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2022 Eric Hoffer Awards - Poetry Finalist A poetry collection pulling from the author's personal narrative to take the reader on a journey through family, mental health, grief, pop culture, body image, queer identity, love, joy, memory, myth, and magic. The collection follows a trajectory of 1) exploring identity, avoidance, escapism, and shame, then 2) facing and confronting fears, shame, grief, and self-image, and finally 3) breaking down stigma, searching for joy, finding self-acceptance, and the value of storytelling and sharing as a tool to connect, love, and choose progress.
Clatter is a chapbook by Neil Hilborn, produced in the aftermath of his severe concussion in a bicycle accident. Written in museums, ex-girlfriends’ kitchens, and Mexico, the chapbook showcases Hilborn’s breadth of style as well as his humor, and represents a unique glimpse into the writer's early work.
Singer’s highly anticipated debut book collects and transforms work from his ten years as a mainstay of the NYC poetry scene. With work that ranges from the laugh out loud funny to the silence and rage of loss, Forgive Yourself These Tiny Acts of Self-Destruction is a must read. As the book unfolds Jared guides the reader through fresh takes on the discussion of body image and body positivity side by side with all too familiar discussions of mental health, anxiety and suicide. It explores the complex cloth that is American culture and New York in particular, taking extra time to examine his identity as a Jewish American and how that underpins the authors daily experience. Forgive Yourself is a modern handbook for finding yourself and your place without losing your way.
Poetry. Cody Walker's SHUFFLE AND BREAKDOWN, his first collection and a finalist for the Anthony Hecht Poetry Prize in 2005 and 2006, is a work of comic brilliance and devastating irony. From Abbott and Costello: The Alzheimer's Years to a series of letters to Whitman from his imagined grandson, this is a wondrous strange book that operates with the precise timing of a great joke, while bracing itself for dissolution and worse. "You'll need your wits about you when you read this astonishing book. Cody Walker keeps working surprises, setting traps, yanking rugs from underfoot--and I must say, I enjoyed myself no end. Escalation, 2007, for instance, sounds as if written by a Mother Goose high on LSD. Walker is unique, no mere trickster but a serious craftsman who blurs the line of demarcation between sober poetry and light verse. Though he sometimes writes in forms usually frivolous--limericks, double dactyls, clerihews--he can do so with dark import. An amazing series of letters from a fictitious grandson of Walt Whitman is alone worth the price of admission."--X. J. Kennedy "In this case, the voice comes from some ways off, at an unexpected angle. Cody Walker's poems are singular, and severally strong. SHUFFLE AND BREAKDOWN is more than an assemblage; it's a collection with a subtending architecture, so that while one is savoring local pleasures--a brash simile, an odd and antic rhyme--one is aware of the book's shapely whole. Like Roethke, who also had a Pacific Northwest background, Walker makes adroit use of fractured nursery rhyme. Like Whitman, with whom he shares a taste for the out-flung, Walker means to be comprehensive. But SHUFFLE AND BREAKDOWN is more than a toting up of its influences. Here's a wry and rueful and utterly appealing new sensibility."--Brad Leithauser
Please Come Off-Book queers the theatrical canon we all grew up with. Kantor critiques the treatment of queer figures and imagines a braver and bolder future that allows queer voices the agency over their own stories. Drawing upon elements of the Aristotelian dramatic structure and the Hero's Journey, Please Come Off-Book is both a love letter to and a scathing critique of American culture and the lenses we choose to see ourselves through.
2019 Button Poetry Prize Runner-Up Dear Azula, I Have a Crush on Danny Phantom is a crossover of our coming of age universes. Exploring the interplay of adolescence and media, Dear Azula is a masterclass on how Generation Z see themselves reflected on screen, how they find themselves in characters when the world does not grant them the possibility. These poems pay homage to the cartoon characters who made us the wicked lovestruck people that we are. These ubiquitous stories of teen ghost boys and water bending women gave wonder to a generation raised by recession. In illustrious villains we learned our own glamour. In chiseled chins and 2D teeth we learned desire. In Dear Azula, I Have a Crush on Danny Phantom we bring the early 2000s renaissance of animation into our modern lives to unpack, celebrate, revel, and remember.
A historian and anthropologist use demographic and economic factors to explain the waning hegemony of the United States.
Butcher is a book about love & loss -- about being unapologetic and transparent in grief. Natasha finds an unexpected solace in the kitchen after losing her best friend and brother, Marcus. Here, using the cuts of the cow as a metaphor Miller, explores addiction, family & tragedy. Butcher takes the body of a cow and cleaves it into 5 parts: envisioning the cuts as relationship with family members and social forces. Her Mother the rib, her Brother the brisket, her queerness as the tongue and cheek.. Butcher is raw and tender. It’s a book that tells the story of a woman who redefined success after losing the most valuable thing to her.
A stunning work of memoir and an unforgettable depiction of the brilliance and madness by one of Surrealism's most compelling figures In 1937 Leonora Carrington—later to become one of the twentieth century’s great painters of the weird, the alarming, and the wild—was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence. In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break. She wept for hours. Her stomach became “the mirror of the earth”—of all worlds in a hostile universe—and she tried to purify the evil by compulsively vomiting. As the Germans neared the south of France, a friend persuaded Carrington to flee to Spain. Facing the approach “of robots, of thoughtless, fleshless beings,” she packed a suitcase that bore on a brass plate the word Revelation. This was only the beginning of a journey into madness that was to end with Carrington confined in a mental institution, overwhelmed not only by her own terrible imaginings but by her doctor’s sadistic course of treatment. In Down Below she describes her ordeal—in which the agonizing and the marvelous were equally combined—with a startling, almost impersonal precision and without a trace of self-pity. Like Daniel Paul Schreber’s Memoirs of My Nervous Illness, Down Below brings the hallucinatory logic of madness home.
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry