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Excerpt from A Sketch of the Life and Writings of Robert Knox: The Anatomist Dr. Knox only a short time before his death destroyed numerous letters and manuscripts; what was left, though of much less avail than had been anticipated, was kindly placed at my disposal by the only surviving member of his family, his son, Mr. Edward Knox. The gist of the information thus furnished me is contained in the first chapter. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Victorian anthropology has been derided as an "armchair practice," distinct from the scientific discipline of the twentieth century. But the observational practices that characterized the study of human diversity developed from the established sciences of natural history, geography and medicine. Sera-Shriar argues that anthropology at this time went through a process of innovation which built on scientifically grounded observational study. Far from being an evolutionary dead end, nineteenth-century anthropology laid the foundations for the field-based science of anthropology today.
Historicism and the Human Sciences in Victorian Britain explores the rise and nature of historicist thinking about such varied topics as life, race, character, literature, language, economics, empire, and law. The contributors show that the Victorians typically understood life and society as developing historically in a way that made history central to their intellectual inquiries and their public culture. Although their historicist ideas drew on some Enlightenment themes, they drew at least as much on organic ideas and metaphors in ways that lent them a developmental character. This developmental historicism flourished alongside evolutionary motifs and romantic ideas of the self. The human sciences were approached through narratives, and often narratives of reason and progress. Life, individuals, society, government, and literature all unfolded gradually in accord with underlying principles, such as those of rationality, nationhood, and liberty. This book will appeal to those interested in Victorian Britain, historiography, and intellectual history.
The wild success of the traveling Body Worlds exhibition is testimony to the powerful allure that human bodies can have when opened up for display in gallery spaces. But while anatomy museums have shown their visitors much about bodies, they themselves are something of an obscure phenomenon, with their incredible technological developments and complex uses of visual images and the flesh itself remaining largely under researched. This book investigates anatomy museums in Western settings, revealing how they have operated in the often passionate pursuit of knowledge that inspires both fascination and fear. Elizabeth Hallam explores these museums, past and present, showing how they display the human body—whether naked, stripped of skin, completely dissected, or rendered in the form of drawings, three-dimensional models, x-rays, or films. She identifies within anatomy museums a diverse array of related issues—from the representation of deceased bodies in art to the aesthetics of science, from body donation to techniques for preserving corpses and ritualized practices for disposing of the dead. Probing these matters through in-depth study, Anatomy Museum unearths a strange and compelling cultural history of the spaces human bodies are made to occupy when displayed after death.
‘For this retrieval of the lost histories of black Britain Mr Fryer has my deep gratitude. An invaluable book.’ --Salman Rushdie