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Professor Wu, educated in the U.S., relates his prison experiences in a Chinese labor farm after being labeled an "ultrarightist" by his academic colleagues at Beijing University
If only I could have been a daddy’s girl I would not of had grown up in that monster’s world That monster he came calling for me in his house I was scared as can be Jamae Vandegraph remembers—and wishes she couldn’t. She remembers the man long ago who took her to a cold, dark, unfurnished upstairs bedroom equipped with an old wooden tripod with a big camera that rested on its top. She remembers this room because this is where he undressed her and forced her to touch him. She remembers being cold, scared, and alone. Most of all, she remembers closing her eyes and wishing she was anywhere but there. In an autobiographical collection of prose and poetry, Vandegraph reflects on the anger and hurt that accompanied being a victim of sexual abuse as a young girl. In poignant verse that explores the terrifying moments when she was pulled out of her innocence and into the darkness, Vandegraph shares how she was victimized and eventually healed through forgiveness, self-love, and hope for a new future. A Single Tear is a memoir of prose and poems that leads others on a heartbreaking path through childhood sexual abuse and ultimately into the bright light of healing.
Based on a true story, Laurel Faith Gables spent her first days on a field watching Daddy playing his sport of football. Spencer Gables was a hometown football star from the small rural town of Creeksdale, who made his way to his beloved North Mason College. His eyes were turned by oneJacqueline Carr from the city of Lawson. She was everything he ever wanted. After eloping, their love blossomed with the birth of their first child, Laurel. Upon graduation, the Gables moved to Lawson, where Spence was becoming a local icon in the world of football coaching. Life on Chester Chapel was beautiful, and the two were blessed with a baby boy, Cole. The couple longed for their goal of homeownership, and they were well on their way to achieving it. Spence and Jacqueline were living the American dream until the unthinkable happened, tearing the Gables family to shreds. Is the love of a daughter strong enough to bring their world back together, or will it forever be shattered? Laurel is forced onto a bridge and she cannot turn back. The only way to bring an end is to cross. For those who have lost deeply, want to love dearly, or know those who do. For those who want to consider is vengeance deserved?
“A hard-hitting sermon on the racial divide, directed specifically to a white congregation.” —Kirkus Reviews, starred review A New York Times, Los Angeles Times, Washington Post, and Boston Globe Bestseller As the country grapples with racial division at a level not seen since the 1960s, Michael Eric Dyson’s voice is heard above the rest. In Tears We Cannot Stop, a provocative and deeply personal call or change, Dyson argues that if we are to make real racial progress, we must face difficult truths, including being honest about how Black grievance has been ignored, dismissed, and discounted. In the tradition of James Baldwin’s The Fire Next Time—short, emotional, literary, powerful—this is the book that all Americans who care about the current and long-burning crisis in race relations need to read. Praise for Tears We Cannot Stop Named a Best/Most Anticipated Book of 2017 by: The Washington Post • Bustle • Men’s Journal • The Chicago Reader • StarTribune • Blavity• The Guardian • NBC New York’s Bill’s Books • Kirkus Reviews • Essence “Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish.” —Toni Morrison “Here’s a sermon that’s as fierce as it is lucid . . . If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen.” —Stephen King “One of the most frank and searing discussions on race . . . a deeply serious, urgent book, which should take its place in the tradition of Baldwin’s The Fire Next Time and King’s Why We Can’t Wait.” —The New York Times Book Review
I'm on a train. I don't know which stop I got on at; I only know the train is going fast and the world outside becomes a blur. I should get off, but I don't. The universe is playing a cosmic joke on me. Here I had my life—a good life with everything a woman could want—and suddenly, there is something more I didn't know I could have. A chance for me to be satisfied and content and maybe even on occasion deliriously, amazingly, exuberantly happy. So this is where I am, on a train that's out of control, and I am not just a passenger. I'm the one shoveling the furnace full of coal to keep it going fast and faster. If I could make myself believe it all happened by chance and I couldn't help it, that I've been swept away, that it's not my fault, that it's fate…would that be easier? The truth is, I didn't know I was looking for this until I found Will, but I must've been, all this time. And now it is not random, it is not fate, it is not being swept away. This is my choice. And I don't know how to stop. Or even if I want to.
