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Nora Strejilevich was a young woman when her brother and other family members and friends disappeared at the hands of the military junta that held power in Argentina from 1976 to 1983. Ostensibly part of a systematic campaign to eliminate left-wing terrorism, the violence perpetrated by the junta far exceeded anything the leftists ever dreamed of, enveloping not only the violent left but other dissidents and innocent civilians as well, and particularly targeting the Jewish population. A desaparecida herself, Strejilevich survived kidnapping and torture to speak of her experience with a dignified voice and a clear-eyed realism that extends from one end of the political spectrum to the other. In the first English translation of her elegant fictional memoir Una sola muerte numerosa, Strejilevich combines autobiography, documentary journalism, fiction, magical realism, and poetry to express the "choir of voices" of the more than 30,000 souls who were imprisoned and abused. She engages the reader in the history of a bloody military coup and state-sanctioned anti-Semitism, exploring themes of exile, identity, and violence. Above all, A Single, Numberless Death is Nora Strejilevich’s gripping story of survival.
Nora Strejilevich was a young woman when her brother and other family members and friends disappeared at the hands of the military junta that held power in Argentina from 1976 to 1983. Ostensibly part of a systematic campaign to eliminate left-wing terrorism, the violence perpetrated by the junta far exceeded anything the leftists ever dreamed of, enveloping not only the violent left but other dissidents and innocent civilians as well, and particularly targeting the Jewish population. A desaparecida herself, Strejilevich survived kidnapping and torture to speak of her experience with a dignified voice and a clear-eyed realism that extends from one end of the political spectrum to the other. In the first English translation of her elegant fictional memoir Una sola muerte numerosa, Strejilevich combines autobiography, documentary journalism, fiction, magical realism, and poetry to express the "choir of voices" of the more than 30,000 souls who were imprisoned and abused. She engages the reader in the history of a bloody military coup and state-sanctioned anti-Semitism, exploring themes of exile, identity, and violence. Above all, A Single, Numberless Death is Nora Strejilevich’s gripping story of survival.
Displaced Memories analyzes the representation of traumatic memories--political imprisonment, torture, survival, and exile--in the literary works of Alicia Kozameh, Alicia Partnoy, and Nora Strejilevich, survivors of Argentina's "Dirty War" (1976-1983). Beginning with an examination of the history of Argentina's last dictatorship, the conditions that led the authors to exile, and the contexts in which the texts were published, Portela provides the theoretical tools for the understanding of narratives of trauma and displacement caused by political violence. The author proposes a theory that critiques post-structuralist paradigms of trauma, which present trauma as an unclaimed experience impossible to apprehend, as she argues for an analysis of the symbolic uses of language, presenting trauma as a claimed experience that can be brought into representation and therefore create the conditions of possibility for working through.
The activist storytelling practice of testimonio, long associated with Latin American struggles for justice, forges coalitions across social differences for the purpose of social change. Beyond Central and South America, Patricia DeRocher examines testimonios from a wide range of geopolitical sites, including Argentina, Egypt, Haiti, India, Jamaica, and Trinidad, as well as the United States, and suggests that feminist testimonios offer a model for cross-border feminist alliance building. Transnational Testimonios focuses on the questions of translation, knowledge, and power that characterize the creation and reception of these life writings. DeRocher demonstrates how these stories can mobilize social activism and intervene in epistemological impasses between the Global North and South, offering vital tools for reimagining transnational feminist politics.
A panorama of literature by Latinos, whether born or resident in the United States.
The histories of the Dirty Wars in Mexico and Argentina (1960s–1980s) have largely erased how women experienced and remember the gendered violence during this traumatic time. Viviana Beatriz MacManus restores women to the revolutionary struggle at the heart of the era by rejecting both state projects and the leftist accounts focused on men. Using a compelling archival blend of oral histories, interviews, human rights reports, literature, and film, MacManus illuminates complex narratives of loss, violence, and trauma. The accounts upend dominant histories by creating a feminist-centered body of knowledge that challenges the twinned legacies of oblivion for the victims and state-sanctioned immunity for the perpetrators. A new Latin American feminist theory of justice emerges—one that acknowledges women's strength, resistance, and survival during and after a horrific time in their nations' histories. Haunting and methodologically innovative, Disruptive Archives attests to the power of women's storytelling and memory in the struggle to reclaim history.
There is a wealth of published literature in English by Latin American women writers, but such material can be difficult to locate due to the lack of available bibliographic resources. In addition, the various types of published narrative (short stories, novels, novellas, autobiographies, and biographies) by Latin American women writers has increased significantly in the last ten to fifteen years. To address the lack of bibliographic resources, Kathy Leonard has compiled Latin American Women Writers: A Resource Guide to Titles in English. This reference includes all forms of narrative-short story, autobiography, novel, novel excerpt, and others-by Latin American women dating from 1898 to 2007. More than 3,000 individual titles are included by more than 500 authors. This includes nearly 200 anthologies, more than 100 autobiographies/biographies or other narrative, and almost 250 novels written by more than 100 authors from 16 different countries. For the purposes of this bibliography, authors who were born in Latin America and either continue to live there or have immigrated to the United States are included. Also, titles of pieces are listed as originally written, in either Spanish or Portuguese. If the book was originally written in English, a phrase to that effect is included, to better reflect the linguistic diversity of narrative currently being published. This volume contains seven indexes: Authors by Country of Origin, Authors/Titles of Work, Titles of Work/Authors, Autobiographies/Biographies and Other Narrative, Anthologies, Novels and Novellas in Alphabetical Order by Author, and Novels and Novellas by Authors' Country of Origin. Reflecting the increase in literary production and the facilitation of materials, this volume contains a comprehensive listing of narrative pieces in English by Latin American women writers not found in any other single volume currently on the market. This work of reference will be of special interest to scholars, students, and instructors interested in narrative works in English by Latin American women authors. It will also help expose new generations of readers to the highly creative and diverse literature being produced by these writers.
Citizens of Memory explores efforts at recollection in post-dictatorship Argentina and the hoped-for futures they set in motion. The material, visual, narrative, and pedagogical interventions it analyzes address the dark years of state repression (1976-1983) while engaging ongoing debates about how this traumatic past should be transmitted to future generations. Two theoretical principles structure the book’s approach to cultural recall: the first follows from an understanding of memory as a social construct that is always as much about the past as it is of the present; the second from the observation that what distinguishes memory from history is affect. These principles guide the study of iconic sites of memory in the city of Buenos Aires; photographic essays about the missing and the dictatorship’s legacies of violence; documentary films by children of the disappeared that challenge hegemonic representations of seventies’ militancy; a novel of exile that moves recollection across national boundaries; and a human rights education program focused on memory. Understanding recollection as a practice that lends coherence to disparate forces, energies, and affects, the book approaches these spatial, visual, and scripted registers as impassioned narratives that catalyze a new attentiveness within those they hail. It suggests, moreover, that by inciting deep reflection and an active engagement with the legacies of state violence, interventions like these can help advance the cause of transitional justice and contribute to the development of new political subjectivities invested in the construction of less violent futures.