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Stories, history, character sketches of people and events on Isle au Haut, an island off the coast of Maine
In A Sense of Place, journalist/travel writer Michael Shapiro goes on a pilgrimage to visit the world's great travel writers on their home turf to get their views on their careers, the writer's craft, and most importantly, why they chose to live where they do and what that place means to them. The book chronicles a young writer’s conversations with his heroes, writers he's read for years who inspired him both to pack his bags to travel and to pick up a pen and write. Michael skillfully coaxes a collective portrait through his interviews, allowing the authors to speak intimately about the writer's life, and how place influences their work and perceptions. In each chapter Michael sets the scene by describing the writer's surroundings, placing the reader squarely in the locale, whether it be Simon Winchester's Massachusetts, Redmond O'Hanlon's London, or Frances Mayes's Tuscany. He then lets the writer speak about life and the world, and through quiet probing draws out fascinating commentary from these remarkable people. For Michael it’s a dream come true, to meet his mentors; for readers, it's an engaging window onto the twin landscapes of great travel writers and the world in which they live.
This book provides an insight on the Buddhist way of Thai temple life in German Diasporic context. It is based on input from several Thai Buddhist communities in Germany where the first-generation Thai transmigrants construct and form a sense of belonging by actively participating in temple life. It also explores the multifaceted role that Thai temples play in the lives of Thai transmigrants. Moreover, this book combines the anthropology of diasporas with Buddhism and identity.
It's Rashin's first day of school in America! Everything is a different shape than what she's used to: from the foods on her breakfast plate to the letters in the books! And the kids' families are from all over! The new teacher asks each child to imagine the shape of home on a map. Rashin knows right away what she'll say: Iran looks like a cat! What will the other kids say? What about the country YOUR family is originally from? Is it shaped like an apple? A boot? A torch? Open this book to join Rashin in discovering the true things that shape a place called home.
Winner, 2018 CASETA Publication Award, sponsored by the Center for Advancement and Study of Early Texas Art Richard Stout’s legacy as an artist is broad, deep, and firmly moored to his Texas Gulf Coast origins. Born in Beaumont in 1934, he has been painting, sculpting, and teaching in Houston since 1957, in the process creating both an influential body of work and a committed national and international following among artists and collectors. Stout’s expressionist oeuvre, possessing architectural structuralism with geometric precision, has found its place in prominent museum and private collections not only in Texas, but also nationally and internationally. His works have appeared in most major American exhibitions and have traveled to Europe, Australia, and Asia. In this, the first retrospective study of a career spanning one of the most tumultuous and formative periods in Texas art, the editors have gathered a critical examination and meticulously researched assessment of the evolution in the artist’s style and approach. Richly illustrated with representative paintings and sculptures from throughout Stout’s career, Sense of Home also provides a comprehensive biographical background, illuminating in multiple dimensions the life and work of one of Texas’ most significant contemporary artists.
'A Sense of Home is about making your house a private sanctuary ... a wonderful feel-good book that offers inspiring advice on creating a home that represents "you"' Sunday Times 'Stunning. A bible for lovers of great food and beautiful design' Rachel Allen From leading Irish designer and food blogger Helen James comes a beautiful book for all who enjoy making their house a home. Room by room, Helen shares her distinctive design sensibility inspired by the natural world, as she considers the spaces where we spend so much of our time - indoor and out - from a sensory perspective: taste, sight, scent, touch and sound. Combining over 60 delicious, homely recipes - from bedroom feasts to 'movie-night' suppers - with essential design principles, natural beauty products, gardening plans and more, A Sense of Home is stunningly illustrated throughout. A sumptuous journey that is as pleasurable to browse as it is to put into practice - and the ideal gift. 'Homes should nurture and nourish us, be a private sanctuary, a deeply personal place where friends and family gather and celebrate. My hope is that this book can guide you to create the space you love - along with great tastes that make eating there a comfort and a pleasure.' Helen James
For generations, southern novelists and critics have grappled with a concept that is widely seen as a trademark of their literature: a strong attachment to geography, or a "sense of place." In the 1930s, the Agrarians accorded special meaning to rural life, particularly the farm, in their definitions of southern identity. For them, the South seemed an organic and rooted region in contrast to the North, where real estate development and urban sprawl evoked a faceless, raw capitalism. By the end of the twentieth century, however, economic and social forces had converged to create a modernized South. How have writers responded to this phenomenon? Is there still a sense of place in the South, or perhaps a distinctly postsouthern sense of place? Martyn Bone innovatively draws upon postmodern thinking to consider the various perspectives that southern writers have brought to the concept of "place" and to look at its fate in a national and global context. He begins with a revisionist assessment of the Agrarians, who failed in their attempts to turn their proprietary ideal of the small farm into actual policy but whose broader rural aesthetic lived on in the work of neo-Agrarian writers, including William Faulkner and Eudora Welty. By the 1950s, adherence to this aesthetic was causing southern writers and critics to lose sight of the social reality of a changing South. Bone turns to more recent works that do respond to the impact of capitalist spatial development on the South -- and on the nation generally -- including that self-declared "international city" Atlanta. Close readings of novels by Robert Penn Warren, Walker Percy, Richard Ford, Anne Rivers Siddons, Tom Wolfe, and Toni Cade Bambara illuminate evolving ideas about capital, land, labor, and class while introducing southern literary studies into wider debates around social, cultural, and literary geography. Bone concludes his remarkably rich book by considering works of Harry Crews and Barbara Kingsolver that suggest the southern sense of place may be not only post-Agrarian or postsouthern but also transnational.
