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In April of 1860, on her 17th birthday, Anne's father gave her Wexford, a 15,000-acre cotton and tobacco plantation. He also gave her a new body servant, whom Anne named Moragan. Moragan is not a conventional slave. She is about 10, Irish, and has a habit of speaking her mind - a trait that annoys Anne profoundly! Moragan, does not know the rules and conventions of being a slave - much less being a body servant, so Anne trains her. It is not an easy task for either one of them, and Moragan is certain her behind will be completely worn away before she learns to behave! As America begins to fall apart at the seams, Anne and Moragan begin to forge a completely different relationship. Moragan runs Wexford House for Anne, and she learns what it means to be a slave from both perspectives: owner and owned. Anne always reminds Moragan that she and all the other servants are only stock, and not 'people'. Both of them are products of their time: and as Anne learns how to govern the society under her, she and Moragan discover who they truly are.
The Blood of His Servants is a remarkable true story. In the whole range of Holocaust literature it stands apart, for it recounts the search by one survivor for the single Nazi murderer of his family—a man who had once been their friend. In prewar Poland, Bibi Krumholz, the nephew of prosperous Jewish landowners, is befriended by the wealthy Dutchman Pieter Menten. Largely due to Menten’s wordly influence, Bibi leaves for Palestine in 1935. In the years before the war, Menten establishes a business partnership with Bibi’s family; in a legal battle over timber rights, Menten is publicly embarrassed and swears retribution. It comes swiftly. In 1945, Bibi is desperate for news of his family. Wisps of rumor drift to Tel Aviv about the fate of his village. Then Bibi learns from survivors that Menten exacted a hideous revenge, that as an adviser to an SS killer squad, Menten directed the execution of all Jews in the village—including every member of Bibi’s family. Bibi vows vengeance and his hunt begins.
True accounts by domestic servants though a century and a half of British history revealing what their lives were really like—includes illustrations. Step into the world of domestic service and discover what life was really like for these unsung heroines (and heroes) of society. Between 1800 and 1950, the role of servants changed dramatically, but they remained the people without whom the upper and middle classes could not function. Through oral histories, diaries, newspaper reports, and never before seen testimonies, domestic servants tell their stories, warts and all—Downton it isn’t! You’ll read about revenge on a mistress with a box of beetles; the despair and loneliness of a fourteen-year-old maid; the adventure of moving to London to go into service; and an escape from an unhappy home life—as well as the “servant problem” and how servants found work; how National Insurance began to improve their lot; the impact World War I had on domestic service; and what was done to try to make the occupation appealing to a new generation. Praise for Michelle Higgs’ previous books “Enjoyable and well-written social history.” —Who Do You Think You Are? “Daily life is recounted with both historical detail and sympathy, aided by numerous first-person accounts.” —Your Family Tree
"A compassionate and discerning exploration of the complex relationship between the server, the served, and the world they lived in, Servants opens a window onto British society from the Edwardian period to the present."--www.Amazon.com.
Spanning two centuries, an intricately woven collection of stories and novellas journeys across landscapes of yearning, awakening, loss, and unexpected discovery as the lives of extraordinary characters unfold in a borderland between science and passion.
This book explores the virtues Shakespeare made of the cultural necessities of servants and service. Although all of Shakespeare's plays feature servants as characters, and many of these characters play prominent roles, surprisingly little attention has been paid to them or to the concept of service. A Place in the Story is the first book-length overview of the uses Shakespeare makes of servant-characters and the early modern concept of service. Service was not only a fact of life in Shakespeare's era, but also a complex ideology. The book discusses service both as an ideal and an insult, examines how servants function in the plays, and explores the language of service. Other topics include loyalty, advice, messengers, conflict, disobedience, and violence. Servants were an intrinsic part of early modern life and Shakespeare found servant-characters and the concept of service useful in many different ways. Linda Anderson teaches at Virginia Polytechnic University.
NEW MILITARY FANTASY FROM THE CREATOR OF MONSTER HUNTER INTERNATIONAL LARRY CORREIA AND MASTER OF HORROR STEVE DIAMOND The war between Almacia and the Empire of Kolakolvia is in its hundredth year. Casualties grow on both sides as the conflict leaves no corner of the world untouched. Illarion Glaskov’s quiet life on the fringes of the empire is thrown into chaos when an impossible tragedy strikes his village. When he is conscripted into the Tsarist military, he is sent to serve in The Wall—an elite regiment that pilots suits of armor made from the husks of dead golems. But the great war is not the only—or even the worst—danger facing Illarion, as he is caught in a millennia-old conflict between two goddesses. He must survive the ravages of trench warfare, horrific monsters from another world, and the treacherous internal politics of the country he serves. At the publisher's request, this title is sold without DRM (Digital Rights Management). About Larry Correia: “Correia piles on the intrigue, action, and cliffhangers in the invigorating second Saga of the Forgotten Warrior epic fantasy. . . . Correia also weaves in elements that question the value of belief and the cost of giving authority to those who find more profit in preying on the weak. . . . Brisk fight scenes, lively characters, and plenty of black humor continue to make this series a real pleasure.” —Publishers Weekly About Steve Diamond: ”Residue will scare you—that’s its primary goal—but along the way it will touch you, shock you, make you laugh, make you cheer, and make you think. Horror has been waiting for Steve Diamond.” —Dan Wells
'Downing Street is said to be 'furious' at this book - and it is easy to understand why. It is the first meticulous chronicle of all that has happened since that bright May Day three years ago which first brought the Blair government to office' Anthony Howard, Sunday Times
UPSTAIRS, an Edwardian home would have been a picture of elegance and calm, adorned with social gatherings and extravagantly envisioned dinner parties. DOWNSTAIRS, it was a hive of domestic activity, supported by a body of staff painstakingly devoted to ensuring the smooth running of the household. Brimming with family secrets, society scandal, and of course elaborate parties, dresses, and social customs, the world of an aristocratic Edwardian household as depicted on the hit show Downton Abbey has captivated millions. But what was life really like for the people who kept such a household running: the servants? In Life Below Stairs, international bestselling author Alison Maloney takes readers behind the scenes to reveal a lively and colorful picture of what went on "downstairs," describing servants' daily life in this now-vanished world. Detailing everything from household structure, pay and conditions, special duties, and rules and regulations, to perks, entertainment, and even romance, Maloney examines the drudgery and hardships below stairs, as well as the rewards and pleasures. Thoroughly researched and reliably informed, this charmingly illustrated volume also contains first-hand stories from the staff of the time, making it a must-read for anyone interested in the lifestyle and conduct of a bygone era.
One of Pierre Michon's most powerful works, this book imagines decisive moments in the lives of five artists of different times and places: Vincent van Gogh, Francisco Goya, Antoine Watteau, Claude Lorrain, and Lorentino, a little-remembered disciple of Piero della Francesca. Michon focuses on particular moments when artist and model collide, whether that model is a person or a landscape, inner or outer. In the five separate tales he evokes the full passion of the artist's struggle to capture the world in images even as the world resists capture. Each story is a small masterpiece that transcends national boundaries and earns its place among the essential works of world literature.