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From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • In this taut, chilling story, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance. "Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
In a year-by-year chronicle, this book presents an intimate and fascinating portrait of the man who created the greatest empire the world had ever seen. 120 color illustrations.
In antiquity, “son of god”—meaning a ruler designated by the gods to carry out their will—was a title used by the Roman emperor Augustus and his successors as a way to reinforce their divinely appointed status. But this title was also used by early Christians to speak about Jesus, borrowing the idiom from Israelite and early Jewish discourses on monarchy. This interdisciplinary volume explores what it means to be God’s son(s) in ancient Jewish and early Christian literature. Through close readings of relevant texts from multiple ancient corpora, including the Hebrew Bible, the New Testament, the Dead Sea Scrolls, Greco-Roman texts and inscriptions, early Christian and Islamic texts, and apocalyptic literature, the chapters in this volume engage a range of issues including messianism, deification, eschatological figures, Jesus, interreligious polemics, and the Roman and Jewish backgrounds of early Christianity and the authors of the Dead Sea Scrolls. The essays in this collection demonstrate that divine sonship is an ideal prism through which to better understand the deep interrelationship of ancient religions and their politics of kingship and divinity. In addition to the editors, the contributors to this volume include Richard Bauckham, Max Botner, George J. Brooke, Jan Joosten, Menahem Kister, Reinhard Kratz, Mateusz Kusio, Michael A. Lyons, Matthew V. Novenson, Michael Peppard, Sarah Whittle, and N. T. Wright.
In Children of God, Mary Doria Russell further establishes herself as one of the most innovative, entertaining and philosophically provocative novelists writing today. The only member of the original mission to the planet Rakhat to return to Earth, Father Emilio Sandoz has barely begun to recover from his ordeal when the So-ciety of Jesus calls upon him for help in preparing for another mission to Alpha Centauri. Despite his objections and fear, he cannot escape his past or the future. Old friends, new discoveries and difficult questions await Emilio as he struggles for inner peace and understanding in a moral universe whose boundaries now extend beyond the solar system and whose future lies with children born in a faraway place. Strikingly original, richly plotted, replete with memorable characters and filled with humanity and humor, Children of God is an unforgettable and uplifting novel that is a potent successor to The Sparrow and a startlingly imaginative adventure for newcomers to Mary Doria Russell’s special literary magic.
Goliath. You know the story. But why is it in the Bible? Is it just to give us a little moral pick-me-up as we seek to emulate a small shepherd boy who defeated a giant? Have you ever wondered where Goliath came from? Did you know he had brothers, one with 24 fingers and toes? Did you know their ancestry is steeped in unimaginable horror? Genesis 6. The nephilim. The first few verses of this chapter have long been the speculation of supernatural events that produced demigods and a flood that God used to destroy the whole world. The whole world remembers them. Once upon a time, all Christians knew them. But for many centuries this view was mocked, though it was the only known view at the time of the writing of the New Testament. Today, it is making a resurgence among Bible-believing scholars, and for good reason. The nephilim were on the earth in those days, and also afterward... This book delves deep into the dark and ancient recesses of our past to bring you rich treasures long buried. It is a carefully researched, heavily footnoted, and selectively illustrated story of the giants of the Bible. There is more here than meets the eye, much more. Here you will learn the invisible, supernatural storyline of the Bible that is always just beneath the surface, lurking like the spawn of the ancient leviathan. It is a storyline no person can afford to ignore any longer. Unlike other more sensational books on the topic, there is no undue speculation to be found here. The author is a Bible-believing Christian who refuses to use such ideas to tell you the end of the world is drawing nigh. Once you discover the truth about these fantastic creatures, you will come to see the ministry and work of Jesus Christ in a very new and exalting light. Come. Learn the fascinating, sobering, yet true story of real giants who played a significant role in the bible ... and still do so today.
He thought he was the chosen one, a warrior of the gods. He had no idea that his god was a demon. After twenty years, Voran has faced his deadly enemy. But instead of victory, Voran loses his home, his hope, and his love... With nothing left, he storms the country of the gods, demanding answers. But the only one who knows the way... is his greatest enemy, the Raven himself. Sabíana returns to her beleaguered city, but finds nothing there but cowardice and vice. She can save her city, but is it even worth saving anymore? Adelaida received the gift of life. But she is in the middle of a hell of war, and now all the beauty and goodness she has ever known is being destroyed. To make matters worse, warriors all around her are dying. And suspicion is falling on her... Khaidu found her speech, but lost her purpose. Now, she will invade the land of the dead itself to find the last hope for the Three Lands. But at the end of all time, who will command the strength of the Powers? Who will sit in the Throne of the Gods? The Throne of the Gods is the fifth and final volume in the Raven Son series of epic fantasy books inspired by Russian fairy tales. If you love creative retellings of ancient myths, gorgeous worldbuilding, and complex characters who never do what you expect, you'll love this series, described by readers as "The Lord of the Rings meets 1984". Embark on a journey into the magical and perilous world of The Throne of the Gods today!
