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A STOCKPORT TRILOGY In part one A week or so following their wedding, the 'NEW PALADIUM' was showing a Laurel and Hardy comedy film, followed by the main feature "Hold your Man" with Jean Harlow and Clark Gable. It was described as 'A really gripping production, both intensely dramatic and romantic. A film for adults only. Little did they know that they were soon to be embroiled in a worldwide drama not just for adults, but children too? The 'gripping drama' that week was for six nights only. However, the drama of war, soon to be upon us was for 2,194 nights and days. In part two Babies had been born there. A mother, driven mad with hunger, screamed at me to give her 'milch fur meine kinder', and thrust the tiny mite into my arms, then wandered off unable to shed just one tear as she was so dehydrated. He said, as I opened the bundle, I found that the baby had been dead for days and stunk to high heaven. As he told us what he had seen, he really was in a bad way, with tears in his eyes, his whole being was trembling uncontrollably. As he wandered off he said, "That day was the worst day of my life." Rumour has it that he was repatriated soon after. Poor kid" The camp was "Bergen Belsen" concentration camp. In part three As I waited in line, I could see little of what was going on and as it turned out, was glad I could not see. When my turn came the nurse said are you Kenneth Gibbons, yes miss. My height and weight were recorded; I was quite weedy for my age. I remember being called Belsen once as I was so thin. I am sure it stopped as soon as people knew what it really meant. A listen to my chest and then the nurse said take your trousers down so the doctor can examine you. As I did not have any underpants on, and the fact that I was standing in front of a lady nurse, I was embarrassed beyond belief; The Doctor put his fingers at the side of my "robin" as mam called it and asked me to cough. Apparently, it was to assess the development of my genitals but I felt as if I had been naked in the middle of Mersey square."
In Part One A week or so following their wedding, the 'New Paladium' was showing a Laurel and Hardy comedy film, followed by the main feature "Hold your Man" with Jean Harlow and Clark Gable. It was described as 'A really gripping production, both intensely dramatic and romantic. A film for adults only. Little did they know that they were soon to be embroiled in a worldwide drama not just for adults, but children too? The 'gripping drama' that week was for six nights only. However, the drama of war, soon to be upon us was for 2,194 nights and days. In Part Two Babies had been born there. A mother, driven mad with hunger, screamed at me to give her 'milch fur meine kinder', and thrust the tiny mite into my arms, then wandered off unable to shed just one tear as she was so dehydrated. He said, as I opened the bundle, I found that the baby had been dead for days and stunk to high heaven. As he told us what he had seen, he really was in a bad way, with tears in his eyes, his whole being was trembling uncontrollably. As he wandered off he said, "That day was the worst day of my life." Rumour has it that he was repatriated soon after. Poor kid. The camp was "Bergen Belsen" concentration camp. In Part Three As I waited in line, I could see little of what was going on and as it turned out, was glad I could not see. When my turn came the nurse said are you Kenneth Gibbons, yes miss. My height and weight were recorded; I was quite weedy for my age. I remember being called Belsen once as I was so thin. I am sure it stopped as soon as people knew what it really meant. A listen to my chest and then the nurse said take your trousers down so the doctor can examine you. As I did not have any underpants on, and the fact that I was standing in front of a lady nurse, I was embarrassed beyond belief; The Doctor put his fingers at the side of my "robin" as mam called it and asked me to cough. Apparently, it was to assess the development of my genitals but I felt as if I had been naked in the middle of Mersey square. I was born with my twin sister in May 1938 and grew up in a north of England mill town in poor circumstances and the threat of war. As you read this book, you will find that my lot was often a happy one even though times were hard. We all have a story to tell. This is my story from 1925 to 1949. In it I relived many memories from my childhood, some happy, some sad, some frightening, and many memories of our loving mam and dad. Now that I have time to look back, I felt a need to commit these memories to paper. With the discovery of lots of wartime letters, photographs, and my own memories I think I have done justice to mam and dad. Kenneth Gibbons
This book focuses on the output of women film directors in the period post Millennium when the number of female directors working within the film industry rose substantially. Despite the fact that nationally and internationally women film directors are underrepresented within the industry, there is a wealth of talent currently working in Britain. During the early part of the 2000s, the UKFC instigated policies and strategies for gender equality and since then the British Film Institute has continued to encourage diversity. British Women Directors in the New Millennium therefore examines the production, distribution and exhibition of female directors’ work in light of policy. The book is divided into two sections: part one includes a historical background of women directors working in the twentieth century before discussing the various diversity funding opportunities available since 2000. The second part of the book examines the innovation, creativity and resourcefulness of British female film directors, as well as the considerable variety of films that they produce, selecting specific examples for analysis in the process.
