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'The war went on; life went on; Paris went on.' In A Son at the Front, her only novel dealing with World War I, Edith Wharton offers a vivid portrait of American expatriate life in Paris, as well as a gripping portrayal of a complex modern family. The painter John Campton is divorced from the mother of his son, George, and although Julia's second husband, Anderson Brant, a wealthy banker, has been a devoted stepfather to George, Campton resents his presence in George's life. This family drama is ruptured by the outbreak of fighting, which requires George, born in France, to report for military service despite his parents' belief that he should be exempted. Reflecting Wharton's own experiences, A Son at the Front documents the shock of the outbreak of war, the early hope of a quick victory for the Allies, the terrible human cost of the war, and the relief when, belatedly, the United States enters the conflict. The novel's tone reflects the realities of life in Paris, and the profound disillusionment of the post-war period, standing as not only an important part of Wharton's oeuvre, but a landmark in the literature of the First World War.
"A Son at the Front" by Edith Wharton is an anti-war novel that explores the perspective of a parent whose son is on the frontlines of battle and all the pride and fear that come along with that. Told from the point of view of John Crampton, a divorced painter who lives in Paris. In the summer of 1914, he's anxiously expecting his son George's arrival so they can embark on a month-long voyage together, but when war breaks out, everything changes.
Inside Out and Back Again meets Millicent Min, Girl Genius in this timely, hopeful middle-grade novel with a contemporary Chinese twist. Winner of the Asian / Pacific American Award for Children's Literature!* "Many readers will recognize themselves or their neighbors in these pages." -- Kirkus Reviews, starred reviewMia Tang has a lot of secrets.Number 1: She lives in a motel, not a big house. Every day, while her immigrant parents clean the rooms, ten-year-old Mia manages the front desk of the Calivista Motel and tends to its guests.Number 2: Her parents hide immigrants. And if the mean motel owner, Mr. Yao, finds out they've been letting them stay in the empty rooms for free, the Tangs will be doomed.Number 3: She wants to be a writer. But how can she when her mom thinks she should stick to math because English is not her first language?It will take all of Mia's courage, kindness, and hard work to get through this year. Will she be able to hold on to her job, help the immigrants and guests, escape Mr. Yao, and go for her dreams?Front Desk joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!
A young woman holds her newborn son And looks at him lovingly. Softly she sings to him: "I'll love you forever I'll like you for always As long as I'm living My baby you'll be." So begins the story that has touched the hearts of millions worldwide. Since publication in l986, Love You Forever has sold more than 15 million copies in paperback and the regular hardcover edition (as well as hundreds of thousands of copies in Spanish and French). Firefly Books is proud to offer this sentimental favorite in a variety of editions and sizes: We offer a trade paper and laminated hardcover edition in a 8" x 8" size. In gift editions we carry: a slipcased edition (8 1/2" x 8 1/4"), with a laminated box and a cloth binding on the book and a 10" x 10" laminated hardcover with jacket. And a Big Book Edition, 16" x 16" with a trade paper binding.
After the death of her mother, Nora O'Shea travels to southern Arizona to visit her brother Larry, and gets embroiled in a conflict between honest cowboys and gun smugglers, while falling in love with rancher "Big Boy" Morgan.
Edith Wharton constructs a stunning, poignant tale that skillfully explores the shattered lives of distraught parents left behind as their son enlists to fulfill his military duty during World War I.
Immaturity, simmering anger, and years of therapy - budding defense attorney, Benjamin Scales owes it all to his mother. She dragged him through hell while clawing her way to the top of the sexist, male-dominated legal profession, sacrificing everything to build a life for herself and her son - a bizarre and broken life, but a life. Under her ferocious veneer, Carter Scales is a shattered and lonely woman. They haven't spoken in years, but when she is caught in flagrante delicto with her star client, the leader of the notorious Salucci Crime Family, Carter turns to the one person she thinks should always have her back. But why should he help her? Jason B. Sheffield is a practicing criminal defense trial attorney based out of Atlanta, Georgia where he has defended clients in state and federal courtrooms across the country. Jason feels a great responsibility to anyone accused by the government of committing a crime and stands fearlessly to defend the rights of citizens against overreaching government officials. Jason also teaches at Emory University's College of Law as an adjunct professor and recently was invited by the US Embassy in the Republic of Georgia (formerly part of the Soviet Union) to teach jury trial techniques to criminal defense attorneys there now that their constitution had been amended to provide its citizens jury trials. Prior to becoming an attorney in 2005, Jason had been acting and writing in Atlanta for 7 years, while working as an emergency medical technician at Scottish Rite Children's Emergency Room. Jason's passion for law, teaching, and storytelling is second only to his love of his family.
Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton's The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather's O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862-1937) and Cather (1873-1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as "our literary aristocrat," an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describes the lives of rugged western pioneers. These depictions, though partially valid, nonetheless rely on oversimplifications and neglect the striking and important ways the works of these two authors intersect. The first comparative study of Edith Wharton and Willa Cather in thirty years, this book combines biographical, historical, and literary analyses with a focus on place and aesthetics to reveal Wharton's and Cather's parallel experiences of dislocation, their relationship to each other as writers, and the profound similarities in their theories of fiction. Julie Olin-Ammentorp provides a new assessment of the affinities between Wharton and Cather by exploring the importance of literary and geographic place in their lives and works, including the role of New York City, the American West, France, and travel. In doing so she reveals the two authors' shared concern about the culture of place and the place of culture in the United States.