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Please note that the maps available in the print edition do not appear in the ebook. From "the great storyteller of modern Russian historians," (Financial Times) the definitive account of the forgotten war that shaped the modern age The Charge of the Light Brigade, Florence Nightingale—these are the enduring icons of the Crimean War. Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires—the British, French, Turkish, and Russian—in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come. In this masterly history, Orlando Figes reconstructs the first full conflagration of modernity, a global industrialized struggle fought with unusual ferocity and incompetence. Drawing on untapped Russian and Ottoman as well as European sources, Figes vividly depicts the world at war, from the palaces of St. Petersburg to the holy sites of Jerusalem; from the young Tolstoy reporting in Sevastopol to Tsar Nicolas, haunted by dreams of religious salvation; from the ordinary soldiers and nurses on the battlefields to the women and children in towns under siege.. Original, magisterial, alive with voices of the time, The Crimean War is a historical tour de force whose depiction of ethnic cleansing and the West's relations with the Muslim world resonates with contemporary overtones. At once a rigorous, original study and a sweeping, panoramic narrative, The Crimean War is the definitive account of the war that mapped the terrain for today's world..
This book analyzes the Crimean War from the Ottoman perspective based mainly on Ottoman and Russian primary sources, and includes an assessment of the War s impact on the Ottoman state and Ottoman society.
Florence Nightingale is famous as the “lady with the lamp” in the Crimean War, 1854—56. There is a massive amount of literature on this work, but, as editor Lynn McDonald shows, it is often erroneous, and films and press reporting on it have been even less accurate. The Crimean War reports on Nightingale’s correspondence from the war hospitals and on the staggering amount of work she did post-war to ensure that the appalling death rate from disease (higher than that from bullets) did not recur. This volume contains much on Nightingale’s efforts to achieve real reforms. Her well-known, and relatively “sanitized”, evidence to the royal commission on the war is compared with her confidential, much franker, and very thorough Notes on the Health of the British Army, where the full horrors of disease and neglect are laid out, with the names of those responsible.
The terrible conflict that dominated the mid 19th century, the Crimean War killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land. Orlando Figes' major new book reimagines this extraordinary war, in which the stakes could not have been higher and which was fought with a terrible mixture of ferocity and incompetence. It was both a recognisably modern conflict - the first to be extensively photographed, the first to employ the telegraph, the first 'newspaper war' - and a traditional one, with illiterate soldiers, amateur officers and huge casualties caused by disease. Drawing on a huge range of fascinating sources, Figes also gives the lived experience of the war, from that of the ordinary British soldier in his snow-filled trench, to the haunted, gloomy, narrow figure of Tsar Nicholas himself as he vows to take on the whole world in his hunt for religious salvation.
The pearl in the tsar's crown -- Dispossession: the loss of the Crimean homeland -- Dar al Harb: the nineteenth-century Crimean Tatar migrations to the Ottoman Empire -- Vatan: the construction of the Crimean fatherland -- Soviet homeland: the nationalization of the Crimean Tatar identity in the USSR -- Surgun: the Crimean Tatar exile in Central Asia -- Return: the Crimean Tatar migrations from Central Asia to the Crimean Peninsula
The Crimean War was the most destructive conflict of Queen Victoria's reign, the outcome of which was indecisive; most historians regard it as an irrelevant and unnecessary conflict despite its fame for Florence Nightingale and the Charge of the Light Brigade. Here Hugh Small shows how the history of the Crimean War has been manipulated to conceal Britain's – and Europe's – failure. The war governments and early historians combined to withhold the truth from an already disappointed nation in a deception that lasted over a century. Accounts of battles, still widely believed, gave fictitious leadership roles to senior officers. Careful analysis of the fighting shows that most of Britain's military successes in the war were achieved by the common soldiers, who understood tactics far better than the officer class and who acted usually without orders and often in contravention of them. Hugh Small's mixture of politics and battlefield narrative identifies a turning point in history, and raises disturbing questions about the utility of war.
Rescuing the Crimean War from the shadows, Lara Kriegel demonstrates the centrality of a Victorian war to the making of modern Britain.
The Crimean War (1854-6) was the first to be fought in the era of modern communications, and it had a profound influence on British literary culture, bringing about significant shifts in perceptions of heroism and national identity. In this book, Stefanie Markovits explores how mid-Victorian writers and artists reacted to an unpopular war: one in which home-front reaction was conditioned by an unprecedented barrage of information arriving from the front. This history had formal consequences. How does patriotic poetry translate the blunders of the Crimea into verse? How does the shape of literary heroism adjust to a war that produced not only heroes but a heroine, Florence Nightingale? How does the predominant mode of journalism affect artistic representations of 'the real'? By looking at the journalism, novels, poetry, and visual art produced in response to the war, Stefanie Markovits demonstrates the tremendous cultural force of this relatively short conflict.
The Crimean War has been called ‘the last great war to be fought without the help of modern resources of science’. It was also the last great war to be fought by the British army in all its splendour of scarlet and gold, using weapons and tactics which would not have astonished the Prince Rupert or the Duke of Marlborough. Many who fought in the First, and not a few who fought in the Second, World War will have known personally those who took part in such battles and heard their accounts from their own lips. On the other hand no campaign should be more familiar, because none has been ‘covered’ more fully and more candidly. The historian of the Crimean battles has then (it would appear) only to make a synthesis of the innumerable letters and reports and his story is complete. Unfortunately this is not so. With smoke from the black powder then used drifting across the battlefield, lying heavily over batteries, the combatant could often see and report little more than what had happened in his vicinity; and even in this he is not necessarily reliable... As for those who recollected in tranquillity—and there were many—it is enough to record the remark of a contemporary Canadian military historian: ‘Memory can play tricks upon an officer after some lapse of time, especially when the officer’s own interest and prejudice are engaged.’ Beset by these difficulties the writer who surrounds every incident with reservations and qualifications will rapidly weary his readers. He must on matters of moment, such for example as Nolan’s responsibility for the Light Brigade charge, use his judgment on the evidence available and make up his own mind. This I have tried to do.”
In contrast to every other book about the conflict Andrew Lambert's ground-breaking study The Crimean War: British Grand Strategy against Russia, 1853-1856 is neither an operational history of the armies in the Crimea, nor a study of the diplomacy of the conflict. The core concern is with grand strategy, the development and implementation of national policy and strategy. The key concepts are strategic, derived from the works of Carl von Clausewitz and Sir Julian Corbett, and the main focus is on naval, not military operations. This original approach rejected the 'Continentalist' orthodoxy that dominated contemporary writing about the history of war, reflecting an era when British security policy was dominated by Inner German Frontier, the British Army of the Rhine and Air Force Germany. Originally published in 1990 the book appeared just as the Cold War ended; the strategic landscape for Britain began shifting away from the continent, and new commitments were emerging that heralded a return to maritime strategy, as adumbrated in the defence policy papers of the 1990s. With a new introduction that contextualises the 1990 text and situates it in the developing historiography of the Crimean War the new edition makes this essential book available to a new generation of scholars.