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This richly anecdotal guide to every street in Shanghai details many landmarks and stories associated with its best-known avenues. A definitive index to the street names of Shanghai, some of which have disappeared or been removed, allows historians, researchers, tourists, and the just plain curious to navigate the city in its pre-1949 incarnations, through the former International Settlement, French Concession, and External Roads area with a detailed map and alphabetical entry for every road. The book is lavishly illustrated with old advertising, images, and postcards of the streets and businesses, the bars and nightclubs, the people and characters of old Shanghai bringing alive the city in its previous heyday as the Pearl of the Orient.The Old Shanghai A-Zshould become the standard reference work as well as being an easy-to-use guide for researchers and visitors looking to recapture the glamour and uniqueness of old Shanghai. Paul Frenchis an analyst and writer who has worked in Shanghai for many years as a founder of Access Asia. His books includeCarl Crow: A Tough Old China HandandThrough the Looking Glass: China's Foreign Journalists from Opium War to Mao.
"It was thanks to its cabarets that Old Shanghai was called the `Paris of the Orient.' No one has studied the rise and fall of those cabarets more extensively than Andrew Field. His book is packed with fascinating information and attests on every page to his understanding of Shanghai's history." LYNN PAN, author of Sons of the Yellow Emperor --
This is a study of the circuit intendant or taotai under the Ch'ing, particularly the Shanghai taotai. It examines the institutional and historical settings within which the taotai operated and traces the development of the Shanghai taotai office from 1730 through the nineteenth century. The focus of investigation is in examining the adjustment of functions and responsibilities of the taotai and his changing role in the post-Opium War era, particularly in the contexts of foreign relations, modernisation, and local politics. Central to the author's interpretation is the concept of "linkage man" or "linkage position". The Shanghai taotai as a "linkage man" provides vital connection and channel of communication and interaction between two or more separate worlds or value systems and often works as a conflict manager.
Liberating the world of 1913 from a prelude to war narrative and exploring it as it was, this fascinating volume, filled with stories, insights and colorful characters, brings to life a world more integrated and internationalized than we remember.
This book sets out to explain how Shanghai emerged from relative obscurity in 1842 to become one of the world's best-known finance and industry hubs. As China's largest city, Shanghai today plays a central economic role, much as it did in the 1920s. The author provides a concise diachronic survey of the economic history of modern Shanghai, setting out how the city's urban infrastructure, municipal institutions, consumer culture and industry have shaped, and have been shaped by, this economic power house. The work is aimed at a broad readership of all who are interested in Asian history, and tackles a range of themes including: the city's millionaires, then and now; racial tensions and quotidian liaisons between Europeans and Asians before World War II; and the gambling and prostitution industry. The post-war era is portrayed in comparative discussions on Shanghai under Mao Zedong, and during the reform era. These discussions bring the narrative up to date to cover important events such as the designation of the Pudong precinct as the city's new engine of growth in 1991. The city's illustrious pre-war past is compared with its present ambitions to become Asia's leading financial centre. The book employs insights from studies frameworks of new institutional economics as well as from the development trajectory of other world cities by way of better understanding Shanghai's historic distinctness, its relative weaknesses and contemporary strengths.
The Routledge Handbook of Revolutionary China covers the evolution of Chinese society from the roots of the Republic of China in the early 1900s until the end of the Cultural Revolution in 1976. The chapters in this volume explain aspects of the process of revolution and how people adapted to the demands of the revolutionary situation. Exploring changes in political leadership, as well as transformation in culture, it compares the differences in experiences in urban and rural areas and contrasts rapid changes, such as the war with Japan and Communist ‘liberation’ with evolutionary developments, such as the gradual redefinition of public space. Taking a comprehensive approach, the themes covered include: • War, occupation and liberation • Religion and gender • Education, cities and travel. This is an essential resource for students and scholars of Modern China, Republican China, Revolutionary China and Chinese Politics.
“A thoughtful reconsideration of China’s actual place in the new world order, based on reality rather than fanciful speculation.” —Kirkus Reviews Can anything prevent China surpassing the United States and becoming the world’s top superpower? While predictions that China’s rise to global supremacy is a near-certainty have resulted in this belief becoming almost conventional wisdom, this book boldly counters such widely held assumptions. Investment strategist Timothy Beardson brings to light the daunting array of challenges that today confront China, as well as the inadequacy of the policy responses. Threats to China come on many fronts, Beardson shows, and by their number and sheer weight these problems will thwart any ambition to become the world’s “Number One power.” Drawing on extensive research and experience living and working in Asia over the last 35 years, the author spells out China’s situation: an inexorable demographic future of a shrinking labor force, relentless aging, extreme gender disparity, and even a falling population. Also, the nation faces social instability, a devastated environment, a predominantly low-tech economy with inadequate innovation, the absence of an effective welfare safety net, an ossified governance structure, and radical Islam lurking at the borders. Beardson’s nuanced, firsthand look at China acknowledges its historic achievements while tempering predictions of its imminent hegemony with a no-nonsense dose of reality.
Hosea Ballou Morse (1855-1934) sailed to China in 1874, and for the next thirty-five years he labored loyally in the Imperial Chinese Maritime Customs Service, becoming one of its most able commissioners and acquiring a deep knowledge of China's economy and foreign relations. After his retirement in 1909, Morse devoted himself to scholarship. He pioneered in the Western study of China's foreign relations, weaving from the tangled threads of the Ch'ing dynasty's foreign affairs several seminal interpretive histories, most notably his three-volume magnum opus, The International Relations of the Chinese Empire (1910-18). At the time of his death, Morse was considered the major historian of modern China in the English-speaking world, and his works played a profound role in shaping the contours of Western scholarship on China. Begun as a labor of love by his protégé, John King Fairbank, this lively biography based primarily on Morse's vast collection of personal papers sheds light on many crucial events in modern Chinese history, as well as on the multifaceted Western role in late imperial China, and provides new insights into the beginnings of modern China studies in this country. Half-finished when Fairbank died, the project was completed by his colleagues, Martha Henderson Coolidge and Richard J. Smith.
"As the first substantial investigation of commercial art in China, Selling Happiness explains how the early twentieth century Chinese public came in accept Western style art as mainstream and the heretofore ignored process by which the Chinese art world became (in some sectors at least) thoroughly cosmopolitan. A monumental study of the most important genre of modern Chinese commercial art, this volume will appeal not only to historians of Chinese art but also to those interested in literary, economic, and social history. It will be an essential resource for comparative studies of visual culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved