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Just as Detective Starks starts to settle down after solving her second murder case in the small town she calls home, another mystery unravels. It starts with an explosive text message to a teenage girl that lands the high school coach in hot water. But just as the town is focused on this latest piece of gossip, a murder is committed at the country inn.
The true story of the Tara Grant murder. To their suburban Detroit neighbors, Stephen and Tara Grant were happy as could be. But their marriage, plagued by resentment and extramarital affairs, was held together only by their children. Until the night Stephen snapped, strangled and dismembered his wife, then disposed of her body piece by piece in the very park his children played in.
Pearson's Magazine (1899-1925), a monthly magazine devoted to literature, politics, and the arts, was founded as a New York affiliate of the London periodical of the same name, part of which it reprinted. From 1916 to 1923, it was edited by Frank Harris.
'Raki' is the Australian Aboriginal generic word for rope, the unifying metaphor of Wongar's novel, representing the conquered or bound state of oppressed people. From the confines of an outback Australian prison cell to war-torn Serbia, 'Raki' invokes a powerful story of enchantment and struggle - the struggle to uphold traditions and nurture memory and joyous fortitude in the face of human devastation. Drawing on tragic similarities between the forced separation of Aboriginal children from their tribal families and the decimation of his Serbian native land, B. Wongar has written an epic, surprisingly optimistic novel. And the unifying symbol is raki - the rope which fuses the historical facts, linking the Serbian and Aboriginal cultures to time immemorial. But raki is also the yoke of servitude, the rope which snaps with the shock of genocide, but which ultimately binds people together with love.
The inhabitants of highland Sardinia proudly declare a long history of resistance to outside authority. Many even celebrate the belief that “not even the Roman Empire reached this far.” Yet, since the late nineteenth century, the Italian government has pacified and integrated the mountain districts of the island into the state, often through the use of force. In Legacies of Violence, Antonio Sorge examines local understandings of this past and the effects that a history of violence exercises on collective representations. This is particularly the case among the shepherds of the island, who claim to embody an ancient code of honour known as balentia that they allege to be uncorrupted by the values of mainstream Italian society. A perceptive ethnography of the mobilization of history in support of a way of life that is disappearing as the region’s inhabitants adopt a more mobile, cosmopolitan, and urbane lifestyle, Sorge’s work demonstrates how social memory continues to shape the present in the Sardinian highlands.
Moving upstream on the Irrawaddy broad tide, the ocean liner approaches the city of Rangoon, and the gold-leafed pinnacle of the celebrated Shwe Dagon pagoda welcomes it as it rises magnificently in the morning sunlight. The traveler is intrigued with the claim that this ancient shrine has been standing for three thousand years. This injects an anachronism, since Buddhism was founded not more than twenty-five centuries ago and something less than that for its lodgment in Burma. But no one seems to be embarrassed nor stultified by what, for them, is merely a slight chronological inaccuracy, which derives from the time-clocked occidental measurements, for theirs is that timeless eternity of the East.