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A Hindi film star and an American missionary are twins separated at birth; a dwarf — a former circus clown — mistakes the missionary for the movie star. And stalking one of them is a serial killer...
From Caldecott Honor artist and author of the best-selling How to Make an Apple Pie and See the World comes a hilarious picture book romp about the things you can learn and the fun you can have at the circus. When Emeline's teacher, Miss Splinter, takes the second grade on a field trip to the circus, she's careful to make sure it's a learning experience. While she reads -- the text of the book consists of her "lessons" -- the pictures show Emeline getting mixed up in the performances in the circus ring. She becomes a lion tamer, an acrobat, a trapeze artist, and more, before Miss Splinter realizes what's going on. Marjorie Priceman's vibrant, saturated paintings make this dazzling sight gag a feast for the eye. Children will applaud Emeline, laugh out loud at Miss Splinter, and painlessly soak up a few facts about animals, acrobats, and circuses along the way.
It's show-and-tell time at Olivia's school and she's telling her class about the time she went to the circus and all the performers were sick... so Olivia had to do everything. She tamed the lions, balanced on stilts, juggled and even played the clown. 'Was that true?' Olivia's teacher asks. 'Quite true,' says Olivia. 'Are you sure Olivia?' 'To the best of my recollection,' she says.
A young witch tries in vain to teach her little sister how to spook a Halloween circus.
Lowly Worm discovers that being a circus performer is not as wonderful as he thought it would be--especially if it means giving up your family.
Spot goes behind the scenes at a circus to find his ball and learns a clever trick. Movable flaps conceal portions of the illustrations.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
One of America's most noted contemporary novelists, John Irving has created a body of fiction of extraordinary range, moving with ease from romance to fairytale to thriller. Although his fiction follows in the tradition of the great 19th-century world novelists, he is a quintessential American writer—his novels are laced with broad humor, farce, and absurd situations. He does not hesitate to tackle the troubling issues that have faced our nation in the past few decades, such as war, racism, sexism, abortion, violence, and AIDS. This study offers a clear, accessible reading of Irving's fiction. It analyzes in turn all of his novels from Setting Free the Bears (1968) to his newest novel A Widow for One Year (1998). It also provides the reader with a complete bibliography of Irving's fiction, as well as selected reviews and criticism. Following a biographical chapter on Irving's life, an overview of his fiction explores his work in light of his literary heritage and use of a variety of genres. Each of the following chapters examines an individual novel: Setting Free the Bears (1968), The Water-Method Man (1972), The 158-Pound Marriage (1973), The World According to Garp (1976), The Hotel New Hampshire (1981), The Cider House Rules (1985), A Prayer for Owen Meany (1989), A Son of the Circus (1994), and A Widow for One Year (1998). The discussion of each novel includes sections on plot and character development, thematic issues, and a new and fresh critical approach from which to read the novel. Campbell explores the great moral range in Irving's novels. She shows that all his novels deal with a character's quest to discover the self, a journey of raw energy that touches us because we recognize it as our own. This study will help readers to appreciate the experimental fiction that is Irving's trademark and his ability to capture the essence of American life in the last part of the twentieth century.