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Cursed by a Demigod, the Mortals of Duronyk are now Faeries. Eirian, the only Faery child not forced into the void, is their only salvation. Twenty seasons after the curse, this reluctant heroine must make her way through daunting odds and harsh lessons to break the spell. Warlord Broan has neither the time nor inclination to listen to Eirian, who he views as an irritant and burden. But together they must overcome dark magic and fierce battles, as well as obstacles they unwittingly create for themselves. Only if their two races, Faery and Mortal, join together will they have any hope to win the battle long foretold....
Inspired by true events, The Moment of Truth finds a Texan art student facing down life, death, love, and glory in the bullfighting rings of 1950s Mexico. Texan art student Kathleen Boyd has been dreaming about becoming a matador since her beloved father took her to the bullfighting ring when she was just a child. Now a young woman, her disapproving fiancé and her practical-minded mother see her dream only as a foolish flight of fancy. Nevertheless, Kathleen relocates to Mexico and finds herself under the instruction of Fermin, a retired matador who is intent on asserting his dominance in their partnership. Though taking on a female apprentice is unheard of, Fermin sees Kathleen’s undeniable talent and promises that she’ll one day perform at the prestigious Plaza Mexico bullring. While Kathleen struggles to perform alongside the unwelcoming men of Mexico’s bullfighting scene, she is befriended by Julio, better known as El Cabrito—The Kid. Much to Fermin’s displeasure, not only does Julio show Kathleen techniques that defy his strict instruction, but a forbidden romance quickly ignites between them. As time passes, Kathleen’s confidence in her ability increases—though so too do her suspicions of Fermin’s intentions. She has become a sensation, selling out arenas as La Diosa Tejana, the Texan Goddess. But while Fermin gets rich, Kathleen’s pay remains pitiful and her instructor’s control over her life remains absolute. Will she always be a vehicle for another person’s success? Or will she finally face her own moment of truth and seize the success that she has worked toward for so long, in a world that has always belonged to men?
The president and CEO of Scandinavia Airlines (SAS) shows how to adapt to the new customer–driven economy.
A student journalist's photographic memoir of events surrounding the 1970 Kent State shootings Working as a photographer for the Kent State University student newspaper and yearbook, Howard Ruffner was a college sophomore when the tragic shootings of May 4, 1970, occurred--a tragedy that left four students dead and nine others wounded. Asked to serve as a stringer for Life magazine in the days leading up to May 4, as student protests against the Vietnam War intensified and National Guard troops arrived on campus, Ruffner became a witness and documentarian to this important piece of history. Several of his photographs, including one that appeared on the cover of Life, are etched into our collective consciousness when we think about civil unrest and the latter half of the 20th century. Here, in Moments of Truth: A Photographer's Experience of Kent State 1970, Ruffner not only reproduces a collection of nearly 150 of his photographs--many never before published--but also offers a stirring narrative in which he revisits his work and attempts to further examine these events and his own experience of them. It is, indeed, an intensely personal journey that he invites us to share. An epilogue details how Ruffner's images became critical evidence in the civil trials against the National Guard in 1975 and 1978, as he was the first witness called to take the stand. Ruffner also contemplates the words engraved on the path to what is now the May 4 Memorial Site, a place on the National Register of Historic Places: Inquire, Learn, Reflect. Ruffner's project affirms that we need to ask questions, we need to learn about our history, and we all need to reflect on the past so that our mistakes will not be repeated.
In this book, the noted intellectual historian Frank Ankersmit provides a systematic account of the problems of reference, truth, and meaning in historical writing. He works from the conviction that the historicist account of historical writing, associated primarily with Leopold von Ranke and Wilhelm von Humboldt, is essentially correct but that its original idealist and romanticist idiom needs to be translated into more modern terms. Rehabilitating historicism for the contemporary philosophy of history, he argues, "reveals the basic truths about the nature of the past itself, how we relate to it, and how we make sense of the past in historical writing." At the heart of Ankersmit's project is a sharp distinction between interpretation and representation. The historical text, he holds, is first and foremost a representation of some part of the past, not an interpretation. The book's central chapters address the concept of historical representation from the perspectives of reference, truth, and meaning. Ankersmit then goes on to discuss the possible role of experience in the history writing, which leads directly to a consideration of subjectivity and ethics in the historian's practice. Ankersmit concludes with a chapter on political history, which he maintains is the "basis and condition of all other variants of historical writing." Ankersmit’s rehabilitation of historicism is a powerfully original and provocative contribution to the debate about the nature of historical writing.
