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This is the first extensive account of royal propaganda in England between 1689 and 1702. It demonstrates that the regime of William III did not rely upon legal or constitutional rhetoric as it attempted to legitimate itself after the Glorious Revolution, but rather used a protestant, providential and biblically-based language of 'courtly reformation'. This language presented the king as a divinely-protected godly magistrate who could both defend the true church against its popish enemies, and restore the original piety and virtue of the elect English nation. Concentrating upon a range of hitherto understudied sources - especially sermons and public prayers - the book demonstrates the vigour with which these ideas were broadcast by an imaginative group of propagandists enabling the king to cope with central political difficulties - the need to attract support for wars with France and the need to work with Parliament.
History has not been kind to Symon Patrick. His fifty years of ministry spanned the closing years of Cromwell’s rule and the start of Queen Anne’s reign, and ranged from service as a Church of England minister in two fashionable London parishes to appointment as the “latitudinarian” Bishop of Ely. He influenced a major change in the character of the Established Church, as it moved from a confrontational fundamentalism to the broad tolerance that exists today. Patrick, recognised by his contemporaries as one of the three or four leading clergy of his generation, wrote over one hundred books that helped to define his Church, such as his pastoral work The Heart’s Ease, his devotional The Parable of the Pilgrim and his biting polemic against nonconformism, A Friendly Debate. This book assesses the significance and quality of Patrick’s contribution to the Church of England, carefully placing it against the background of the history and politics of the time and suggesting why his reputation faded after his death. Puritanism, Latitudinarianism, pilgrimage, women’s religion and spirituality, and prose style are all topics touched on here.
In the climactic part of his three-book series exploring the importance of public image in the Tudor and Stuart monarchies, Kevin Sharpe employs a remarkable interdisciplinary approach that draws on literary studies and art history as well as political, cultural, and social history to show how this preoccupation with public representation met the challenge of dealing with the aftermath of Cromwell's interregnum and Charles II's restoration, and how the irrevocably changed cultural landscape was navigated by the sometimes astute yet equally fallible Stuart monarchs and their successors.
Reprint of the original, first published in 1874.