For millennia, shamans and philosophers, believers and nonbelievers, artists and scientists have tried to make sense of our existence by suggesting that everything is connected, that a mysterious Oneness binds us to everything else. People go to temples, churches, mosques, and synagogues to pray to their divine incarnation of Oneness. Following a surprisingly similar notion, scientists have long asserted that under Nature’s apparent complexity there is a simpler underlying reality. In its modern incarnation, this Theory of Everything would unite the physical laws governing very large bodies (Einstein’s theory of relativity) and those governing tiny ones (quantum mechanics) into a single framework. But despite the brave efforts of many powerful minds, the Theory of Everything remains elusive. It turns out that the universe is not elegant. It is gloriously messy. Overturning more than twenty-five centuries of scientific thought, award-winning physicist Marcelo Gleiser argues that this quest for a Theory of Everything is fundamentally misguided, and he explains the volcanic implications this ideological shift has for humankind. All the evidence points to a scenario in which everything emerges from fundamental imperfections, primordial asymmetries in matter and time, cataclysmic accidents in Earth’s early life, and duplication errors in the genetic code. Imbalance spurs creation. Without asymmetries and imperfections, the universe would be filled with nothing but smooth radiation. A Tear at the Edge of Creation calls for nothing less than a new "humancentrism" to reflect our position in the universal order. All life, but intelligent life in particular, is a rare and precious accident. Our presence here has no meaning outside of itself, but it does have meaning. The unplanned complexity of humankind is all the more beautiful for its improbability. It’s time for science to let go of the old aesthetic that labels perfection beautiful and holds that "beauty is truth." It’s time to look at the evidence without centuries of monotheistic baggage. In this lucid, down-to-earth narrative, Gleiser walks us through the basic and cutting-edge science that fueled his own transformation from unifier to doubter—a fascinating scientific quest that led him to a new understanding of what it is to be human.
Black Tear Society is the autobiographical memoir of a young woman who knows, has seen, and has heard too much. Tajuana Simpson wrote this book after realizing that she needed an outlet or else she might lose her sanity. She had become tired of being tired. However, she was then unaware of her root problem, that she lacked the experience of having a real father. Her childhood memories were clouded by the violence and dysfunction which her biological father brought on her family before he abandoned them. As an adult, Ms. Simpson worked, was an able single parent, and truly appeared normal in others' eyes. However, she increasingly found that when others were happy around her, she was sad, and when others were sad, she was happy. "It appeared" There was a tear that stayed on her face for several years, one that you couldn't see or touch. In order to conquer this sadness, she had to write Black Tear Society. This book points out the shame of those who hide behind false exteriors and fail to own up to interior, self-based issues. It deals with ones who stay in the window and never take a look in the mirror or try to gain understanding. Ms. Simpson has realized that a nation of people is crying out for help with a black tear, and wondering if the unhappiness will ever go away.......
The death of high school basketball star Rob Washington in an automobile accident affects the lives of his close friend Andy, who was driving the car, and many others in the school.
A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.
Near the edge of the Baltic Sea, in a small East Prussian town, lives a happy and prosperous family. The Wobsers are patriotic Germans and faithful Lutherans with four beautiful children: chatty Trude, fearless Lotte, careful Ilse, and precocious Gerhard. The decade-older sisters treat Gerhard as their little prince. He is the apple of his father's eye. Then, one day in 1933, their world falls apart. They have been identified as Jews, a heritage never denied, but a religion never embraced. This chilling true story follows the four Wobser siblings as they struggle to survive a Nazi regime intent on their extermination. Even those that manage to flee will find themselves without a home or country to call their own. From Edinburgh to Shanghai, the Wobsers will travel the world in search of a place they belong. Author and historical chronicler Ralph Webster (a descendent of the Wobsers) deftly connects their story and survival to the struggles modern refugees face every day. In addition to serving as a fascinating piece of history, A Smile in One Eye: A Tear in the Other is a passionate call to arms for organizations and individuals to properly protect and help the world's refugees.