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'I think the knowledge presented in the text is hugely important for teachers of singing. In the shadow of ignorance, superstition and misunderstanding rage. Some singers do quite well even if their thinking about the voice is completely nuts but teachers need to understand each other in order to profit from exchange of experience and ideas'. Johan Sundberg The knowledge in this clearly presented text is important for teachers and students of singing and set out in a most imaginative way. The figures are beautiful and simply delightful to look at. Learners can acquire and revise knowledge in multiple and often playful ways. In the shadow of all the mystery and guesswork regarding the structure and function of the vocal instrument, the approach of this book, written from a singer's perspective, with scientific and anatomical accuracy, is a much-needed educational tool. As a manual it offers a universal approach to an understanding of the larynx that will enable pedagogues to engage in a robust and open exchange of experience and ideas with their students. This is an excellent, comprehensive approach that has been written specifically to help singers understand their instrument as the book builds through from basic, colour-coded anatomy to function.
Complete Vocal Fitness: A Singer’s Guide to Physical Training, Anatomy, and Biomechanics is a primer on sport-specific training for vocal athletes. Elite athletes apply cutting-edge research in movement and physiology to customize fitness regimens that ensure peak performance. The principles of sports science that enable them to fine-tune strength, flexibility and dynamic stabilization to meet the requirements of a given sport are invaluable for preparing the body to meet the physical demands of singing. This book will teach you to: Optimize alignment by identifying and resolving postural distortions Balance strength and flexibility throughout your torso to facilitate full breathing and promote coordinated breath management Improve oxygen consumption to enhance your stamina and ability to sustain long phrases Stabilize your spine and major joints in order to continue performing with solid technique while meeting the demands of stage movement Musicians of all kinds benefit from understanding the basics of how their instruments work. This book is also a guide to how the vocal instrument functions. You will find accessible descriptions of the fundamental components of vocal anatomy – laryngeal function, articulation and resonance – explaining their movements, their interaction with one another, their integration with the anatomy of breathing and alignment, and relating them to common non-anatomical terminology often used in the voice studio.
The first comprehensive, fully-illustrated approach to the voice that explains the anatomy and mechanics in detailed yet down-to-earth terms, for voice users and professionals of all kinds This book is the first to explain, in clear and concise language, the anatomy and mechanics of the mysterious and complex bodily system we call the voice. Beautifully illustrated with more than 100 detailed images, Anatomy of the Voice guides voice teachers and students, vocal coaches, professional singers and actors, and anyone interested in the voice through the complex landscape of breathing, larynx, throat, face, and jaw. Theodore Dimon, an internationally recognized authority on the subject, as well as an expert in the Alexander Technique, makes unfamiliar terrain accessible and digestible by describing each vocal system in short, manageable sections and explaining complex terminology. The topics he covers include ribs, diaphragm, and muscles of breathing; the intrinsic musculature of the larynx, its structure and action; the suspensory muscles of the throat; the face and jaw; the tongue and palate; and the evolution and function of the larynx.
Gives singers and their teachers a body mapping resource - from anatomy and physiology to body awareness - that helps them discover and correct misconceptions about the way their bodies are built and the way they function. In doing so, the book provides maps with detailed advice and exercises to use their bodies effectively.
Contains a glossary of terms and lists of performers trained using Seth Riggs' vocal therapy and technique. Includes glossary (p. 91-94) and index.
Singer and actors are a unique group of performers, relying almost entirely on their voice for the professional livelihood. Jet lag, amplification, allergens, stress, pollution, and vocal strain all affect vocal performance. Written for the performer, the teacher, and the vocal coach, Care of the Professional Voice offers clear explanations and medical advice on vocal problems and vocal health. Care of the Professional Voice is written by experts in laryngology in the United States and Great Britain. This second edition includes a singer's guide to self-diagnosis.
