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Wilson 1835-1909) is little known now, but was one of the most popular authors of the 19th century, with most of her nine novels becoming best sellers. Sexton (writing, Morehead State U.) selects and annotates letters to her friends, among them well known literary and political figures, that illuminate her life and times. With this volume, the series expands from the 19th to encompass the 20th as well. Annotation copyrighted by Book News, Inc., Portland, OR
Andrew Sheffield's letters help us better understand the full range of behavior among women in the Victorian South & the limits of Southern womanhood near the end of the nineteenth century.
From 1871 to 1883, Eliza Lucy Irion Neilson (1843-1913) composed and saved more than 130 letters documenting family and domestic life in Columbus, Mississippi. A New Southern Woman features 80 letters from Neilson's correspondence, providing readers with a glimpse into the recovery of domestic culture in postwar Mississippi, the impact of the war on marriage and education, and a reflection on family relationships after the conflict ended. Lucy Irion married farmer John Abert Neilson (1842-1922) in April 1871, and together the couple created an agricultural partnership out of the scrimping modesty of a new Southern ethos. As Lucy built her life around visions of a domestic ideal, she also watched her widowed sister, Lizzie, her single sister, Cordele, and her schoolgirl niece, Bess, search for their own ways of becoming women of the New South. When it came to turning the war-torn vestiges of antebellum femininity into a workable postwar reality, white Southern women no longer looked to one ideal. Instead Neilson's correspondence suggests that elite white womanhood remained a fluid and negotiated territory where submissive wives, memorial crusaders, and single and self-sufficient women created a new Southern consciousness under a broader rubric of genteel postwar femininity. Fashioning their contrasting individual stories within the collective bonds of family and community, the Irion women met and overcame the generational challenges of postwar life together--and, by celebrating both the traditional and nondependent ideals of womanhood, they made a dynamic contribution to the creation of a New South.
"Rife with palpable misery and often pleading with desperate urgency, the hundreds of letters assembled in Looking for the New Deal paint a bleak and accurate portrait of the female experience among Floridians during the Great Depression. Searching for help at a time when desperation overwhelmed America, women in Florida shared the same goal as their counterparts elsewhere in the country - they wanted work. In pursuit of a means to provide for their families, these women doggedly, often naively, wrote letters asking for relief assistance from agencies, charities, and state and federal government officials. In this volume Elna C. Green gathers more than three hundred letters written by Floridians that reveal the immediacy and intensity of their plight. The voices of women from all walks of life - black and white, rural and urban, old and young, historically poor and newly impoverished - testify to the determination and ingenuity invoked in facing trying times."--BOOK JACKET.
As the wife of a frequently absent slaveholder and public figure, Anna Matilda Page King (1798-1859) was the de facto head of their Sea Island plantation. This volume collects more than 150 letters to her husband, children, parents, and others. Conveying the substance of everyday life as they chronicle King's ongoing struggles to put food on the table, nurse her "family black and white," and keep faith with a disappointing husband, the letters offer an absorbing firsthand account of antebellum coastal Georgia life. Anna Matilda Page was reared with the expectation that she would marry a planter, have children, and tend to her family's domestic affairs. Untypically, she was also schooled by her father in all aspects of plantation management, from seed cultivation to building construction. That grounding would serve her well. By 1842 her husband's properties were seized, owing to debts amassed from crop failures, economic downturns, and extensive investments in land, enslaved workers, and the development of the nearby port town of Brunswick. Anna and her family were sustained, however, by Retreat, the St. Simons Island property left to her in trust by her father. With the labor of fifty bondpeople and "their increase" she was to strive, with little aid from her husband, to keep the plantation solvent. A valuable record of King's many roles, from accountant to mother, from doctor to horticulturist, the letters also reveal much about her relationship with, and attitudes toward, her enslaved workers. Historians have yet to fully understand the lives of plantation mistresses left on their own by husbands pursuing political and other professional careers. Anna Matilda Page King's letters give us insight into one such woman who reluctantly entered, but nonetheless excelled in, the male domains of business and agriculture.
Many of America’s foremost, and most beloved, authors are also southern and female: Mary Chesnut, Kate Chopin, Ellen Glasgow, Zora Neale Hurston, Eudora Welty, Harper Lee, Maya Angelou, Anne Tyler, Alice Walker, and Lee Smith, to name several. Designating a writer as “southern” if her work reflects the region’s grip on her life, Carolyn Perry and Mary Louise Weaks have produced an invaluable guide to the richly diverse and enduring tradition of southern women’s literature. Their comprehensive history—the first of its kind in a relatively young field—extends from the pioneer woman to the career woman, embracing black and white, poor and privileged, urban and Appalachian perspectives and experiences. The History of Southern Women’s Literature allows readers both to explore individual authors and to follow the developing arc of various genres across time. Conduct books and slave narratives; Civil War diaries and letters; the antebellum, postbellum, and modern novel; autobiography and memoirs; poetry; magazine and newspaper writing—these and more receive close attention. Over seventy contributors are represented here, and their essays discuss a wealth of women’s issues from four centuries: race, urbanization, and feminism; the myth of southern womanhood; preset images and assigned social roles—from the belle to the mammy—and real life behind the facade of meeting others’ expectations; poverty and the labor movement; responses to Uncle Tom’s Cabin and the influence of Gone with the Wind. The history of southern women’s literature tells, ultimately, the story of the search for freedom within an “insidious tradition,” to quote Ellen Glasgow. This teeming volume validates the deep contributions and pleasures of an impressive body of writing and marks a major achievement in women’s and literary studies.
Paul's letters stand at the center of the dispute over women, the church, and the home, with each side championing passages from the Apostle. Now, in a challenging new attempt to wrestle with these thorny texts, Craig Keener delves as deeply into the world of Paul and the apostles as anyone thus far. Acknowledging that we must take the biblical text seriously, and recognizing that Paul's letters arose in a specific time and place for a specific purpose, Keener mines the historical, lexical, cultural, and exegetical details behind Paul's words about women in the home and ministry to give us one of the most insightful expositions of the key Pauline passages in years.
Exploring privileged Confederate women's wartime experiences, this book chronicles the clash of the old and the new within a group that was at once the beneficiary and the victim of the social order of the Old South.
Confessions of a Failed Southern Lady is Florence King's classic memoir of her upbringing in an eccentric Southern family, told with all the uproarious wit and gusto that has made her one of the most admired writers in the country. Florence may have been a disappointment to her Granny, whose dream of rearing a Perfect Southern Lady would never be quite fulfilled. But after all, as Florence reminds us, "no matter which sex I went to bed with, I never smoked on the street."