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John Thomas Blight, FSA, was born in Penzance in 1835. He showed an extraordinary early talent in drawing, botany and wood engraving, and spent much of his youth sketching the ancient stones and holy wells of west Penwith, soon gaining the respect of scholars like Robert Stephen Hawker, James Orchard Halliwell and Sabine-Baring Gould. His work was in demand, and he published several books, including the delightfully evocative A Week at the Land's End (1861), in which he illustrated 'the extreme western point of England; its romantic scenery, its natural productions, and its ancient legends'. In his introduction, Charles Thomas shows the importance of Blight's work in its time, and how it contributes to the historiography of Cornwall.
"There are few tracts in England more rugged than the northern part of the peninsula that lies between the Land's End and St Ives. It is possible to travel across the moors from Crobben Hill to Chapel Cairn Brea without setting foot on cultivated ground. It is a boulder-strewn waste, void of trees, where the grey of the granite mingles in spring and autumn with the gold of the gorse that, with heather and bracken, clothes the undulating surface. To the lover of nature the wild aspect of these breezy uplands is not without its charms; but the glory of the promontory is the ocean in which it is set. The great rampart of cliffs that holds back the Atlantic is broken here and there by beaches of white sand or minute shells, or by coves into which fall the trout-streams that rise in the granite hills above...In these valleys bird-life is rich. On a spit of sand you may chance on the footprints of an otter, whose harbour by day is some rocky holt along the cliffs; where the blackthorns are densest you may come across a badger's earth, and see the paths he has trodden in going to and fro. This creature is very plentiful—as plentiful indeed as the hare is scarce. Generally he shares the same earth with the fox. On the north coast the seal shows no sign of decrease; thanks to its tireless vigilance, and the inaccessible caves it frequents..." 'Wild Life at the Land's End' is a portrait of the wildlife of the Southern English coast of Cornwall.
The hilarious tale following the diary of a man as he takes on the ultimate cycling challenge - to cycle from Lands End to John O'Groats, dragging his father-in-law; his Bike Buddy, with him. A man who is grumpy, overweight, unfit, with knackered knees and high blood pressure. A man more likely to die than succeed. Over three weeks, Gooderham tells of his battle through the country. A light-hearted and jovial tale of one man's quest to beat his mid-life crisis. I Will Stand in my House Forever is the real story behind the fictional Ten Bodies, Two Bikes and a Boil. Much of the text is similar to the original, but includes the final two chapters of what actually happened. For those who don't want fiction - but want real life comedy - this is the book for you. I Will Stand in my House Forever is a must read for anyone who has already cycled, or is contemplating the challenge and includes daily maps, road and traffic conditions as well as the contour of the route.
Deepest thoughts and musings of a 1960s countercultural icon • Includes 108 of Michell’s most insightful, erudite, witty, and occasionally scathing essays on diverse topics ranging from sacred practices of the Stone Age to the evils of the metric system to the madness of modernity • Describes principles to live in tune with the divine order of the world and discover the “paradise of the philosophers” of ancient times. • Includes an introductory overview by Joscelyn Godwin of Michell’s entire career A countercultural icon of the 1960s, John Michell (1933-2009) was perhaps best known for his books on sacred geometry, Earth mysteries, and unusual phenomena. He was also beloved and reviled for his radical, idealistic, yet classically traditional views on a wide range of heretical topics, from sacred practices of the Stone Age to the evils of the metric system to the madness of modernity and the unfolding apocalypse. Carefully selecting 108 of Michell’s most insightful, erudite, witty, and occasionally scathing essays from his column in the monthly magazine The Oldie, esoteric scholar Joscelyn Godwin presents a colorful collection of Michell’s writings and rants that cover nearly every aspect of society, history, and traditional wisdom. In these short essays, Michell takes on agribusiness, Darwinism, superstition, Stonehenge, the insanity of modern society, UFOs, Jesus, fairies, the Grail legend, among many other topics. No matter how small the topic under consideration, Michell always takes a larger view on it, illuminating it with light from above. Godwin’s artful selection and ordering of essays reveals Michell’s overarching grand view of the world at large. We glimpse the heart of Michell as idealistic Platonist and radical traditionalist, absorb his common sense lessons for living in tune with the divine order, and are reminded that the elusive “paradise of the philosophers” of ancient times is still within reach for those with the strength of vision to see it.
Henry Hudson (1841 - 1922) was an Anglo-Argentine naturalist, author, and ornithologist who shows well illustrated and wonderfully-written descriptions of Land's End in Cornwall, England. A book from a man with love for nature and everything therein. A wonderful book for those who want to learn more about this small yet historic land.
Drawing on two decades of ethnographic research in Sulawesi, Indonesia, Tania Murray Li offers an intimate account of the emergence of capitalist relations among indigenous highlanders who privatized their common land to plant a boom crop, cacao. Spurred by the hope of ending their poverty and isolation, some prospered, while others lost their land and struggled to sustain their families. Yet the winners and losers in this transition were not strangers—they were kin and neighbors. Li's richly peopled account takes the reader into the highlanders' world, exploring the dilemmas they faced as sharp inequalities emerged among them. The book challenges complacent, modernization narratives promoted by development agencies that assume inefficient farmers who lose out in the shift to high-value export crops can find jobs elsewhere. Decades of uneven and often jobless growth in Indonesia meant that for newly landless highlanders, land's end was a dead end. The book also has implications for social movement activists, who seldom attend to instances where enclosure is initiated by farmers rather than coerced by the state or agribusiness corporations. Li's attention to the historical, cultural, and ecological dimensions of this conjuncture demonstrates the power of the ethnographic method and its relevance to theory and practice today.
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
“This comprehensive volume . . . demonstrates a remarkable mastery of poetic technique [with] poems as poignant as they are accomplished in their craft.” —Publishers Weekly, starred review In Land’s End, Gail Mazur writes with the kind of lyric authority, emotional range, and broad intellectual and social scope that her readers have come to expect. Beautifully crafted elegies meet with reflections on her own life, her family, and artists who have come and gone. In the title poem, she leads readers through a garden, where new and old growth twists together in an “almanac of inheritances” that conjures the rich memory of poets who have passed on. In this space of remembrance, Mazur also charges us with the responsibility of nurturing art and artists of the future, especially in the face of the disheartening absurdities of contemporary politics. Through tidal creeks and the weightless scenes of ukiyo-e woodcuts, in artists’ studios and along the frozen Charles River, Mazur connects passionately with the world around her. Carrying with her the undeniable presence of loss and of time past, she engages deeply with the present, her historic memory informing a deep concern for contemporary life.
Discussing the influence of environmental factors on both living and nonliving entities, this text places special emphasis on human health problems such as mutagenesis, teratogenesis and carcinogenesis, as well as looking at the major global issues of energy conservation, acid rain and greenhouse gases.
WINNER OF THE NOBEL PRIZE© IN LITERATURE 2013 A New York Times Notable Book A Washington Post Notable Work of Fiction A Best Book of the Year: The Atlantic, NPR, San Francisco Chronicle, Vogue, AV Club In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected children, a guilt-ridden father, a young teacher jilted by her employer. Illumined by Munro’s unflinching insight, these lives draw us in with their quiet depth and surprise us with unexpected turns. And while most are set in her signature territory around Lake Huron, some strike even closer to home: an astonishing suite of four autobiographical tales offers an unprecedented glimpse into Munro’s own childhood. Exalted by her clarity of vision and her unparalleled gift for storytelling, Dear Life shows how strange, perilous, and extraordinary ordinary life can be.