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"N-no…I'm going crazy!" Natsuki follows Kouta, who Natsuki loves, to a shrine in the mountain to help him clean. It isn't a normal shrine, but a shrine of relationships and fertility with offerings that are shaped like sexual organs. One day, Kouta's cousin, Yukinari, sees Natsuki masturbating with a dildo. "I'll make your body so that it will please Kouta," says Yukinari, and trains and develops Natsuki's body. "I can't...put such a thing in me...!" Natsuki's hakama is messed up, skin is wet, and finally, he'll do it in front of Kouta...!
Nanako and the prep school crew are off to Okinawa for some much-needed rest and relaxation...I mean...for training camp! Surprisingly, Anko has selected a very nice hotel with delicious food and comfortable rooms, perfect for...intense studying. But even though Anko's being more hard-nosed about the girls' studying than she ever has been before...that's still not saying much. There are still plenty of diversions and distractions to be enjoyed in the Okinawan sunshine! Let's just hope the girls don't regret it when it's time for their entrance exams!
Fascinating insights on what Japanese manga and anime mean to artists, audiences, and fans in the United States and elsewhere, covering topics that range from fantasy to sex to politics. Within the last decade, anime and manga have become extremely popular in the United States. Mangatopia: Essays on Manga and Anime in the Modern World provides a sophisticated anthology of varied commentary from authors well versed in both formats. These essays provide insights unavailable on the Internet, giving the interested general reader in-depth information well beyond the basic, "Japanese Comics 101" level, and providing those who teach and write about manga and anime valuable knowledge to further expand their expertise. The topics addressed range widely across various artists and art styles, media methodology and theory, reception of manga and anime in different cultural markets, and fan behavior. Specific subjects covered include sexually explicit manga drawn and read by women; the roots of manga in Japanese and world film; the complexity of fan activities, including "cosplay," fan-drawn manga, and fans' highly specific predilections; right-wing manga; and manga about Hiroshima and despair following World War II. The book closes with an examination of the international appeal of manga and anime.
Focusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga’s culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes "manga culture" in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO.
High school student Ao has been dreaming about his longtime neighbor Ryomei, a priest at the local Shinto shrine. A little freaked out--and a lot excited--at the prospect of having a relationship with Ryomei, Ao gathers up his courage, confesses his feelings...and gets turned down flat. Luckily, Ao's not the kind to give up easily. Thanks to some creative persistence (and Ryomei's weakening resolve), he finally gets a kiss. But one single kiss won't satisfy him for long! -- VIZ Media
Eighteen-year-old Haru Ono has been in love with Aiden Davis since he was in middle school. Trying to keep his feelings under wraps is annoyingly hard when they’re living under the same roof, more so since Aiden is so caring and selflessly showers him with kindness. Haru knows family is important to Aiden, who has been shouldering the burden of raising five younger siblings, and it’s best Haru never reveals his feelings to Aiden. Then again, an eighteen-year-old boy with raging hormones can only bottle up so much until everything starts to burst. Haru’s story is a gay harem romance (yaoi, boys love). The uke (Haru) will gain his hunky alpha men (semes) one at a time as his story progresses. Note: Seme is the man who does the chasing (the top) and uke is the male being chased (the bottom) in the romantic relationship. Haru’s Story (Stepbrothers Gay Harem Romance) 1 - Haru to Aiden 2 - Aiden to Haru 3 - Noah to Haru 4 - Mason to Haru 5 - Shrine Maiden (coming soon) Haru to Aiden: Free Gay Romance, Free MM Romance, LGBT, Contemporary Romance, Gay Harem Romance, Sweet Romance, Boys Love, BL, Yaoi
The cool and kind Suzumoto President, secretly spends his days being pushed around by his childhood friend, the son of the principal. To be forced to stand by the Student Council Office window while receiving a blowjob barely out of sight! There's no way he could show such an embarrassing scene to anyone! Although he's angry, his body won't listen to him! 'I'll say 'I love you' as many times as you want, so hurry up and mess my insides up!