A true story of life in Greater Manchester through the sixties and seventies that pushed a boy to become a man in the Royal Navy. Armed Forces experiences that catapulted his development and forged bonds with comrades who became friends for life and the lessons learned that he took with him into civilian life.The story is told in a humorous and gritty style, describing events and incidents, fast paced and straight from the heart. Mostly funny, there is a sober and occasional sad side to the events, which match the ups and downs of life.Maurice describes himself as a Scallywag who became an Executive. Never slow in expressing himself, he paints a picture of life that is not always visible to everyone.
"Why I Became an Occupational Physician" and Other Occupational Health Stories brings together an edited collection of the short articles published in the journal Occupational Medicine between 2002 and 2018. The articles originally appeared as 'fillers', commissioned to literally 'fill' the blank spaces at the end of the main scientific papers, but they soon became a feature in their own right. Written by doctors working in occupational medicine and health, the fillers began as a series of pieces exploring the varied and often surprising reasons why the individuals chose to pursue this unique speciality, whether it was a natural career move, triggered by a specific event, or stumbled upon by chance. Over time the articles became much broader in their scope and the journal began to attract pieces from some brilliant writers: Mike Gibson, John Challenor, Nerys Williams, and of course the superlative Anthony Seaton, amongst many others. Each article offers something different: a peek into history, a humorous adventure, a quiet musing, or a thought-provoking observation, but all are tied together under the umbrella of occupational medicine, a speciality that is often little known or understood in the wider world of medicine. This book brings together over 15 years' worth of fascinating and diverse articles into one volume for the first time, giving a rare insight into the world of the occupational physician.
A gripping, virtual reality thriller - the second title in The Legendeer trilogy. What if there are places where our nightmares live and wait for us? Phoenix has found one and it's alive. Armies of bloodsucking vampyrs and terrifying werewolves, the creatures of our darkest dreams, are poised to invade our world. After his battle with the evil Gamesmaster in SHADOW OF THE MINOTAUR, Phoenix knows this is for real. As he prepares to enter the second deadly computer game in The Legendeer series, he knows he must win or never come back. The Legendeer is more than just a game. Play it if you dare.
The only way to appreciate the legendary musician Mark E. Smith is to encounter the man in his own words. 'May be the funniest music book ever written' Observer The Fall are one of the most distinctive British bands, their music - odd,spare, cranky and repetitious - an acknowledged influence on The Smiths, The Happy Mondays, Nirvana and Franz Ferdinand. And Mark E. Smith IS The Fall. 47 members have come and gone over the years yet he remains its charismatic leader, a professional outsider and all-round enemy of compromise, a true enigma. There have been a number of biographies of the legendary Smith, but this is the first time he has opened up in a full autobiography. For the first time we get to hear his full, candid take on the ups and downs of a band as notorious for its in-house fighting as for its great music; and on a life that has endured prison in America, drugs, bankruptcy, divorce, and the often bleak results of a legendary thirst. 'A riot' Independent on Sunday 'Unbeatable' Time Out 'Vicious' Daily Telegraph 'Hilarious' Scotland on Sunday
Victorian Literature is a comprehensive and fully annotated anthology with a flexible design that allows teachers and students to pursue traditional or innovative lines of inquiry—from the canon to its extensions and its contexts. Represents the period's major writers of prose, poetry, drama, and more, including Tennyson, Arnold, the Brownings, Carlyle, Ruskin, the Rossettis, Wilde, Eliot, and the Brontës Promotes an ideologically and culturally varied view of Victorian society with the inclusion of women, working-class, colonial, and gay and lesbian writers Incorporates recent scholarship with 5 contextual sections and innovative sub-sections on topics like environmentalism and animal rights; mass literacy and mass media; sex and sexuality; melodrama and comedy; the Irish question; ruling India and the Indian Mutiny and innovations in print culture Emphasizes the interdisciplinary nature of the field with a focus on social, cultural, artistic, and historical factors Includes a fully annotated companion website for teachers and students offering expanded context sections, additional readings from key writers, appendices, and an extensive bibliography