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From esteemed steampunk author Margaret Killjoy comes a 56-page, fully-illustrated manual of steampunk survival. With sections on water, food, security, health, location, communications, and more.
Playfully mashing up the romantic elegance of the Victorian era with whimsically modernized technology, the wildly popular steampunk genre is here to stay. Now...long live the revolution! Steampunk Revolution features a renegade collective of writers and artists, including steampunk legends and hot, new talents rebooting the steam-driven past and powering it into the future. Lev Grossman’s “Sir Ranulph Wykeham-Rackham, GBE, a.k.a. Roboticus the All-Knowing” is the Six-Million-Dollar Steampunk Man, possessing appendages and workings recycled from metal parts, yet also fully human, resilient, and determined. Bruce Sterling’s “White Fungus” introduces steampunk’s younger cousin, salvage-punk, speculating on how cities will be built in the future using preexisting materials. Cat Valente’s “Mother Is a Machine” explores the merging of man and machine and a whole new form of parenting. In Jeff VanderMeer’s anti-steampunk story “Fixing Hanover,” a creator must turn his back on his creation because it is so utterly destructive. And Cherie Priest presents “The Clockroach,” a new and very unsettling mode of transportation. Going far beyond corsets and goggles, Steampunk Revolution is not just your granddad’s zeppelin—it’s an even wilder ride.
This collection of essays explores the social and cultural aspects of steampunk, examining the various manifestations of this multi-faceted genre, in order to better understand the steampunk sub-culture and its effect on--and interrelationship with--popular culture and the wider society.
The Steampunk Handbook: A Comprehensive Guide to the World of Steampunk The Steampunk Handbook is a captivating and informative exploration of the fascinating world of steampunk. This comprehensive guide delves into the origins and defining aesthetics of steampunk, showcasing its connection to the Victorian Era and the Industrial Revolution. Readers will be immersed in the unique fashion and clothing styles, as well as the literature, art, and technology that define the genre. From clockwork and gears to airships and steam engines, readers will discover the inventive contraptions and gadgets that make up the steampunk universe. The book also delves into the vibrant steampunk subculture, exploring the community, events, and festivals that bring enthusiasts together. Through engaging chapters on film, television, music, gaming, and architecture, readers will gain a deeper understanding of the wide-reaching influence of steampunk in popular culture. The book also explores the empowering representation of women in steampunk and the genre's relationship with science fiction. The Future of Steampunk chapter offers a glimpse into the evolving genre and its global growth, highlighting the current trends and innovations that shape its future. With its well-researched content and visually captivating illustrations, The Steampunk Handbook is a must-read for anyone intrigued by this genre that blends history with imagination.
Co-winner, Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture Once a small subculture, the steampunk phenomenon exploded in visibility during the first years of the twenty-first century, its influence and prominence increasing ever since. From its Victorian and literary roots to film and television, video games, music, and even fashion, this subgenre of science fiction reaches far and wide within current culture. Here Rachel A. Bowser and Brian Croxall present cutting-edge essays on steampunk: its rise in popularity, its many manifestations, and why we should pay attention. Like Clockwork offers wide-ranging perspectives on steampunk’s history and its place in contemporary culture, all while speaking to the “why” and “why now” of the genre. In her essay, Catherine Siemann draws on authors such as William Gibson and China Miéville to analyze steampunk cities; Kathryn Crowther turns to disability studies to examine the role of prosthetics within steampunk as well as the contemporary culture of access; and Diana M. Pho reviews the racial and national identities of steampunk, bringing in discussions of British chap-hop artists, African American steamfunk practitioners, and multicultural steampunk fan cultures. From disability and queerness to ethos and digital humanities, Like Clockwork explores the intriguing history of steampunk to evaluate the influence of the genre from the 1970s through the twenty-first century. Contributors: Kathryn Crowther, Perimeter College at Georgia State University; Shaun Duke, University of Florida; Stefania Forlini, University of Calgary (Canada); Lisa Hager, University of Wisconsin–Waukesha; Mike Perschon, MacEwan University in Edmonton, Alberta; Diana M. Pho; David Pike, American University; Catherine Siemann, New Jersey Institute of Technology; Joseph Weakland, Georgia Institute of Technology; Roger Whitson, Washington State University.