Homeless. No other word better describes our modern-day suffering. It reveals one of our deepest and most painful conditions—not having a sense of belonging. However, Alan Graham, founder of Mobile Loaves & Fishes and Community First! Village, is improving the quality of life for a large quantity of people through sharing his personal story of becoming more human through humanizing others. Graham believes the more we can give people dignity, the power of choice, and genuine community, the better we’ll be able to offer solutions that will have impact on the world at large. And while his missionary work is focused on giving a home to the physically homeless, he also wants to transform the lives of every living person by shifting the paradigm in understanding what it means to be “home.” In Welcome Homeless, Graham delves deep into what it means to be connected to God, the earth, and each other. In doing so, he shows us the home we’ve all longed for but never had. Welcome Homeless is about becoming fully human by being fully present. It is about finally connecting with the disconnected and finding our identity through knowing the true identity of others. Graham wants to engrain the human story in you so deeply that you start being who you were made to be—that you start finally being like the image from which you were made and start empathizing instead of sympathizing with the people around you. Similar to how we can become 100 percent fully human by mimicking the ultimate image, we can shape a better world by mimicking the picture of the new heaven and the new earth—a picture that has reality at the heart of it but is beyond our imagination. Alan Graham also shares his personal story, the stories of the homeless, and the stories of those whose worldviews have been shifted by the homeless. Because of his raw, humorous, and honest voice, he achieves a rare and profound universality. Houses become homes once they embody the stories of the people who have made these spaces into places of significance, meaning, and memory. Home is fundamentally a place of connection and of relationships that are life-giving and foundational. Graham invites you to make everyone feel truly at home by finally inviting those living on the fringes of society into your heart. This is why Welcome Homeless is about doing, not saying. It is about taking the ultimate and forward-thinking vision of a new heaven and new earth and literally breaking the soil so that new earth can exist here today. It is about realizing that homelessness is not fundamentally a consequence of moral and spiritual inadequacies; but rather it is often the logical and economical outcome for a large part of our population. So, what does your vision of humanity and love look like? Whatever the vision, it should look like community. People should feel more alive after they meet you. When your consciousness changes from one of self-absorption to a consciousness aware of its human desire for connection, compassion, kindness, and beauty, you will start seeing things differently—and others will start seeing you made anew as well because the absolute greatest self-help occurs when you help others e.
Thirteen exquisite houses create a portrait of life in one of America’s most exclusive coastal destinations, along the beaches of Martha’s Vineyard and Cape Cod. Hutker Architects, led by founding principal Mark A. Hutker, has designed more than three hundred houses along the New England shore. A member of the close community on Martha’s Vineyard since his arrival in 1985, Hutker has become an expert at interpreting the ideal lifestyles of his clients within the respected traditions and restrictive codes of the beautiful but fragile environment. In their design and construction, these houses honor the vernacular traditions of craft and indigenous materials, are deeply respectful of the cherished landscape, and demonstrate a lively range of solutions to building on the bluffs and dunes that line the shores of the Vineyard and Cape Cod. A working organic farm fulfills a family’s dream of simpler values; a luxurious renovation saves the best of an antique shingle cottage while transforming it for contemporary family life and a raised structure clad in naturally weathered boards combines the legacy of midcentury regional modern architecture with Cape Cod’s maritime tradition. The firm is committed to the principle “Build once, well,” looking to the historic architecture of the region and the inherited experience of its carpenters and craftspeople as inspiration for contemporary design. The result is an architecture that is at once adaptable and livable, yet enduring, efficient, inevitable, and appropriate. The houses sit lightly on the land, deferring to their surroundings, often built as a series of modest pavilions linked by passages or grouped to enclose an outdoor space. Creative design solutions—a light-filled gallery running the full length of a house, a continuous wall of sliding glass doors—make houses both open to views, but protective in a storm. Specially commissioned photography captures the craftsmanship and the settings of the houses, from dramatic bluffs overlooking the sea to secluded coves and rolling meadows filled with wildflowers, creating a unique portrait of Cape Cod and Martha’s Vineyard.
If you think Hawaiian interiors begin and end with floral patterns and a little rattan, think again. Hawaii's best designed rooms exude warmth and comfort while protecting privacy and giving artistic expression to their inhabitants. First in every islander's mind is a love of their natural surroundings and a desire to connect to the environment. Situated in the middle of the Pacific Ocean, Hawaii has for centuries been inspired by the cultures of the Pacific Rim, influenced by both Asia and the United States. Hawaii's leading interior designer, Mary Philpotts McGrath, shows you how to get an easy, stylish island look. Peek inside the homes of many of her firm's clients and her good friends. She shows that Hawaiian design is timeless, with a connection to place that transcends fads and fashions.