people still tell stories of a strange couple who died some two generations ago. The stories involve ghosts, the mysterious burning of a church, a murder at a millionaire’s house, a sensational lunacy trial, and a beautiful, scantily clad young woman prowling her gardens at night as if she were searching for something or someone—or trying to walk off the effects of the morphine that was deranging her. I was inclined to dismiss all of this as tall tales Virginians love to spin out; but when I looked into these yarns I found proof that they were true. . . .” —Donna M. Lucey on Archie and Amélie