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In this vivid and deeply felt collection of essays, Ron Hansen talks about his novels, childhood, family, and mentors such as John Gardner. He explores prayer, stigmata, twentieth-century martyrs, and the Eucharist. A profile of his grandfather, a "tough-as-nails, brook-no-guff Colorado rancher," finds a place alongside a wonderfully informative portrait of Saint Ignatius of Loyola. A brilliant reading of a story by Leo Tolstoy follows an appreciation of the poetry of Gerard Manley Hopkins. Surprisingly intimate, A Stay Against Confusion brings together the literary and religious impulses that inform the life of one of our most gifted fiction writers.
Eulogies have a long and important history in remembering and commemorating the dead. As Thomas Lynch notes in his Foreword, eulogies are meant "to speak for the ages, to bring homage and appreciation, the final appraisal, the last world and first draft of all future biography." In Great American Catholic Eulogies, Carol DeChant has compiled fifty of the most memorable and instructive eulogies of and by Catholics in America. The eulogies span the American experience, from those who were born before the Declaration of Independence was written to a modern sports legend, from pioneers in social justice, healthcare, and the arts to founders of distinctly American religious order, and from all the varied ethnic cultures who contribute to the great cultural milieu that is the United States.
Set in Philadelphia some 60 years ago, There Is Confusion traces the lives of Joanna Mitchell and Peter Bye, whose families must come to terms with an inheritance of prejudice and discrimination as they struggle for legitimacy and respect.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
This book is the first that describes the practices of any stock exchange; it makes evident a high development of practices, with puts, calls, pools, and manipulations; and it appeared as early as the seventeenth century. Not inappropriately the stock exchange described is that of Amsterdam, a city which at the date of the volume’s publication —1688 — was still the leading financial center of the world. The book, to be sure, is hardly a systematic account of the institution; the author pursued moral, philosophical, and rhetorical objectives, and, while saying a lot that seems now to be of little value, manages somehow to leave unsaid a great deal that would be of interest for us. Nevertheless, it represents, even in its peculiar form, a really important source of information about the stock exchange, and indeed about the Dutch business world of that period.
Poetry. LGBTQIA Studies. Thomas March's debut collection, AFTERMATH (The Word Works, 2018), the author turns over a lifetime of queer desire never quite requited enough. In these poems, aesthetic payoffs arrive through technical precision, but desire, death, jealousy and grief stay as messy and unresolvable here as they are in life. According to judge Joan Larkin, the poems explore "queer identity, troubled masculinity, and those unsettling truths that illuminate and disorient consciousness." Startling aphorisms, like grief as "a cold bath / only your own / body warms," lie alongside generous sentences stretched taut over March's metrical frames. Even the most material of experiences, the weight of a drunk's dead body in his pallbearers' arms, glints with the clarity poetry can give it. March is never sentimental, but his personae understand desire for the sometimes petty, sometimes expansive experience that it is, and he gives us a collection that feels at once generous and sophisticated, full of poems wild with wanting, yet precisely controlled in their delivery. AFTERMATH is the introduction of a brave and essential new voice in American poetry. Says Rigoberto González, "Hindsight opens the door to insight in Thomas March's AFTERMATH, an emotionally intelligent book that invites us to mine the rubble of 'this world / that always wants repair.' The natural rhythms of iambic pentameter pace the heartbeat of this journey toward queer identity, troubled masculinity, and those unsettling truths that illuminate and disorient consciousness, like 'dark stars against the warm, awaiting light.' A superb debut."
Wittgenstein's dictionary for children: a rare and intriguing addition to the philosopher's corpus, in English for the first time "I had never thought the dictionaries would be so frightfully expensive. I think, if I live long enough, I will produce a small dictionary for elementary schools. It appears to me to be an urgent need." -Ludwig Wittgenstein In 1925, Ludwig Wittgenstein, arguably one of the most influential philosophers of the 20th century, wrote a dictionary for elementary school children. His Wörterbuch für Volksschulen (Dictionary for Elementary Schools) was designed to meet what he considered an urgent need: to help his students learn to spell. Wittgenstein began teaching kids in rural Austria in 1920 after abandoning his life and work at Cambridge University. During this time there were only two dictionaries available. But one was too expensive for his students, and the other was too small and badly put together. So Wittgenstein decided to write one. Word Book is the first-ever English translation of Wörterbuch. This publication aims to encourage and reinvigorate interest in one of the greatest modern philosophers by introducing this gem of a work to a wider audience. Word Book also explores how Wörterbuch portends Wittgenstein's radical reinvention of his own philosophy and the enduring influence his thinking holds over how art, culture and language are understood. Word Book is translated by writer and art historian Bettina Funcke, with a critical introduction by scholar Désirée Weber, and accompanied with art by Paul Chan. Ludwig Wittgenstein (1889-1951) was an Austrian-born British philosopher, regarded by many as the greatest philosopher of the 20th century. He played a decisive if controversial role in 20th-century analytic philosophy, and his work continues to influence fields as diverse as logic and language, perception and intention, ethics and religion, aesthetics and culture.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
A searing debut novel from the award-winning author of You Know When the Men are Gone, about jealousy, the unpredictable path of friendship, and the secrets kept in marriage, all set within the U.S. expat community of the Middle East during the rise of the Arab Spring. Both Cassie Hugo and Margaret Brickshaw dutifully followed their soldier husbands to the U.S. embassy in Jordan, but that’s about all the women have in common. After two years, Cassie’s become an expert on the rules, but newly arrived Margaret sees only her chance to explore. So when a fender-bender sends Margaret to the local police station, Cassie reluctantly agrees to watch Margaret’s toddler son. But as the hours pass, Cassie’s boredom and frustration turn to fear: Why isn’t Margaret answering her phone, and why is it taking so long to sort out a routine accident? Snooping around Margaret’s apartment, Cassie begins to question not only her friend’s whereabouts but also her own role in Margaret’s disappearance. With achingly honest prose and riveting characters, The Confusion of Languages plunges readers into a shattering collision between two women and two worlds, affirming Siobhan Fallon as a powerful voice in American fiction and a storyteller not to be missed. “A gripping, cleverly plotted novel with surprising bite.”—Phil Klay “Mesmerizing and devastating....Two military wives must explore a modern-day, cultural labyrinth in this insatiable read.”—Sarah McCoy