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With enthusiasm and sincerity biologist Soren Bondrup-Nielsen recalls his experience as a graduate student in the 1970s researching the Boreal Owl in northern Ontario and Alberta. After receiving his BSc in the spring of 1974, Bondrup-Nielsen travels by train to Kapuskasing to begin his study of this tiny, elusive species, cousin to the Tengmalm's Owl of Scandinavia. Though initially dissuaded by his supervisor, the author sets about recording the owl's call and locating individual territories. On cross-country skis, pulling a toboggan of supplies, Bondrup-Nielsen begins his first field season with reason for optimism, recording two distinct calls and being struck in the head by a male Boreal within his first week. After repairing to the nearby logging camp (Camp 86) where the food is plentiful and the beds much warmer than his tent, Bondrup-Nielsen continues his research to the great amusement of the cutting crew and camp staff. Taking the first photos of the owls, learning to differentiate between male and female calls, and observing mating behaviour, he finishes the season having located ten males on territories. In subsequent field seasons, Bondrup-Nielsen completes his graduate research. The book details his experimental tracking and recording methods, including telemetry, homemade traps, and a recording device fashioned out of an alarm clock, some tinfoil and a sewing needle. Bondrup-Nielsen's inquiring mind and passion for both winter and the outdoors bring an infectious sense of adventure to his fieldwork. His studies are punctuated by close encounters with coyotes, bears and a moose, glimpses of the Aurora Borealis, first love and self-discovery. With some of the author's original journal entries, notes and sketches, A Sound Like Water Dripping captures the beginning of what continues to be a committed and inspiring dedication to the study of ecology. "Owls seem to hold a fascination for just about everyone," says Bondrup-Nielsen. "Maybe it's their appearance: We see ourselves reflected in their faces. Their beaks resemble our noses and their big eyes, similar to ours, look forward, with eyelids that close from above, unlike other birds whose eyelids close from below. They seem to represent wisdom rather than reminding us of the fierce predators that they are. Owls also have ghost-like qualities, flying on silent wings, active mainly at night. In some cultures, owls are harbingers of death. In any case, there's something magical about them. I studied the Boreal Owl in northern Ontario and Alberta from 1974 to 1976, and am still approached by naturalist societies with invitations to talk about this small northern owl so few people have ever seen. In my teaching, as well, when I get a chance to talk about my research on owls the whole class listens intently. Thus, after I had finished my first book, Winter on Diamond, I felt a longing for the solitary but exciting experience of disappearing into my head again, this time to relive my discovery of the Boreal Owl."
A Promise is the third and final book of the adventures of the Wilson family. The trilogy started with Mark Wilson in Secrets in the Attic, then his son, Carl, in Missing Pieces and now A Promise. Carl is a young man by age but possesses the courage, wisdom and faith of men twice his age. He is setting out to fulfill his promise to Amber to come back to the cold, dark, gray city and bring her back to the freedom of the settlement. The dangers that await him are much greater than before since he has raised the ire of the state by his rescuing many from their grip. In doing so he has slung mud in the face of the state and their government. There are many questions burning in Carl's mind like "Where is Amber?," "Is she free, imprisoned or ...?" David and Debbie Paton are the authors of A Promise, the final book of the trilogy. They have enjoyed writing Secrets in the Attic, Missing Pieces and now A Promise. During the day David is a Quality Inspector at a company in Red Wing, MN. Through writing these books he has discovered he likes reading because as a child he never did. Debbie enjoys doing things around their home and taking care of David. She loves to read and write poetry. Their books have reached out to all ages and they hope they have inspired people to read more. They hope you enjoy reading this book as much as they did writing it.
Dax Soileau is a powerful US Senator from Louisiana who prizes the riches of this world over God. His younger brother, Zack, a pastor and evangelist, receives from God a revelation concerning the Rapture of the Church and attempts to win his brother to Christ before it is too late. Dax ignores his warnings and becomes deeply involved in the formation and emergence of a one-world government. Once the Christian Church is gone, life on earth becomes a living hell. Dax and his wife, Sally, abandon everything and flee before the harsh, evil demands of the new world leader. As highly sought-after criminals, they wander the land, seeking the hidden communities of what are called "the last Christians". Their hope is to find forgiveness and restoration with God as they live out their final days on earth. They will do anything to go to Heaven.
“Delightful and anti-reverential”—Sunday Times (London) With an encyclopedic knowledge of opera and a delightful dash of irreverence, Sir Denis Forman throws open the world of opera—its structure, composers, conductors, and artists—in this hugely informative guide. A Night at the Opera dissects the eighty-three most popular operas recorded on compact disc, from Cilea's Adriana Lecouvreur to Mozart's Die Zauberflöte. For each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are “worth looking out for,” “really good,” or, occasionally, “stunning.” He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma (although the Ring cycle gets an “X”), and Sir Denis has no qualms about voicing his opinion: the first act of Fidelio is “a bit of a mess,” while the last scene of Don Giovanni “towers above the comic finales of Figaro and Così and whether or not [it] is Mozart's greatest opera, it is certainly his most powerful finale.” The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as Operatica, or the essential elements of opera, from the proper place and style of the audience's applause (and boos) to the use of subtitles. A Night at the Opera is for connoisseurs and neophytes alike. It will entertain and inform, delight and (perhaps) infuriate, providing a subject for lively debate and ready reference for years to come.
An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.