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P.E.A.R.L. Award Finalist, The Midwest Book Review Recommended Read A brooch, a lighthouse, a seashore, a love that transcends time... Single, childless, and forty-three, college English professor Laura Bouvoire is determined to have a baby by in-vitro fertilization, but her plans meet opposition when she falls in love with her thirty year old college student, Dante Giovanni. Even though she becomes pregnant, she is shocked at Dante's opposition to "test-tube babies" which he deems morally repugnant. Yet the two are drawn together by forces neither understands, forces they later learn stem from a past life.Obsessed by dreams of lovers in another century, Laura delves into that past life. There, tormented voices from another age reveal century-old karmic debts... A STILL POINT IN TIME by Marsha Briscoe
Sarah Arthur's anthology of liturgically arranged devotional, literary readings is a creme-de-la-creme book. The passages lovingly collected and arranged are the best available. There is something here for every reader. This book is both a literary treasure store and a devotional feast.
Like all mothers, Rapp had ambitious plans for her first and only child, Ronan. He would be smart, loyal, physically fearless, and level-headed, but fun. But all of these plans changed when Ronan was diagnosed at nine months old with a rare and always-fatal degenerative disorder.
Retreats give us a space for contemplation and developing our relationship with God, but they aren't always possible. So can we still appreciate and detect the everyday God, even without special 'holy' places and spiritual practices? Dancing at the Still Point is a book for those who can't or aren't ready to go away for a residential Christian retreat, but who want to be in daily relationship and connect with God in a satisfying way. In sessions that you can work through at your own pace, Gemma Simmonds guides us through the practices and disciplines of retreats, such as being still physically and spiritually, developing a habit of prayer and learning some basic discernment skills. With insights from the Ignatian Spiritual Exercises, she explores how we can fold these practices into every day and shows that a rich life of prayer, in which we have time and space to let God be present, is achievable even in a busy working or family life. Practical and flexible, Dancing at the Still Point will help you find a richer and more balanced life, where the spiritual takes its rightful place amid all the other calls on time and attention.
In the final installment to the trilogy begun with Awaken, Maddie returns home to make her final stand against Digital School, and uncovers deeply guarded secrets about her family an new truths about herself.
A biography of the man who sought to bring the ancient wisdom of the Tao into the modern world, and who was a translator of the Tao te ching.
At a time when we are witnessing the return of the World Soul, the rise of feminine consciousness and the re-enchantment of Nature, the friendship between Marion Woodman and Elinor Dickson offers us a rare glimpse into the new story yearning to be born. Dancing at the Still Point reveals a remarkable friendship rooted in Soul that is both deeply personal and transpersonal. Prompted by a dream in which Marion told her to write about their friendship, Elinor has succeeded in weaving their shared visions, dreams and insights with the playfulness, challenges, and honesty they shared over thirty-four years. Like all deep friendships, Marion and Elinor mirrored each other while mutually affirming their individual destinies. This is a book that celebrates the gift of friendship as a compelling model for community in these times. As Marion would say, “where soul meets soul that’s love” and love is the field in which we are all called to dance. Elinor Dickson, Ph.D., is a psychologist, Jungian therapist, lecturer and workshop leader. She is the co-author of Dancing in the Flames written with Marion Woodman. She lives in Toronto, Ontario
Biodynamic Craniosacral Therapy (BCST) is commonly seen as the spiritual approach to craniosacral therapy (CST); in fact, BCST as taught by Franklyn Sills, the pioneer in the field, is quite different from conventional CST. Biodynamic work is based on the development of perceptual skills where the practitioner learns to become sensitive to subtle respiratory motions called primary respiration and also to the power of spontaneous healing. Through the Breath of Life, which, Sills asserts, echoes the Holy Spirit in the Judeo-Christian tradition, bodhicitta in Buddhism, and the Tai Chi in Taoism, students of BCST learn to enter a state of presence oriented to the client’s inherent ability to heal. In Foundations in Craniosacral Biodynamics, Sills offers students and practitioners an in-depth, step-by-step guide to the development of perceptual and clinical skills with specific clinical exercises and explorations to help students and practitioners learn the essentials of a biodynamic approach. Individual chapters cover such topics as holism and biodynamics; mid-tide, Long Tide, Dynamic Stillness and stillpoint process; the motility of tissues and the central nervous system; transference and the shadow; shamanistic resonances; and more.
“[An] often beautiful jewel of a book . . . Black’s power as a writer means she can take us with her to places that normally our minds would refuse to go.”—The New York Times Book Review (Editors’ Choice) From the New York Times bestselling author of The Still Point of the Turning World comes an incisive memoir about how she came to question and redefine the concept of resilience after the trauma of her first child’s death. “Congratulations on the resurrection of your life,” a colleague wrote to Emily Rapp Black when she announced the birth of her second child. The line made Rapp Black pause. Her first child, a boy named Ronan, had died from Tay-Sachs disease before he turned three years old, an experience she wrote about in her second book, The Still Point of the Turning World. Since that time, her life had changed utterly: She left the marriage that fractured under the terrible weight of her son’s illness, got remarried to a man who she fell in love with while her son was dying, had a flourishing career, and gave birth to a healthy baby girl. But she rejected the idea that she was leaving her old life behind—that she had, in the manner of the mythical phoenix, risen from the ashes and been reborn into a new story, when she still carried so much of her old story with her. More to the point, she wanted to carry it with her. Everyone she met told her she was resilient, strong, courageous in ways they didn’t think they could be. But what did those words mean, really? This book is an attempt to unpack the various notions of resilience that we carry as a culture. Drawing on contemporary psychology, neurology, etymology, literature, art, and self-help, Emily Rapp Black shows how we need a more complex understanding of this concept when applied to stories of loss and healing and overcoming the odds, knowing that we may be asked to rebuild and reimagine our lives at any moment, and often when we least expect it. Interwoven with lyrical, unforgettable personal vignettes from her life as a mother, wife, daughter, friend, and teacher, Rapp Black creates a stunning tapestry that is full of wisdom and insight.
This book offers a detailed look into the life and works of Pulitzer Prize-winning Jewish American poet George Oppen. Born in 1908 in New York State, Oppen spent parts of his life working as a die cutter and carpenter and later running a furniture factory. Like the work he did with his hands during those years, his poetry used basic materials; he favored short, simple nouns and focused on concrete objects rather than abstractions. This book examines the characteristics of Oppen's work, particularly his use of small and often odd phrasings and unusual line formations to express the ultimately inexpressible. The first three chapters delve into his primitive modes, language and materials. Subsequent chapters tackle his subjects: cityscapes, light and water, and then animals and their relation to human history and struggles. His final collection of poems, Primitive, is examined in its own chapter, which is followed by an exploration of recurring specific phrases and concrete images. The author demonstrates how Oppen's poetry restores to readers an essential dimension of communication and experience that has been ignored or forgotten.