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When life gave Fenrir Goldson a second chance, he asked for a gift receipt.Mr. Goldson is filthy rich. He's also callous and cruel and hasn't got a festive bone in his ancient body. Naturally, he's due for a holiday haunting. When his business partner, Bolbi Baggs, announces that they're to be visited by three spirits, Mr. Goldson braces himself for a whirlwind tour of his past, present, and future.Typically, a trio of time-traveling ghosts heralds a heartwarming tale of hope and redemption for the human race. Mr. Goldson, however, isn't a member of the human race. He's a Dwarf, and Mr. Baggs is a Halfling, and the adventure that's about to take them across the enchanted world of Arth is anything but typical. Holiday magic and economic realities collide in A Song of Three Spirits. It's A Christmas Carol for the 21st century, with a dash of high fantasy. Read this hilarious satire of Charles Dickens's classic today!
Written in a simple style, the book includes many practical exercises and illustrations designed to gradually develop the extraordinary latent abilities of one's inner mind and apply the principles of Huna, which means secret in the Hawaiian language.
"Lark recounts...the sometimes peaceful, sometimes uneasy relationship between the Maori natives and the pakeha--the colonists. And the land, which can be rocky and formidable and also breathtakingly beautiful, is as much a character as anyone else." --Historical Novel Society New Zealand, 1893: William Martyn is better educated and more cultivated than the other men breaking their backs searching for gold near Queenstown. William is the son of landed Irish nobility, and he comes to town ready to invest in the best equipment. On his search for supplies, he encounters spirited and beautiful young Elaine O'Keefe, who promptly falls in love with him. He is captivated by her charms until Kura, Elaine's half-Maori cousin, comes to visit. William succumbs at once to Kura's exotic beauty and free-spiritedness, and tension develops not only between the two cousins but also between the colonial settlers and their Maori neighbors.
A disgraced dwarven hero. A band of deadbeat adventurers. His last shot at redemption could get him killed. Orconomics: A Satire is the first book in The Dark Profit Saga of humorous epic fantasy novels. If you like down-and-out heroes, sidesplitting misadventures, and ingenious world-building, then you’ll love J. Zachary Pike’s dark and delightful ribbing of high fantasy. Version 2.2.1
Songs for the Spirits examines the Vietnamese practice of communing with spirits through music and performance. During rituals dedicated to a pantheon of indigenous spirits, musicians perform an elaborate sequence of songs--a "songscape"--for possessed mediums who carry out ritual actions, distribute blessed gifts to disciples, and dance to the music's infectious rhythms. Condemned by French authorities in the colonial period and prohibited by the Vietnamese Communist Party in the late 1950s, mediumship practices have undergone a strong resurgence since the early 1990s, and they are now being drawn upon to promote national identity and cultural heritage through folklorized performances of rituals on the national and international stage. By tracing the historical trajectory of traditional music and religion since the early twentieth century, this groundbreaking study offers an intriguing account of the political transformation and modernization of cultural practices over a period of dramatic and often turbulent transition. An accompanying DVD contains numerous video and music extracts that illustrate the fascinating ways in which music evokes the embodied presence of spirits and their gender and ethnic identities.
New romance and dangers abound in this companion to the crowd-pleasing Wicked Fox. After the events of Wicked Fox, Somin is ready to help her friends pick up the pieces of their broken lives and heal. But Jihoon is still grieving the loss of his grandmother, and Miyoung is distant as she grieves over her mother's death and learns to live without her fox bead. The only one who seems ready to move forward is their not-so-favorite dokkaebi, Junu. Somin and Junu didn't exactly hit it off when they first met. Somin thought he was an arrogant self-serving, conman. Junu was, at first, amused by her hostility toward him until he found himself inexplicably drawn to her. Somin couldn't deny the heat of their attraction. But as the two try to figure out what could be between them, they discover their troubles aren't over after all. The loss of Miyoung's fox bead has caused a tear between the world of the living and the world of the dead, and ghosts are suddenly flooding the streets of Seoul. The only way to repair the breach is to find the missing fox bead or for Miyoung to pay with her life. With few options remaining, Junu has an idea but it might require the ultimate sacrifice. In usual fashion, Somin may have a thing or two to say about that. In Vicious Spirits, Kat Cho delivers another beguiling and addictive read full of otherworldly dangers and romance.
Read all three books in V.E. Schwab's spine-tingling, bestselling City of Ghosts series: City of Ghosts, Tunnel of Bones, and Bridge of Souls! Available together for the first time! V.E. (Victoria) Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue, takes readers on three sweeping, evocative adventures in three different haunted cities. Ever since Cassidy Blake almost drowned (okay, she did drown, but she doesn't like to think about it), she can pull back the Veil that separates the living from the dead... and enter the world of spirits. Even her best friend, Jacob, is a ghost. But Cass's life is about to get much stranger. When her parents are tapped to host a show about the world's most haunted places, the family heads off to film around the world. Book One takes them to Edinburgh, Scotland, where graveyards and castles teem with restless phantoms, one of whom has their sights set on capturing Cass. Can Cass, together with Jacob and a new friend who seems to share her gift, outsmart the Raven in Red? In Book Two, Cass comes to Paris, where she discovers that the City of Light hides scary poltergeists in its dark underbelly. And Book Three brings Cass to New Orleans, where Cass and her friends will have to face off with a servant of Death itself. Three books. Three cities. One fearless heroine. And a host of ghosts you won't soon forget. "Spine tingling and page-turning, perfectly blending humor, heart, and adventure . . . I loved it!" -- Jennifer A. Nielsen, New York Times bestselling author of The False Prince "A thrilling and chilling mystery that will have you counting the days until Cass's next adventure." -- Zoraida Cordova, author of the Brooklyn Brujas series * "This atmospheric ghost story chills and charms while challenging readers to face their fears. Courageous, quick-witted Cassidy inspires, her relationship with Jacob is tender, and the thrilling conclusion is sure to gratify." -- Publishers Weekly, starred review "Begs to be read in the dark of night." -- Kirkus Reviews
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).