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This book is the final collaboration of Joseph M. Forshaw and William T. Cooper and combines the finest Cooper artwork with an updated, authoritative Forshaw text. Presented as a deluxe edition, this book is truly a combination of art and science presenting many previously unpublished Cooper drawings, sketches and paintings. Containing more than 300 artworks, it is fully cased in grey Ballantine cloth, with black blocking and marbled endpapers. The book is landscape format printed on fine quality satin art paper and the size is 350 mm x 305 mm.
Drawing on years of experience and an impressive grasp of the literature, Richard Shine covers the day-to-day lives of snakes, discussing their anatomy, evolution, and habitat, and describing their behavior, sex habits, life history, and diet.
Parrots and lorikeets swoop down, vivid, bright and colourful. Black swans glide through the air. Owls stare out from pages, wide-eyed. A sense of awe swept through natural history circles in eighteenth-century London when the first ships returned from Sydney with their cargo of exotic animals, birds and plants – and striking watercolour illustrations. The sudden emergence, in 2011, of a large number of these watercolour illustrations has revealed much about the early years of the colony. In Natural Curiosity, Louise Anemaat uncovers never-before-published works from the artists of the First Fleet, including convicts-turned-watercolourists Thomas Watling and John Doody, and the anonymous 'Port Jackson Painter'. She unravels the complex network of natural history collectors who spanned the globe – eagerly acquiring, copying and exchanging these artworks – from New South Wales Surgeon-General John White to passionate British collector Aylmer Bourke Lambert.
"Edward Lear is well known as the brilliant writer of nonsense poetry, children's books, and travel books who popularized the limerick, and wrote verses such as "The Owl and the Pussycat." But few people are aware that Lear was one of the most talented and accomplished painters of natural history subjects in the nineteenth century, and worked with British scientists, collectors, and publishers to make Britain the nexus for scientific investigation and its circulation. One of the best ornithological artists of his generation, Lear published his first book, a monograph on the parrot family, at age 18, and established a format that would be followed by decades by such publishers as John Gould, with whom he worked closely and often anonymously. Over his career, Lear produced a multitude of drawings of birds and mammals from around the world for scientific publications, public institutions, and individual patrons, not just of English species, but of birds and mammals from Australia, New Zealand, and the Americas. He is also the Lear in the name of the rare species Lear's Macaw. In this book, Peck has assembled the first comprehensive view of this important part of Lear's career. Featuring over 200 illustrations and a foreword by Sir David Attenborough, the book also examines the influence Lear had on modern artists such as Walton Ford and Tony Foster. This new edition includes a new chapter that addresses Lear's continued fascination with wildlife and the natural world after giving up his career as a scientific illustrator, and his fascination with domestic pets, from his own beloved cat which he cartooned repeatedly, to the portraits of dogs owned by his family and friends, alongside thirteen never-before-published illustrations, including fully finished watercolors, rough preliminary sketches, and whimsical cartoons"--
This 120-page artbook bestiary includes the anatomy, behavior, and origins of over 20 amazing fantasy creatures. Each interconnected through a series of recorded histories, myths, and first-hand encounters that stress the value of exploration and curiosity in the face of superstition.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.