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Weintraub vividly recreates here the days leading up to the Armistice which marked the end of World War I by documenting the reactions of survivors on both sides of the front. Including such notable figures as Albert Einstein, Thomas Mann, Joseph Conrad, Major Omar Bradley, and Charles Lindbergh, hundreds of these survivors have contributed human vignettes from within the great chateaux, cabinet rooms, command posts, and even a railway car in both the villages and cities of Europe, America, Africa, Australia, and Japan, which summon up the effects of a shattering war, the end of the Edwardian era, and premonitions of another world war.
An up-to-date and concise account of WWI for teachers and students looking for a balanced introduction. It details both the military operations as well as the development of war aims, alliance diplomacy and the war on the home front.
Following on from the highly acclaimed Facing Armageddon and Passchendaele in Perspective, At the Eleventh Hour recognises that a world was ending in November 1918, and by international collaboration on the 80th Anniversary we learn through this book, what it was like to experience the transition from war to peace. Distinguished historians brilliantly convey a sense of immediacy as the Armistice is recreated and analysed.The reader will not just acquire new areas of information, he will have some of the existing knowledge which he thought was soundly held, strikingly challenged in the pages of this superbly illustrated book.
From an acclaimed military historian comes the astonishing story of World War I's 1914 Christmas truce—a spontaneous celebration when enemies became friends. It was one of history's most powerful—yet forgotten—Christmas stories. It took place in the improbable setting of the mud, cold rain, and senseless killing of the trenches of World War I. It happened in spite of orders to the contrary by superiors. It happened in spite of language barriers. And it still stands as the only time in history that peace spontaneously arose from the lower ranks in a major conflict, bubbling up to the officers and temporarily turning sworn enemies into friends. Silent Night, by renowned military historian Stanley Weintraub, magically restores the 1914 Christmas Truce to history. It had been lost in the tide of horror that filled the battlefields of Europe for months and years afterward. Yet, in December 1914, the Great War was still young, and the men who suddenly threw down their arms and came together across the front lines—to sing carols, exchange gifts and letters, eat and drink and even play friendly games of soccer—naively hoped that the war would be short-lived, and that they were fraternizing with future friends. It began when German soldiers lit candles on small Christmas trees, and British, French, Belgian, and German troops serenaded each other on Christmas Eve. Soon they were gathering and burying the dead, in an age-old custom of truces. But as the power of Christmas grew among them, they broke bread, exchanged addresses and letters, and expressed deep admiration for one another. When angry superiors ordered them to recommence the shooting, many men aimed harmlessly high overhead. Sometimes the greatest beauty emerges from deep tragedy. Surely the forgotten Christmas Truce was one of history's most beautiful moments, made all the more beautiful in light of the carnage that followed it. Stanley Weintraub's moving re-creation demonstrates that peace can be more fragile than war, but also that ordinary men can bond with one another despite all efforts of politicians and generals to the contrary.
A NEW YORK TIMES NOTABLE BOOK “Her technique was simple: aim for the top,” an envious colleague wrote of Clare Boothe Luce. No American woman of the twentieth century aimed so accurately, or rose so far, as this legendary playwright, politician, and social seductress. Born in New York’s Spanish Harlem, with nothing to recommend her but beauty, ferocious intelligence, and dry wit, she transformed herself into the youthful managing editor of Vanity Fair. She married two millionaires and wrote three Broadway hits, including the biting satire, The Women. Her second husband, Henry Luce—the publisher of Time, Fortune, and later at her suggestion Life—was only one of the dozens of men she entranced. Adding politics and power to journalism and drama, Clare used sex, street smarts, acid humor, and money to plot a career more improbable than anything in her own fiction. Not content with mere wealth and the acclaim of transatlantic café society, Clare Boothe Luce confessed to a “rage for fame.” This extraordinary book—the result of more than fifteen years of research by Sylvia Jukes Morris, her chosen biographer—tells how she achieved it. Praise for Rage for Fame “A model biography . . . the sort that only real writers can write.”—Gore Vidal, The New Yorker “[The] riveting first part of a two-volume biography . . . Relentlessly candid, meticulously documented, Morris’s book traces [Clare Boothe] Luce’s rocketing rise from illegitimacy and poverty to wealth, power and fame.”—Hartford Courant “Powerful and resonant, admiring at times, always critical, at times searing, but ultimately fair.”—The Philadelphia Inquirer “Crammed with enough drama for several mini-series.”—The New York Times “An important book about an important figure . . . a stunning feat of biography.”—Forbes “A dishy biography that is also a formidable work of research.”—Slate “One of those rare books where the reader dreads the final page.”—Newport News Daily Press
In this two-book bundle, Alan Bowker sheds new light on two subjects with a surprising connection: the great Canadian writer Stephen Leacock and the rise of Canada on the world stage, which Leacock profiled with keen wit and observational skill. With Bowker as your guide, explore what it was really like to live through the great upheaval that pushed Canada to come into its own on the world stage. A Time Such as There Never Was Before Ottawa Book Award 2015 — Shortlisted The years after World War I were among the most tumultuous in Canadian history: a period of unremitting change, drama, and conflict. They were, in the words of Stephen Leacock, “a time such as there never was before.” The war had been a great crusade, and its end was supposed to bring a world made new. But the conflict had cost sixty thousand Canadian lives, with many more wounded, and had stirred up divisions in the young, diverse country. With Canada struggling to define itself, labour, farmers, business, the church, social reformers, and minorities all held extravagant hopes, irrational fears, and contradictory demands. Whose hopes would be realized, and whose dreams would end in disillusionment? Which changes would prove permanent and which would be transitory? A Time Such As There Never Was Before describes how this exciting period laid the foundation of the Canada we know today. On the Front Line of Life In the last decade of his life, Stephen Leacock turned to writing informal essays that blended humour with a conversational style and ripened wisdom to address issues he cared about most — education, literature, economics, Canada and its place in the world — and to confront the joys and sorrows of his own life. With an introduction that sets them in the context of his life, thoughts and times, these essays reveal a passionate, intelligent, personal Leacock, against a backdrop of Depression and war, finding hope and conveying the timeless message that only the human spirit can bring social justice, peace, and progress.
The End of the Age of Innocence tells the dramatic story of Edith Wharton's heroic crusade to save the lives of displaced Belgians and suffering citizens of her adopted France, by organizing refugee relief efforts during WWI.
This is the first book to study the cultural impact of the Armistice of 11 November 1918. It contains 14 new essays from scholars working in literature, music, art history and military history. The Armistice brought hopes for a better future, as well as sadness, disappointment and rage. Many people in all the combatant nations asked hard questions about the purpose of the war. These questions are explored in complex and nuanced ways in the literature, music and art of the period. This book revisits the silence of the Armistice and asks how its effect was to echo into the following decades. The essays are genuinely interdisciplinary and are written in a clear, accessible style.