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Objects of worship are an aspect of the material dimension of lived religion in South Asia. The omnipresence of these objects and their use is a theme which cuts across the religious traditions in the pluralistic religious culture of the region. Divine power becomes manifest in the objects and for the devotees they may represent power regardless of religious identity. This book looks at how objects of worship dominate the religious landscape of South Asia, and in what ways they are of significance not just from religious perspectives but also for the social life of the region. The contributions to the book show how these objects are shaped by traditions of religious aesthetics and have become conceptual devices woven into webs of religious and social meaning. They demonstrate how the objects have a social relationship with those who use them, sometimes even treated as being alive. The book discusses how devotees relate to such objects in a number of ways, and even if the objects belong to various traditions they may attract people from different communities and can also be contested in various ways. By analysing the specific qualities that make objects eligible for a status and identity as living objects of worship, the book contributes to an understanding of the central significance of these objects in the religious and social life of South Asia. It will be of interest to students and scholars of Religious Studies and South Asian Religion, Culture and Society.
Horse of Karbala is a study of Muharram rituals and interfaith relations in three locations in India: Ladakh, Darjeeling, and Hyderabad. These rituals commemorate an event of vital importance to Shia Muslims: the seventh-century death of the Imam Husain, grandson of the Prophet Muhammad, at the battlefield of Karbala in Iraq. Pinault examines three different forms of ritual commemoration of Husain's death - poetry-recital and self-flagellation in Hyderabad; stick-fighting in Darjeeling; and the 'Horse of Karbala' procession, in which a stallion representing the mount ridden in battle by Husain is made the center of a public parade in Ladakh and other Indian localities. The book looks at how publicly staged rituals serve to mediate communal relations: in Hyderabad and Darjeeling, between Muslim and Hindu populations; in Ladakh, between Muslims and Buddhists. Attention is also given to controversies within Muslim communities over issues related to Muharram such as the belief in intercession by the Karbala Martyrs on behalf of individual believers.
At the end of the sixteenth century and the turn of the first Islamic millennium, the powerful Mughal emperor Akbar declared himself the most sacred being on earth. The holiest of all saints and above the distinctions of religion, he styled himself as the messiah reborn. Yet the Mughal emperor was not alone in doing so. In this field-changing study, A. Azfar Moin explores why Muslim sovereigns in this period began to imitate the exalted nature of Sufi saints. Uncovering a startling yet widespread phenomenon, he shows how the charismatic pull of sainthood (wilayat)—rather than the draw of religious law (sharia) or holy war (jihad)—inspired a new style of sovereignty in Islam. A work of history richly informed by the anthropology of religion and art, The Millennial Sovereign traces how royal dynastic cults and shrine-centered Sufism came together in the imperial cultures of Timurid Central Asia, Safavid Iran, and Mughal India. By juxtaposing imperial chronicles, paintings, and architecture with theories of sainthood, apocalyptic treatises, and manuals on astrology and magic, Moin uncovers a pattern of Islamic politics shaped by Sufi and millennial motifs. He shows how alchemical symbols and astrological rituals enveloped the body of the monarch, casting him as both spiritual guide and material lord. Ultimately, Moin offers a striking new perspective on the history of Islam and the religious and political developments linking South Asia and Iran in early-modern times.
In 680 C.E., a small band of the Prophet Muhammads family and their followers, led by his grandson, Husain, rose up in a rebellion against the ruling caliph, Yazid. The family and its supporters, hopelessly outnumbered, were massacred at Karbala, in modern-day Iraq. The story of Karbala is the cornerstone of institutionalized devotion and mourning for millions of Shii Muslims. Apart from its appeal to the Shii community, invocations of Karbala have also come to govern mystical and reformist discourses in the larger Muslim world. Indeed, Karbala even serves as the archetypal resistance and devotional symbol for many non-Muslims. Until now, though, little scholarly attention has been given to the widespread and varied employment of the Karbala event. In Reliving Karbala, Syed Akbar Hyder examines the myriad ways that the Karbala symbol has provided inspiration in South Asia, home to the worlds largest Muslim population. Rather than a unified reading of Islam, Hyder reveals multiple, sometimes conflicting, understandings of the meaning of Islamic religious symbols like Karbala. He ventures beyond traditional, scriptural interpretations to discuss the ways in which millions of very human adherents express and practice their beliefs. By using a panoramic array of sources, including musical performances, interviews, nationalist drama, and other literary forms, Hyder traces the evolution of this story from its earliest historical origins to the beginning of the twenty-first century. Today, Karbala serves as a celebration of martyrdom, a source of personal and communal identity, and even a tool for political protest and struggle. Hyder explores how issues related to gender, genre, popular culture, class, and migrancy bear on the cultivation of religious symbols. He assesses the manner in which religious language and identities are negotiated across contexts and continents. At a time when words like martyrdom, jihad, and Shiism are being used and misused for political reasons, this book provides much-needed scholarly redress. Through his multifaceted examination of this seminal event in Islamic history, Hyder offers an original, complex, and nuanced view of religious symbols.
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As sectarian violence spirals alarmingly in Pakistan the need for a rigorous history of its Shia population is met by Rieck's definitive account.
In Chasing a Mirage, Tarek Fatah Writes: Islamists argue that the period following the passing away of Muhammad was Islam's golden era and that we Muslims need to re-create that caliphate to emulate that political system in today's world. I wish to demonstrate that when Muslims buried the Prophet, they also buried with him many of the universal values of Islam that he had preached. The history of Islam can be described essentially as the history of an unending power struggle, where men have killed each other to claim the mantle of Muhammad. This strife is a painful story that started within hours of the Prophet closing his eyes forever, and needs to be told. I firmly believe the message of the Quran is strong enough to withstand the facts of history. It is my conviction that Muslims are mature and secure in their identities to face the truth. This is that story. Advance Praise for Chasing a Mirage "Tarek Fatah has written a provocative and challenging book which is a must read for anyone who cares about these issues." —Janice Gross Stein "Chasing a Mirage is an extremely valuable contributing to the fight by progressive Muslims against Islamist fascism. This book should be required reading for the Left in the West who have mistakenly started believing that Islamists represent some sort of anti-imperialism." —Farooq Tariq "Fatah argues passionatley for universalism instead of exclusivism, integration instead of ghettoism, and makes a powerful appeal for the silent majority of Muslims to speak out before it is too late. This work of courage and daring needs to be read widely." — Pervez Hoodbhoy "This fascinating work by brave and bri8lliant tarek Fatah is simultaneously thought-provoking, instructive and enlightening for laymen and scholars, Muslims and non-Muslim...an invaluable and rare addition to the corpus of Islamic literature in the post-9/11 world, a bold step towards Islamic Reformation and Enlightenment." —Taj Hashmi "Tarek Fatah's is a voice that needs to be heard. Canada needs a healthy, reasoned debate about the issues he is raising, and indeed so does the world." —Bob Rae "This fascinating work by brae and brilliant Tarek Fatah is simultaneously thought-provoking, instructive and enlightening for laymen and scholars, Muslim and non-Muslim... an invaluable and rare addition to the corpus of Islamic literature in the post-9/11 world, a bold step towards Islamic Reformation and Enlightenment." —Taj Hashmi "Tarek Fatah's is a voice that needs to be heard. Canada needs a healthy, reasoned debate about the issues he is raising, and indeed so does the world." —Bob Rae, Member of Parliament, Canada