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Where do you end up when you have nowhere to go, and no one to turn to? Paul isn't thinking clearly. He's destroying everything that's important to him, and when he finally hurts the one person he cares about most, he runs away . . . An extraordinary and heart-rending story of love, betrayal, addiction and hope.
"He’s gone…" When his daughter Samantha calls in the dead of night, John Rebus knows it’s not good news. Her husband has been missing for two days. Rebus fears the worst – and knows from his lifetime in the police that his daughter will be the prime suspect. He wasn’t the best father – the job always came first – but now his daughter needs him more than ever. But is he going as a father or a detective? As he leaves at dawn to drive to the windswept coast – and a small town with big secrets – he wonders whether this might be the first time in his life where the truth is the one thing he doesn’t want to find… A thrilling new Rebus novel about crime, punishment, and redemption, from the Edgar Award-winning "genius" of the genre (Lee Child, bestselling author of the Jack Reacher series)
A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.
Before you watch the upcoming Netflix series, read the original novels from J. M. Lee (The Dark Crystal: Age of Resistance) that intertwine with the events of the series. Kylan of Sami Thicket is a skilled song teller, but singing the tales of long-gone heroes won’t help his friends as they journey into dangerous, unknown lands. After uncovering the betrayal of the Skeksis Lords, he and his friend Naia are on the run, pursued by the Skeksis’s underlings and outcast even among their fellow Gelfling. But Kylan knows the truth must be told, no matter how difficult the telling. Maybe there’s use for a song teller after all . . . Jim Henson's The Dark Crystal is one of the most beloved and enduring fantasy stories of the past thirty years. This series of young adult novels will both please the diehard fans and bring new fans in to the world of The Dark Crystal.
The Book of the Sacred Magic of Abramelin the Mage-originally published in 1900, translated by Samuel Mathers from a 15th-century French document-was purportedly written by Abraham for his son Lamech. Within this volume are three books. The first book is Abraham's autobiography in which he speaks to his son. The second book is an explanation of the purification rituals necessary to bring the magician's personal demon under his control. And the third book details what feats can be accomplished once the practitioner is able to use a form of magic controlled and directed through sigils of magic words written on a grid. Anyone with an interest in the occult will find this an interesting, though perhaps impractical, guide for exploring mystic arts.
Two Carpathians find hope in the bond that ties their souls in this passionate novel in Christine Feehan’s #1 New York Times bestselling series. Stolen from her home at a young age and tormented for centuries, Elisabeta Trigovise is scared to show herself to anyone. Even though she has been rescued and is now safe within the Carpathian compound, she has lived in fear for so long she has no idea how to survive without it. She wants to answer the siren call of her lifemate—but the very thought terrifies her. Before he found Elisabeta, Ferro Arany was an ancient warrior without emotion. Now that his senses have come alive, he knows it will take more than kind words and soft touches to convince the fractured woman that they are partners, not master and prisoner. For now, he will give her his strength until she finds hers, allowing the steady rhythm of his heart to soothe Elisabeta's fragile soul. But even as she learns to stand on her own, the vampire who kept her captive is desperate to claim her again, threatening the song Elisabeta and Ferro are writing together.
Encouraging readers to dream the impossible, The Darkest Dark follows a young boy intrigued by space, but afraid of the dark, inspired by the childhood of real-life astronaut Chris Hadfield and brought to life by Terry and Eric Fan's lush, evocative illustrations. Chris loves rockets and planets and pretending he's a brave astronaut, exploring the universe. Only one problem. At night, Chris doesn't feel so brave. He's afraid of the dark. When he watches the groundbreaking moon landing on TV, Chris learns that space is the darkest dark there is, and through that lesson discovers that the dark isn't just scary, but beautiful and exciting—especially when you have big dreams to keep you company.
More information to be announced soon on this forthcoming title from Penguin USA.
This book of poems is a healing process for me. Living through many losses, my father died before I was two years old, my mom just after I migrated to the USA (I did not attend her funeral because of culture shock and fear of the unknown), and my only son on the night of December 25, 2006. At the age of sixty-six, of course, there are many other losses. Early retirement is a loss of not much outside connections, but I have a choice: to enter the room of suffering and mourning or to enter the room of happiness, choose life, and be happy. Turn my lemons into lemonade. The joy of the Lord is your strength. Finding the courage and the strength to greet each day with daily exercise, eating the right foods, drinking plenty of water, not worrying, and feeding on the Word of God. Happiness is sure to become a way of life.
Mark said he heard the dark song when he creeped houses. The song the predator's heart sings when it hears the heart of the prey. I heard it now. Mark said it had always been in me. Lurking. Waiting for me to hear. Ames is not the person she was a few months ago. Her father lost his job, and her family is crumbling apart. Now, all she has is Marc. Marc, who loves her more than anything. Marc, who owns a gun collection. And he'll stop at nothing--even using his guns--to get what he wants. Ames feels her parents have betrayed her with their lies and self-absorption, but is she prepared to make the ultimate betrayal against them? In this controversial novel about a good-girl-gone-wrong, Gail Giles returns to the fast-paced, chilling writing that attracted so many fans to What Happened to Cass McBride?.