Set in San Francisco during the 1890s, this gripping novel tells the story of a young man who discovers that his father is a powerful deity from Greek mythology. As he grapples with the weight of his newfound identity, he must also navigate the corrupt underworld of the city's elite. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Explores ancient beliefs about life after death, highlighting the fact that the early Christians' belief about the afterlife belonged firmly on the Jewish spectrum, while introducing several new mutations and sharper definitions, forcing readers to view the Easter narratives not simply as rationalizations, but as accounts of two actual events: the empty tomb of Jesus and his "appearances." Simultaneous. Hardcover no longer available.
In this ambitious and venturesome book, Peter W. Rose applies the insights of Marxist theory to a number of central Greek literary and philosophical texts. He explores major points in the trajectory from Homer to Plato where the ideology of inherited excellence—beliefs about descent from gods or heroes—is elaborated and challenged. Rose offers subtle and penetrating new readings of Homer's Iliad and Odyssey, Pindar's Tenth Pythian Ode, Aeschylus's Oresteia, Sophokles' Philoktetes, and Plato's Republic. Rose rejects the view of art as a mere reflection of social and political reality—a view that is characteristic not only of most Marxist but of most historically oriented treatments of classical literature. He applies instead a Marxian hermeneutic derived from the work of the Frankfurt School and Fredric Jameson. His readings focus on illuminating a politics of form within the text, while responding to historically specific social, political, and economic realities. Each work, he asserts, both reflects contemporary conflicts over wealth, power, and gender roles and constitutes an attempt to transcend the status quo by projecting an ideal community. Following Marx, Rose maintains that critical engagement with the limitations of the utopian dreams of the past is the only means to the realization of freedom in the present. Classicists and their students, literary theorists, philosophers, comparatists, and Marxist critics will find Sons of the Gods, Children of Earth challenging reading.
The first in a gripping new historical fantasy series that intertwines Irish mythology with real-life history, The Children of Gods and Fighting Men is the thrilling debut novel in the Gael Song series by Shauna Lawless. They think they've killed the last of us... 981 AD. The Viking King of Dublin is dead. His young widow, Gormflaith, has ambitions for her son – and herself – but Ireland is a dangerous place and kings tend not to stay kings for long. Gormflaith also has a secret. She is one of the Fomorians, an immortal race who can do fire-magic. She has kept her powers hidden at all costs, for there are other immortals in this world – like the Tuatha Dé Danann, a race of warriors who are sworn to kill Fomorians. Fódla is one of the Tuatha Dé Danann with the gift of healing. Her kind dwell hidden in a fortress, forbidden to live amongst the mortals. Fódla agrees to help her kin by going to spy on Brian Boru, a powerful man who aims to be High King of Ireland. She finds a land on the brink of war – a war she is desperate to stop. However, preventing the loss of mortal lives is not easy with Ireland in turmoil and the Fomorians now on the rise... Reviewers on The Children of Gods and Fighting Men 'Lawless blends fantasy with historical fiction to great effect.' SFX 'A novel that celebrates the extraordinary history and cultural traditions of Ireland while giving voice to the women who helped shape it. Highly recommended.' Lucy Holland 'An excellent read.' Mark Lawrence 'Highlander meets The Last Kingdom... I was hooked from page one.' Anthony Ryan 'Gripping and beautiful. A Celtic Last Kingdom with wild magic and fierce heroines.' Anna Smith Spark 'A beguiling blend of fantasy, history, and politics.' D.K. Fields 'A vividly written story that makes the ancient past feel contemporary.' Joseph O'Connor 'Rife with atmosphere and armies, magic and compelling characters, it swept me along and refused to be put down.' H.M. Long 'An epic historical fantasy that weaves myth and history into a sprawling tale of magic, intrigue, and war. Absorbing and richly detailed.' Ian Green 'With all the complex political machinations of A Song of Ice and Fire and the bloody battles of The Warlord Chronicles, it's ideal for fans of both.' Stephen Aryan 'An atmospheric journey into a thrilling historical fantasy world.' R.J. Barker