This comprehensive guide to Steampunk creations of all kinds offers inspiration and practical tips for bringing your own retro-futuristic visions to life. Whether you’re a newbie to the world of Steampunk, or a long-time enthusiast of airships, goggles, and mad scientists, The Steampunk User’s Manual is essential reading. The popular subgenre of science fiction has grown into a cultural movement; one that invites fans to let their imaginations go wild. In this volume, Jeff VanderMeer—the renowned expert in all things Steampunk—presents a practical and inspirational guidance for finding your own path into this realm. Including sections on art, fashion, architecture, crafts, music, performance, and storytelling, The Steampunk User's Manual provides a conceptual how-to guide on everything from the utterly doable to the completely over-the-top.
“A wonderful collection of questions and reflections on the state of the movement today, where we came from, and where we might be going. It is all too rare that in the process of creating the movement and living the moment, participants and thinkers step back and ask the most pressing questions. This book is an important step.” Marina Sitrin, Occupy Wall Street organizer and author of Horizontalism We have all been swept up by the momentum of the Occupy movement. We have seen the results of years of organizing in different communities come together in ways that few could have imagined, bolstered by the scores of people who have left the comfort of their daily routine behind and taken to the streets. Yet as a movement so overflowing with new social and political actors, we lack the framework we need to help us all to understand what a social movement is, to understand how change has happened in the past, to understand what this moment means and what this movement makes possible. We Are Many is a reflection on Occupy from within the heart of the movement itself. Examining key questions: What worked? What didn’t? Why? How? Is it reproducible? The authors and activists in this collection point toward a movement-based framework for future organizing. Heavily illustrated and annotated, We Are Many is a celebration of what worked, and a thoughtful analysis of what didn’t. Contributors:Michael Andrews, Michael Belt, Nadine Bloch, Rose Bookbinder, Mark Bray, Emily Brissette, George Caffentzis, George Ciccariello-Maher, Annie Cockrell, Joshua Clover, Andy Cornell, Molly Crabapple, CrimethInc., Croatoan, Paul Dalton, Chris Dixon, John Duda, Brendan M. Dunn, Lisa Fithian, Gabriella, David Graeber, Ryan Harvey, Gabriel Hetland, Marisa Holmes, Mike King, Koala Largess, Yvonne Yen Liu, Josh MacPhee, Manissa M. Maharawal, Yotam Marom, Cindy Milstein, Occupy Research, Joel Olson, Isaac Ontiveros, Morrigan Phillips, Frances Fox Piven, Vijay Prashad, Michael Premo, Max Rameau, RANT, Research & Destroy, Nathan Schneider, Jonathan Matthew Smucker, Some Oakland Antagonists, Lester Spence, Janaina Stronzake, Mattilda Bernstein Sycamore, Team Colors Collective, Janelle Treibitz, Unwoman, Immanuel Wallerstein, Sophie Whittemore, Kristian Williams, and Jaime Omar Yassin.
A book about despair, climate change, zombie films, multiple apocalypses, the everyday, city-dwelling, zombies, walking and walk-performance, imperialism, sex, zombie literature, refugees, popular culture and zombies.
“Wonderful essays on everything steampunk, written by well-known names in the movement who are living steampunk every day” (Wired.com). Steampunk—a grafting of Victorian aesthetic and punk rock attitude onto various forms of science-fiction culture—is a phenomenon that has come to influence film, literature, art, music, fashion, and more. The Steampunk Bible is the first compendium about the movement, tracing its roots in the works of Jules Verne and H. G. Wells through its most recent expression in movies such as Sherlock Holmes. Its adherents celebrate the inventor as an artist and hero, re-envisioning and crafting retro technologies including antiquated airships and robots. A burgeoning DIY community has brought a distinctive Victorian-fantasy style to their crafts and art. Steampunk evokes a sense of adventure and discovery, and embraces extinct technologies as a way of talking about the future. This ultimate manual will appeal to aficionados and novices alike as author Jeff VanderMeer takes the reader on a wild ride through the clockwork corridors of Steampunk history. Praise for The Steampunk Bible “An informed, informative and beautifully illustrated survey of the subject.” —The Financial Times “The Steampunk Bible is far and away the most intriguing catalog of all things steam yet written.” —The Austin Chronicle