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The following Official History on the legendary, traditional and exoteric history of the Memphis Rite, are complete and are revised English version of some French and Italian Notes, published in Palermo in 1923 and intended to answer provisionally, and specially for that Obedience, the many enquiries to which the recent revival of the Rite in Italy, in 1921, had naturally given rise.
Dr. Albert G. Mackey, also the author of The Lexicon of Freemasonry appears as author of this " Encyclopedia of Freemasonry and its Kindred Sciences," which, being a library in inself, superseded most of the Masonic works which have been tolerated by the craft—chiefly because none better could be obtained. Here, in one giant volume is a work which fulfils the hope which sustained the author through ten years' literary labor, that, under one cover he "would furnish every Mason who might consult its pages the means of acquiring a knowledge of all matters connected with the science, the philosophy, and the history of his order." For more than thirty years Dr. Mackey has devoted earnest and constant study and research to the history, the objects, and the condition of Masonry. In the present work, the crowning and successful result of a life's labors, he has received no assistance from any one. He says, " Every article was written by myself," and he adds, which would extenuate errors, had he fallen into any, "For twelve months, too, of the time occupied upon this work, I suffered from an affection of the sight, which forbade all use of the eyes for purposes of study. During that time, now happily passed, all authorities were consulted by the willing eyes of my daughters—all writing was done by their hands. I realized for a time the picture so often painted of the blind bard dictating his sublime verses to his daughters," and his preface closes with the words, "Were I to dedicate this work at all, my dedication should be—To Filial Affection." Up to the present time the modern literature of Freemasonry has been diffuse, lumbering, unreliable, and, out of all reasonable proportions.
Dr. Albert G. Mackey appears as author of this " Encyclopedia of Freemasonry and its Kindred Sciences," which, being a library in inself, superseded most of the Masonic works which have been tolerated by the craft — chiefly because none better could be obtained. Here is a work which fulfils the hope which sustained the author through ten years' literary labor, that, under one cover he "would furnish every Mason who might consult its pages the means of acquiring a knowledge of all matters connected with the science, the philosophy, and the history of his order." Up to the present time the modern literature of Freemasonry has been diffuse, lumbering, unreliable, and, out of all reasonable proportions. There is, in Mackey's "Encyclopaedia of Masonry," well digested, well arranged, and confined within reasonable limits, all that a Mason can desire to find in a book exclusively devoted to the history, the arts, science, and literature of Masonry. This is volume one out of four and covering the letters A to C.
Freemasonry is the largest, oldest, and most influential secret society in the world. The Brill Handbook of Freemasonry is a pioneering work that brings together, for the first time, leading scholars on Freemasonry. The first section covers historical perspectives, such as the origins and early history of Freemasonry. The second deals with the relationship between Freemasonry and specific religious traditions such as the Catholic Church, Judaism, and Islam. In the third section, organisational themes, such as the use of rituals, are explored, while the fourth section deals with issues related to society and politics - women, blacks, colonialism, nationalism, and war. The fifth and final section is devoted to Freemasonry and culture, including music, literature, modern art, architecture and material culture.
How fin-de-siècle Paris became the locus for the most intense revival of magical practices and doctrines since the Renaissance • Examines the remarkable lives of occult practitioners Joséphin Peladan, Papus, Stanislas de Guaïta, Saint-Yves d’Alveydre, Jules Doinel, and others • Reveals how occult activity deeply influenced many well-known cultural movements, such as Symbolism, the Decadents, modern music, and the “psychedelic 60s” During Paris’s Belle Époque (1871-1914), many cultural movements and artistic styles flourished--Symbolism, Impressionism, Art Nouveau, the Decadents--all of which profoundly shaped modern culture. Inseparable from this cultural advancement was the explosion of occult activity taking place in the City of Light at the same time. Exploring the magical, artistic, and intellectual world of the Belle Époque, Tobias Churton shows how a wide variety of Theosophists, Rosicrucians, Martinists, Freemasons, Gnostics, and neo-Cathars called fin-de-siècle Paris home. He examines the precise interplay of occultists Joséphin Peladan, Papus, Stanislas de Guaïta, and founder of the modern Gnostic Church Jules Doinel, along with lesser known figures such as Saint-Yves d’Alveydre, Paul Sédir, Charles Barlet, Edmond Bailly, Albert Jounet, Abbé Lacuria, and Lady Caithness. He reveals how the work of many masters of modern culture such as composers Claude Debussy and Erik Satie, writers Arthur Rimbaud and Charles Baudelaire, and painters Georges Seurat and Alphonse Osbert bear signs of immersion in the esoteric circles that were thriving in Paris at the time. The author demonstrates how the creative hermetic ferment that animated the City of Light in the decades leading up to World War I remains an enduring presence and powerful influence today. Where, he asks, would Aleister Crowley and all the magicians of today be without the Parisian source of so much creativity in this field? Conveying the living energy of Paris in this richly artistic period of history, Churton brings into full perspective the characters, personalities, and forces that made Paris a global magnet and which allowed later cultural movements, such as the “psychedelic 60s,” to rise from the ashes of post-war Europe.