When Yuiji accidentally overhears his classmate Yamato confessing to another friend that he's gay, his perspective shifts. Seeing Yamato in a new light, Yuiji does his best not to let prejudice color his view, but he still finds himself overthinking his classmates' interactions now. He especially notices the way Yamato looks at one particular boy: Yuiji's own best friend. Even though he tells himself he shouldn't get involved, Yuiji finds he just can't help it; watching Yamato's one-sided love draws him in a way he never expected. At first, it's empathy, knowing that the boy Yamato has his sights on is definitely straight and has no idea. But as his own friendship with Yamato develops and the two of them grow closer through a mutual study group, Yuiji comes to truly care about Yamato as a person, regardless of his sexuality. He only wants Yamato to be happy, and to be able to express his true self.
Dramatic advances in genetics, cloning, robotics, and nanotechnology have given rise to both hopes and fears about how technology might transform humanity. As the possibility of a posthuman future becomes increasingly likely, debates about how to interpret or shape this future abound. In Japan, anime and manga artists have for decades been imagining the contours of posthumanity, creating dazzling and sometimes disturbing works of art that envision a variety of human/nonhuman hybrids: biological/mechanical, human/animal, and human/monster. Anime and manga offer a constellation of posthuman prototypes whose hybrid natures require a shift in our perception of what it means to be human. Limits of the Human—the third volume in the Mechademia series—maps the terrain of posthumanity using manga and anime as guides and signposts to understand how to think about humanity’s new potentialities and limits. Through a wide range of texts—the folklore-inspired monsters that populate Mizuki Shigeru’s manga; Japan’s Gothic Lolita subculture; Tezuka Osamu’s original cyborg hero, Atom, and his manga version of Fritz Lang’s Metropolis (along with Ôtomo Katsuhiro’s 2001 anime film adaptation); the robot anime, Gundam; and the notion of the uncanny in Ghost in the Shell 2: Innocence, among others—the essays in this volume reject simple human/nonhuman dichotomies and instead encourage a provocative rethinking of the definitions of humanity along entirely unexpected frontiers. Contributors: William L. Benzon, Lawrence Bird, Christopher Bolton, Steven T. Brown, Joshua Paul Dale, Michael Dylan Foster, Crispin Freeman, Marc Hairston, Paul Jackson, Thomas LaMarre, Antonia Levi, Margherita Long, Laura Miller, Hajime Nakatani, Susan Napier, Natsume Fusanosuke, Sharalyn Orbaugh, Ôtsuka Eiji, Adèle-Elise Prévost and MUSEbasement; Teri Silvio, Takayuki Tatsumi, Mark C. Taylor, Theresa Winge, Cary Wolfe, Wendy Siuyi Wong, and Yomota Inuhiko.
The twentieth century was a period of rapid change for religion. Secularisation resulted in a dramatic fall in church attendance in the West, and the 1950s and 1960s saw the introduction of new religions including the International Society for Krishna Consciousness (ISKCON), the Church of Scientology, and the Children of God. New religions were regarded with suspicion by society in general and Religious Studies scholars alike until the 1990s, when the emergence of a second generation of 'new new' religions – based on popular cultural forms including films, novels, computer games and comic books – and highly individualistic spiritualities confirmed the utter transformation of the religio-spiritual landscape. Indeed, Scientology and ISKCON appeared almost traditional and conservative when compared to the radically de-institutionalised, eclectic, parodic, fun-loving and experimental fiction-based, invented and hyper-real religions. In this book, scholarly treatments of cutting-edge religious and spiritual trends are brought into conversation with contributions by representatives of Dudeism, the Church of All Worlds, the Temple of the Jedi Order and Tolkien spirituality groups. This book will simultaneously entertain, shock, challenge and delight scholars of religious studies, as well as those with a wider interest in new religious movements.