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Since 2010, Arlene Corwin has published twelve books of poetry hefty, 200 pagers all. She is a prolific writer, going from the sublime to the ridiculous, scribbling phantasmagorical ideas and working them until they have the rhythm, rhyme and development that satisfies her. When asked, she says she has no plan, aim or scheme to help her. A jazz musician and longtime yogini, she puts the thought to into free-flow, which then evolves of its own accord. Improvisation she trusts the improvisatory.
A NEW YORK TIMES BESTSELLER NAMED A BEST BOOK OF THE YEAR BY NPR Amy Poehler, Mel Brooks, Adam McKay, George Saunders, Bill Hader, Patton Oswalt, and many more take us deep inside the mysterious world of comedy in this fascinating, laugh-out-loud-funny book. Packed with behind-the-scenes stories—from a day in the writers’ room at The Onion to why a sketch does or doesn’t make it onto Saturday Night Live to how the BBC nearly erased the entire first season of Monty Python’s Flying Circus—Poking a Dead Frog is a must-read for comedy buffs, writers and pop culture junkies alike.
Michaelo O’Dell is hit by a car, and when he doesn’t die, he is surprised and pleased. But he can’t seem to move, frozen in the crash position. He can’t concentrate, or control his anger and grief, or work out what to do about much of anything. His professional life begins to crumble, and although his wife Wendy is heroically supportive, his teenage children only exacerbate his post-accident angst. His daughter Rosie punches out a vindictive schoolmate, plunging the family into a special parent-teacher hell. Meanwhile, his son Declan is found with a stash of illicit drugs, and a strange policeman starts harassing the family, causing ordinary mishaps to take on a sinister desperation. Equal parts hilarious and painful, this compelling novel delves into the difficulties of family, love, and the precarious business of being a man. Mark Lamprell’s extraordinary debut examines the terrible truth: sometimes you can’t pull yourself together until you’ve completely fallen apart.
Reading The Romantic Ridiculous aims to take Romantic Studies from the sublime to the ridiculous. Building on recent work that decentres the myth of the solitary genius, this duograph theorises the ridiculous as an alternative affect to the sublime, privileging collective laughter above solitude and selfishness and reflecting on these ideals through the practice of joint authorship. Tracing the history of the ridiculous through Romantic and post-Romantic debates about sublimity, from the rediscovery of Longinus and the aesthetic theories of Burke and Kant to contemporary queer and postcolonial theory interested in silliness, lowness, and vulnerability, Reading the Romantic Ridiculous explores Romanticism's surprising commitments to ridiculousness in canonical material by writers such as Samuel Taylor Coleridge, Jane Austen, and Charles Lamb as well as lesser-known material from joke books to children's literature. In theory and practice, this duograph also considers the legacies of Romanticism – and ridiculousness – today, analysing their influence on independent film, sitcoms, and young adult fiction, as well as their place in higher education now.
(Applause Books). From his first unscripted appearance on an Off-Broadway stage in the revolutionary 1960s to the frontpage news of his death from AIDS in 1987 at age 44, Charles Ludlam embodied and helped to engender the upheavals of his time. The astonishing life and legacy of this force to be reckoned with are at last revealed in RIDICULOUS! , a literary biography of an American comic genius. After founding the Ridiculous Theatrical Company in 1967, Ludlam sustained an ever-shifting troupe of bohemian players through two decades of perennially daunting circumstances by writing 29 plays plays that he starred in and directed as well. While Ludlam's work has become increasingly popular at regional theatres, on college campuses, and on stages throughout the world, his gender-bending theories and wide-ranging cultural impact have reached far beyond Bette Midler, the original cast members of Saturday Night Live and the countless other artists he influenced during his abbreviated lifetime. Like his early plays, Ludlam's life was rife with the sex, drugs and creative experimentation that characterized the freewheeling '60s and '70s. Based on a decade of research and interviews with more than 150 people who knew or worked with Ludlam including all of the major players in his troupe and seven of his lovers RIDICULOUS! recreates the dramatic life of an inimitable and subversive theatrical master with you-are-there intensity. Winner of the LAMBDA Literary Award for Biography and the Theatre Library Association Award for Outstanding Theatre Book of the Year "David Kaufman makes a persuasive case for Ludlam's being a genius ... As a record of Ludlam's life and the theatrical world in which he was both guru and grandmaster, this book is informed and passionate." Mel Gussow, The New York Times "A fascinating portrait of an authentic stage genius and the New York avant-garde scene in which he toiled with such demented and dedicated diligence." Playbill "The phenom who inspired everyone from Bette Midler and Madeline Kahn to Tony Kushner and Paul Rudnick was no box of chocolates which, as reading experiences go, makes his story all the sweeter." Vanity Fair "This is one helluva piece of work." Marilyn Stasio, Variety.com
Part road-trip comedy and part social science experiment, a scientist and a journalist travel the globe to discover the secret behind what makes things funny, questioning countless experts, including Louis C.K., along the way.
The Fantods of Risk is a collection of essays from the pages of Risk Management Reports, which the author edited, wrote and published from 1974 through 2007, plus several other published articles. The subject is risk management, a discipline for dealing with uncertainty in our personal and organizational lives. They continue the author’s contrary and challenging approach to managing risk, first started in Risk Management Reports and later in Mumpsimus Revisited, published in 2005.