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A budding starlet and her handsome-but-moody co-star go from bitter enemies to reluctant partners when they get tangled up in the disappearance of a beautiful young actress in 1930s Hollywood. Eighteen-year-old Henrietta arrives in Los Angeles in 1934 with dreams of trading her boring life for stardom. She’s determined to make it as an actress, despite her family’s doubts and rumors of would-be starlets gone missing. And by the skin of her teeth, she pulls it off! A serendipitous job offer arrives and Henrietta finds herself on a whirlwind publicity tour for a major film role—with a vexingly unpleasant actor tapped by the studio to be her fake boyfriend. But fierce Henrietta has more in common with brooding Declan than she realizes. They both have gifts that they are hiding, for fear of being labeled strange: he is immune to injury and she can speak to ghosts. When the co-stars get tangled up in the disappearance of a beautiful young actress, they go from bitter enemies and pretend lovers to reluctant partners—and possibly even friends. Together, they might be the only people in Hollywood who can do something about these poor missing girls. And in doing so . . . they might just fall in love for real. This whip smart, seductive caper by the author of Murder for the Modern Girl has the perfect combination of romance, vengeance, and a hint of the supernatural, set in the Golden Age of Hollywood. Hand to fans of These Violent Delights and My Lady Jane. A Junior Library Guild Gold Standard Selection
College freshman Victoria Parker is moving on with her life after surviving her father’s sexual abuse and six months of foster care. But when her long-lost aunt shows up, asking Victoria to lie about her father’s assault so he’ll get a lighter sentence, Victoria must decide whether and how to share her truth as a survivor.
Hal Wallis might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced -- Casablanca, Jezebel, Now Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies) -- have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked and no full-length study has yet assessed his incredible career. A former office boy and salesman, Wallis first engaged with the business of film as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Bernard F. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.
When James Mycroft drags Rachel Watts off on a night mission to the Melbourne Zoo, the last thing she expects to find is the mutilated body of Homeless Dave, one of Mycroft's numerous eccentric friends. But Mycroft's passion for forensics leads him to realize that something about the scene isn't right--and he wants Watts to help him investigate the murder. While Watts battles her attraction to bad-boy Mycroft, he's busy getting himself expelled and clashing with the police, becoming murder suspect number one. When Watts and Mycroft unknowingly reveal too much to the cold-blooded killer, they find themselves in the lion's den--literally. A trip to the zoo will never have quite the same meaning to Rachel Watts again...
From bestselling, Printz Award-winning author Libba Bray, the story of a plane of beauty pageant contestants that crashes on a desert island.Teen beauty queens. A "Lost"-like island. Mysteries and dangers. No access to emall. And the spirit of fierce, feral competition that lives underground in girls, a savage brutality that can only be revealed by a journey into the heart of non-exfoliated darkness. Oh, the horror, the horror! Only funnier. With evening gowns. And a body count.
A contemporary YA debut about a Vietnamese-American boy who tries to attain popularity by befriending the most beautiful girl in school, inspired by the Vietnamese-American author's teen experience. Gary Võ is one of the few Vietnamese kids in his school and has been shy for as long as he can remember—being ignored and excluded by his classmates comes with the territory. So when the most popular guy in his grade offers Gary the opportunity to break into his inner circle, Gary jumps at the chance. All he needs to do is steal the prized possession of the most beautiful and untouchable girl they know—Gloria Buenrostro. But as Gary gets to know Gloria, he’s taken in by her authenticity and genuine interest in who he really is. Soon, they’re best friends. Being part of the “in crowd” has always been Gary’s dream, but as he comes closer to achieving infamy, he risks losing the first person who recognizes his true self. Gary must consider if any amount of popularity is worth losing a true friend.
Kord and Krimmer investigate the most common male types - cops, killers, fathers, cowboys, superheroes, spies, soldiers, rogues, lovers, and losers - by tracing changing concepts of masculinity in popular Hollywood blockbusters from 1992 to 2008 - the Clinton and Bush eras - against a backdrop of contemporary political events, social developments, and popular American myths. Their in-depth analysis of over sixty films, from The Matrix and Iron Man to Pirates of the Caribbean and The Lord of the Rings, shows that movies, far from being mere entertainment, respond directly to today's social and political realities, from consumerism to "family values" to the War on Terror.
This book examines issues of censorship, publicity and teenage fandom in 1950s Britain surrounding a series of controversial Hollywood films: The Wild One, Blackboard Jungle, Rebel Without a Cause, Rock Around the Clock and Jailhouse Rock. It also explores British cinema’s commentary on juvenile delinquency through a re-examination of such British films as The Blue Lamp, Spare the Rod and Serious Charge. Taking a multi-dimensional approach, the book intersects with star studies and social history while reappraising the stardom of Marlon Brando, James Dean and Elvis Presley. By looking at the specific meanings, pleasures and uses British fans derived from these films, it provides a logical and sustained narrative for how Hollywood star images fed into and disrupted British cultural life during a period of unprecedented teenage consumerism.
The conflicts of the Civil War continued long after the conclusion of the war: jockeys and Thoroughbreds took up the fight on the racetrack. A border state with a shifting identity, Kentucky was scorned for its violence and lawlessness and struggled to keep up with competition from horse breeders and businessmen from New York and New Jersey. As part of this struggle, from 1865 to 1910, the social and physical landscape of Kentucky underwent a remarkable metamorphosis, resulting in the gentile, beautiful, and quintessentially southern Bluegrass region of today. In her debut book, How Kentucky Became Southern: A Tale of Outlaws, Horse Thieves, Gamblers, and Breeders, former turf writer Maryjean Wall explores the post--Civil War world of Thoroughbred racing, before the Bluegrass region reigned supreme as the unofficial Horse Capital of the World. Wall uses her insider knowledge of horse racing as a foundation for an unprecedented examination of the efforts to establish a Thoroughbred industry in late-nineteenth-century Kentucky. Key events include a challenge between Asteroid, the best horse in Kentucky, and Kentucky, the best horse in New York; a mysterious and deadly horse disease that threatened to wipe out the foal crops for several years; and the disappearance of African American jockeys such as Isaac Murphy. Wall demonstrates how the Bluegrass could have slipped into irrelevance and how these events define the history of the state. How Kentucky Became Southern offers an accessible inside look at the Thoroughbred industry and its place in Kentucky history.