What Every Singer Needs to Know About the Body, Fourth Edition gives singers and teachers a Body Mapping resource—from anatomy and physiology to body awareness—that helps them discover and correct misconceptions about how their bodies are designed and how they function. This book provides detailed descriptions of the structures and movements necessary for healthy and efficient body awareness, balance, breathing, phonation, resonance, articulation, and gesture. Many voice books focus on the anatomical facts, but leave singers asking, "How can I apply this to my singing?" What Every Singer Needs to Know About the Body helps to answer that question, providing practical exercises and detailed illustrations. New to This Edition: * Updated and revised content throughout the text * Bulleted review sections for each chapter * New and updated links to recommended videos * Information on Biotensegrity and how it pertains to Body Mapping, along with helpful links to resources on the subject * An expanded glossary What Every Singer Needs to Know About the Body includes audio and video recordings of the exploratory exercises. This book provides the technical foundation for singers of all styles. The authors do not espouse a single method or attempt to teach singing techniques or styles. Rather, they describe the movements of singing with accuracy and detail so that singers may experiment on their own and communicate with each other in a common language.
Whether you are singer, Broadway performer, school teacher, salesperson, or call centre operator, this book will inform and provide you with the tools you need to protect, manage, and maybe even save your voice. The Vocal Pitstop is written by Adam Rubin, MD, a performer and actor who qualified as one of the world's foremost laryngologists, and who recognized that most singers and performers - in fact, most of us - have no idea what is going on in our 'voice box', how we can look after it and, worse, what could be going wrong. Here then, is his light-hearted but not light-weight, serious but not scientific guide to your voice, and what you need to do to keep it on the road - it is the manual for your pitstop crew Dr Rubin covers all you'll need to know, including vocal health, methods of voice rest, 'quack' cures to avoid, when to pull on to the hard shoulder, when to call in to the garage, and much, much more. Featured are useful checklists, do's and don'ts, practical hints and tips, who to see for help, what to avoid, and questions to ask of voice professionals. Be informed. Your voice is your profession as well as your personality - abuse it, you may lose it
"Looking at voice science from the practitioner's viewpoint, Singing and Science: Body, Brain and Voice is a comprehensive book for all those interested in how the singing voice works. It has application to singers, teachers of singing, music educators, choral conductors, voice scientists, and speech-language pathologists and physical therapists working with singers. The title reflects a major change since the first edition of Singing and Voice Science in 2000. That is that new technology has facilitated neuroscience research, making available information on the role of brain and mind in music learning, in language, and in psychomotor learning and performance. The text explores modern voice science and scientific findings in the context of musical concerns of the singer. Modern scientific knowledge of the mechanics of the vocal instrument allows what is heard to be associated with specific physical co-ordinations as well as providing a basis for teaching technical skills, for diagnosing and correcting vocal faults, and for ensuring efficient voice production. This science is put into an applicable body of information under familiar terms, such as breath management, phonation, resonance and articulation, and vocal health. The text also examines the relationship between music and language and how singers approach conveying both linguistic and musical meanings. The growing knowledge in the fields of neuroscience and cognition is applied to how the singer works as a musical instrument, in terms of embodying the technical aspects of voice in a holistic way capable of conveying musical, linguistic and emotional meanings to an audience. This informs an efficient approach to teaching and learning" -- Publisher website.
A Systematic Approach to Voice: The Art of Studio Application is a professional resource presenting a framework for the integration of science-informed principles of voice production and pedagogical application in the training of singers. Author Dr. Kari Ragan has spent years using this organizational template of the five voice systems—respiration, phonation, registration, articulation, and resonance—to identify technical challenges and design corrective vocal exercises in order to facilitate efficient singing. Each of the voice system chapters contains a brief overview of the mechanics as well as key points for teachers, or “teacher takeaways.” The book’s core offering is vocal exercises which, framed within a systematic approach, provide strategies for the art of studio application. The intent is an approach that leads to technically proficient singing working in service of great artistry. Key Features: * Over 85 vocal exercises for studio application framed within a systematic approach for both a CCM and classical aesthetic * Brief overview of the mechanics of each voice system and relevant “teacher takeaways” * Extensive discussion on semi-occluded vocal tract (SOVT) exercises * Introduction of several kinesthetic singing tools * Eight sample warm-up protocols designed for various levels of singers and both CCM and classical genres * Video demonstrations for each vocal exercise and sample warm-up