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This book systematically traces the development of Chinese historiography from the 2nd century B.C. to the 19th century A.D. Refusing to fit the Chinese historical narration into the modern Western discourse, the author highlights the significant questions that concern traditional historians, their philosophical foundations, their development over three thousand years and their influence on the intelligentsia. China is a country defined in terms of its history and its historians have worked hard to record the past. However, this book approaches Chinese history from the very beginning not only as a way of recording, but also as a way of dealing with the past in order to orient the people of the present in the temporal dimension of their lives. This book was listed as the key textbook of the “Eleventh Five-year Plan” for college students in China.
China is daily becoming more and more an object of interest and curiosity to European nations, in proportion as commerce, the fore-runner, if not the cause, of all improvement.in the arts of civilization, discloses its resources, and sheds new light on the character and intellectual cultivation of its inhabitants. Hitherto, the remoteness of its situation with respect to Britain, and the rude, inhospitable nature of its policy toward strangers, have concurred in perpetuating the erroneous impressions created by travelers imperfectly informed, or prone to exaggeration. Among the unfounded notions sedulously propagated by the advocates of arbitrary power, is the opinion that this vast empire, the government of which may be regarded as the beau ideal of despotism, has been torn by fewer revolutions and civil wars than the free states of the West; and that its military power is a kind of colossus, fabricated by the wisdom of ages, which no force or policy that could be exerted by any European nation would suffice to overthrow.--Amazon.com.
The Prussian-born Protestant missionary Karl Friedrich August Gützlaff (1803-51) sought to spread Christianity in the Far East. A gifted linguist, he learned several Chinese dialects and distributed translated literature. This 1834 two-volume work sought to diminish Anglophone ignorance of China's history from mythological times to the ruling Qing dynasty.
Using culture rather than politics or economics as a reference point, Xu Guoqi highlights significant yet neglected cultural exchanges in which China and America have contributed to each other’s national development, building the foundation of what Zhou Enlai called a relationship of “equality and mutual benefit.”
The Chinese Art Book is a beautifully packaged, authoritative, and unprecedented overview of Chinese art from its earliest dynasties to the contemporary generation of artists enlivening today's art world. 300 works represent every form of Chinese visual art, including painting, calligraphy, sculpture, ceramics, figurines, jade, bronze, gold and silver, photography, video, installation, and performance art. Full of surprises for readers of all levels, The Chinese Art Book breaks new ground by pairing works that speak to one another in unexpected ways, enlightening historical, stylistic and cultural connections. Concise descriptive essays place each work in context, while cross-references lead the reader on a fascinating journey through Chinese art history. The Chinese Art Book features an introductory essay by Colin Mackenzie, Senior Curator of Chinese Art at the Nelson-Akins Museum of Art, along with an accessible summary of Chinese political and cultural history, a comprehensive glossary defining technical terms, and an illustrated timeline.