The first novel in the acclaimed "History of Bestiality" trilogy. Living high in the Alps in a German principality, our narrator tells us he's dutifully fulfilling his obligations as a Servant of Justice and acting as a daily witness to injustice masquerading as a court of law. One day he notices that the judge is much too engrossed in looking at pornographic photographs showing various other pillars of the town engaged in a variety of sexual activities with minors. The incident propels him on a mental journey back through his life: black-humor fantasies and suicidal drinking binges; the Roman catacombs, warm summer nights in Brooklyn; brothels in Stockholm, his childhood in Norway, and wanderings in Germany. But aside from court records he has been keeping his own long and detailed account of man's cruelty to man in a massive twelve-volume study he calls his History of Bestiality. --
One of the New York Times’s Best Books of the 21st Century Named one of the most important nonfiction books of the 21st century by Entertainment Weekly‚ Slate‚ Chronicle of Higher Education‚ Literary Hub, Book Riot‚ and Zora A tenth-anniversary edition of the iconic bestseller—"one of the most influential books of the past 20 years," according to the Chronicle of Higher Education—with a new preface by the author "It is in no small part thanks to Alexander's account that civil rights organizations such as Black Lives Matter have focused so much of their energy on the criminal justice system." —Adam Shatz, London Review of Books Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it helped inspire the creation of the Marshall Project and the new $100 million Art for Justice Fund; it has been the winner of numerous prizes, including the prestigious NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list. Most important of all, it has spawned a whole generation of criminal justice reform activists and organizations motivated by Michelle Alexander's unforgettable argument that "we have not ended racial caste in America; we have merely redesigned it." As the Birmingham News proclaimed, it is "undoubtedly the most important book published in this century about the U.S." Now, ten years after it was first published, The New Press is proud to issue a tenth-anniversary edition with a new preface by Michelle Alexander that discusses the impact the book has had and the state of the criminal justice reform movement today.
"Fake news," wild conspiracy theories, misleading claims, doctored photos, lies peddled as facts, facts dismissed as lies—citizens of democracies increasingly inhabit a public sphere teeming with competing claims and counterclaims, with no institution or person possessing the authority to settle basic disputes in a definitive way. The problem may be novel in some of its details—including the role of today's political leaders, along with broadcast and digital media, in intensifying the epistemic anarchy—but the challenge of determining truth in a democratic world has a backstory. In this lively and illuminating book, historian Sophia Rosenfeld explores a longstanding and largely unspoken tension at the heart of democracy between the supposed wisdom of the crowd and the need for information to be vetted and evaluated by a learned elite made up of trusted experts. What we are witnessing now is the unraveling of the détente between these competing aspects of democratic culture. In four bracing chapters, Rosenfeld substantiates her claim by tracing the history of the vexed relationship between democracy and truth. She begins with an examination of the period prior to the eighteenth-century Age of Revolutions, where she uncovers the political and epistemological foundations of our democratic world. Subsequent chapters move from the Enlightenment to the rise of both populist and technocratic notions of democracy between the nineteenth and twentieth centuries to the troubling trends—including the collapse of social trust—that have led to the rise of our "post-truth" public life. Rosenfeld concludes by offering suggestions for how to defend the idea of truth against the forces that would undermine it.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
Common sense has always been a cornerstone of American politics. In 1776, Tom Paine’s vital pamphlet with that title sparked the American Revolution. And today, common sense—the wisdom of ordinary people, knowledge so self-evident that it is beyond debate—remains a powerful political ideal, utilized alike by George W. Bush’s aw-shucks articulations and Barack Obama’s down-to-earth reasonableness. But far from self-evident is where our faith in common sense comes from and how its populist logic has shaped modern democracy. Common Sense: A Political History is the first book to explore this essential political phenomenon. The story begins in the aftermath of England’s Glorious Revolution, when common sense first became a political ideal worth struggling over. Sophia Rosenfeld’s accessible and insightful account then wends its way across two continents and multiple centuries, revealing the remarkable individuals who appropriated the old, seemingly universal idea of common sense and the new strategic uses they made of it. Paine may have boasted that common sense is always on the side of the people and opposed to the rule of kings, but Rosenfeld demonstrates that common sense has been used to foster demagoguery and exclusivity as well as popular sovereignty. She provides a new account of the transatlantic Enlightenment and the Age of Revolutions, and offers a fresh reading on what the eighteenth century bequeathed to the political ferment of our own time. Far from commonsensical, the history of common sense turns out to be rife with paradox and surprise.