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Examines sermons preached at national thanksgiving celebrations to show in detail what it meant to be properly British in the period.
In the climactic part of his three-book series exploring the importance of public image in the Tudor and Stuart monarchies, Kevin Sharpe employs a remarkable interdisciplinary approach that draws on literary studies and art history as well as political, cultural, and social history to show how this preoccupation with public representation met the challenge of dealing with the aftermath of Cromwell's interregnum and Charles II's restoration, and how the irrevocably changed cultural landscape was navigated by the sometimes astute yet equally fallible Stuart monarchs and their successors.
The first comprehensive, comparative study of the visual culture of monarchy in the reigns of William and Mary and Queen Anne
Peter the Great's visit to England in the first months of 1698 has been called 'the most picturesque episode in the history of Anglo-Russian relations', and lives on most vividly in popular memory for the devastation caused at Sayes Court, John Evelyn's house and garden in Deptford. Recent celebrations of the tercentenary of that visit have refocused attention on the most famous of Russian tsars, but the story of Britain's love-hate relationship with him over the intervening centuries has never before been told. This study analyses changing British reactions to Peter in an extremely wide variety of printed sources - newspapers and journals, letters and collections of anecdotes, histories and biographies, novels, poems and plays. A final innovative chapter is devoted to images of the tsar as interpreted by British painters from Godfrey Kneller to Daniel Maclise, and by a whole cohort of engravers, illustrating biographies and travel accounts.